東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Vocal Lyricism in the Voice of the V...

Shohdy, Valentina Alaaledin.

FindBook

Google Book

Amazon

博客來

Vocal Lyricism in the Voice of the Viola.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Vocal Lyricism in the Voice of the Viola./
作者:	Shohdy, Valentina Alaaledin.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	59 p.
附註:	Source: Dissertations Abstracts International, Volume: 80-04, Section: A.
Contained By:	Dissertations Abstracts International80-04A.
標題:	Music theory. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10825277
ISBN:	9780438457867

Vocal Lyricism in the Voice of the Viola.
Shohdy, Valentina Alaaledin.

Vocal Lyricism in the Voice of the Viola. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 59 p.

Source: Dissertations Abstracts International, Volume: 80-04, Section: A.

Thesis (D.M.A.)--University of Maryland, College Park, 2018.

This item must not be sold to any third party vendors.

This dissertation performance project explores how the interpretation of instrumental music can be influenced and informed by the vocal repertoire of various composers throughout music history. The first recital draws comparisons in compositional style by pairing an instrumental work with a piece of vocal chamber music by the same composer. The first pairing includes two pieces by Johannes Brahms; Zwei Gesange for Alto Voice, Viola, and Piano, Op. 91 and Sonata in E flat Major for Viola and Piano, Op. 120, No. 2, while the second pairing features two pieces by Frank Bridge; Three Songs for Medium Voice, Viola, and Piano and Allegro appassionato and Pensiero for Viola and Piano. The second recital considers how text can inform phrasing and other aspects of interpretation with transcriptions for the viola that were originally written for voice. The first half of the recital features two songs by John Dowland, Flow My Tears and If My Complaints Could Passions Move, which influenced Benjamin Britten to write his Lachrymae, reflections on a song of Dowland for Viola and Piano, Op. 48. The second half of the recital introduces the music of Franz Schubert, first with his Sonata in A minor, "Arpeggione", for Viola and Piano, D. 821, followed by four songs, Wanderers Nachtlied, D. 768, Die Forelle, D. 550, Der Tod und das Madchen, D. 531, and Standchen, D. 957, which later influenced him to write several of his instrumental works. The third recital presents works that were directly inspired by the vocal styles of various cultures and religions around the world. The first half explores the cantorial style of the Hebrew tradition as interpreted through works of two Jewish composers; Joseph Joachim's Hebrew Melodies On Poems of Byron for Viola and Piano, Op. 9 and Ernest Bloch's Suite Hebraique for Viola and Piano. The second half begins with the evolving style of twentieth-century France with Charles Martin Loeffler's Quatre Poemes for Mezzo Soprano, Viola, and Piano, Op. 5, and ends with a snapshot of Russian culture represented by Sergei Rachmaninoff's Vocalise, Op. 34, No. 14, a song originally written for voice without text.

ISBN: 9780438457867Subjects--Topical Terms:

547155
Music theory.
Subjects--Index Terms:

Lyricism

Vocal Lyricism in the Voice of the Viola.
LDR:03307nmm a2200373 4500 001 2268474
005 20200824072314.5
008 220629s2018 ||||||||||||||||| ||eng d
020 $a 9780438457867
035 $a (MiAaPQ)AAI10825277
035 $a (MiAaPQ)umd:19206
035 $a AAI10825277
040 $a MiAaPQ $c MiAaPQ
100 1 $a Shohdy, Valentina Alaaledin. $3 3545758
245 1 0 $a Vocal Lyricism in the Voice of the Viola.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 59 p.
500 $a Source: Dissertations Abstracts International, Volume: 80-04, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Murdock, Katherine H.
502 $a Thesis (D.M.A.)--University of Maryland, College Park, 2018.
506 $a This item must not be sold to any third party vendors.
520 $a This dissertation performance project explores how the interpretation of instrumental music can be influenced and informed by the vocal repertoire of various composers throughout music history. The first recital draws comparisons in compositional style by pairing an instrumental work with a piece of vocal chamber music by the same composer. The first pairing includes two pieces by Johannes Brahms; Zwei Gesange for Alto Voice, Viola, and Piano, Op. 91 and Sonata in E flat Major for Viola and Piano, Op. 120, No. 2, while the second pairing features two pieces by Frank Bridge; Three Songs for Medium Voice, Viola, and Piano and Allegro appassionato and Pensiero for Viola and Piano. The second recital considers how text can inform phrasing and other aspects of interpretation with transcriptions for the viola that were originally written for voice. The first half of the recital features two songs by John Dowland, Flow My Tears and If My Complaints Could Passions Move, which influenced Benjamin Britten to write his Lachrymae, reflections on a song of Dowland for Viola and Piano, Op. 48. The second half of the recital introduces the music of Franz Schubert, first with his Sonata in A minor, "Arpeggione", for Viola and Piano, D. 821, followed by four songs, Wanderers Nachtlied, D. 768, Die Forelle, D. 550, Der Tod und das Madchen, D. 531, and Standchen, D. 957, which later influenced him to write several of his instrumental works. The third recital presents works that were directly inspired by the vocal styles of various cultures and religions around the world. The first half explores the cantorial style of the Hebrew tradition as interpreted through works of two Jewish composers; Joseph Joachim's Hebrew Melodies On Poems of Byron for Viola and Piano, Op. 9 and Ernest Bloch's Suite Hebraique for Viola and Piano. The second half begins with the evolving style of twentieth-century France with Charles Martin Loeffler's Quatre Poemes for Mezzo Soprano, Viola, and Piano, Op. 5, and ends with a snapshot of Russian culture represented by Sergei Rachmaninoff's Vocalise, Op. 34, No. 14, a song originally written for voice without text.
590 $a School code: 0117.
650 4 $a Music theory. $3 547155
650 4 $a Music. $3 516178
653 $a Lyricism
653 $a Viola
653 $a Vocal
653 $a Voice
690 $a 0221
690 $a 0413
710 2 $a University of Maryland, College Park. $b Music. $3 1267375
773 0 $t Dissertations Abstracts International $g 80-04A.
790 $a 0117
791 $a D.M.A.
792 $a 2018
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10825277