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Sexually Objectifying Microaggressio...
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Nelson, Jackie.
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Sexually Objectifying Microaggressions in Film: Using Entertainment for Clinical and Educational Purposes.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Sexually Objectifying Microaggressions in Film: Using Entertainment for Clinical and Educational Purposes./
作者:
Nelson, Jackie.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:
179 p.
附註:
Source: Dissertations Abstracts International, Volume: 81-02, Section: B.
Contained By:
Dissertations Abstracts International81-02B.
標題:
Psychology. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27534746
ISBN:
9781085657303
Sexually Objectifying Microaggressions in Film: Using Entertainment for Clinical and Educational Purposes.
Nelson, Jackie.
Sexually Objectifying Microaggressions in Film: Using Entertainment for Clinical and Educational Purposes.
- Ann Arbor : ProQuest Dissertations & Theses, 2019 - 179 p.
Source: Dissertations Abstracts International, Volume: 81-02, Section: B.
Thesis (Psy.D.)--Antioch University, 2019.
This item must not be sold to any third party vendors.
Our culture is steadily becoming more aware, and less tolerant, of sexual harassment and misconduct. This is particularly evident in the wake of the viral Me Too movement beginning in 2017 which highlighted the breadth of personal experiences of sexual harassment on various social media platforms. Often the focus of these experiences is on overt sexual harassment and assault, but less attention is paid to the buildup that can lead to these terrible events. What is more, is that often these events are attributed to character flaws of the perpetrator without taking covert social norms into perspective. This dissertation takes a social constructivist perspective to concretely define sexually objectifying microaggressions (SOMs), a building block of sexual assault, as well as outline their clinical implications. This was done in the hope of expanding cultural competency of gendered microaggressions for both psychology professionals and students, exposing the potential impact SOMs may have on clinical presentations, and espousing the importance of utilizing modern media to better understand our culture. A qualitative content analysis was conducted on the seven top-grossing PG-13 rated films between the years 2010-2016, beginning with a pilot study analyzing a clip from the top-grossing PG-13 rated film of 2009 to measure inter-rater reliability and construct validity. An extensive literature-based qualitative code book was created to conduct this analysis. Results indicated that SOMs were present in all the films, but saturation longitudinally decreased. SOM targets were primarily protagonist characters with both men and women being equally targeted. The primary SOM perpetrator was found to be the audience or viewer of the films. An unexpected result was the high prevalence of idyllic hypermasculinity in the films. Implications and future research directions will be discussed.
ISBN: 9781085657303Subjects--Topical Terms:
519075
Psychology.
Subjects--Index Terms:
Qualitative
Sexually Objectifying Microaggressions in Film: Using Entertainment for Clinical and Educational Purposes.
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Our culture is steadily becoming more aware, and less tolerant, of sexual harassment and misconduct. This is particularly evident in the wake of the viral Me Too movement beginning in 2017 which highlighted the breadth of personal experiences of sexual harassment on various social media platforms. Often the focus of these experiences is on overt sexual harassment and assault, but less attention is paid to the buildup that can lead to these terrible events. What is more, is that often these events are attributed to character flaws of the perpetrator without taking covert social norms into perspective. This dissertation takes a social constructivist perspective to concretely define sexually objectifying microaggressions (SOMs), a building block of sexual assault, as well as outline their clinical implications. This was done in the hope of expanding cultural competency of gendered microaggressions for both psychology professionals and students, exposing the potential impact SOMs may have on clinical presentations, and espousing the importance of utilizing modern media to better understand our culture. A qualitative content analysis was conducted on the seven top-grossing PG-13 rated films between the years 2010-2016, beginning with a pilot study analyzing a clip from the top-grossing PG-13 rated film of 2009 to measure inter-rater reliability and construct validity. An extensive literature-based qualitative code book was created to conduct this analysis. Results indicated that SOMs were present in all the films, but saturation longitudinally decreased. SOM targets were primarily protagonist characters with both men and women being equally targeted. The primary SOM perpetrator was found to be the audience or viewer of the films. An unexpected result was the high prevalence of idyllic hypermasculinity in the films. Implications and future research directions will be discussed.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27534746
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