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Authenticity and belonging in the no...
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Raine, Sarah.
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Authenticity and belonging in the northern soul scene = the role of history and identity in a multigenerational music culture /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Authenticity and belonging in the northern soul scene/ by Sarah Raine.
其他題名:
the role of history and identity in a multigenerational music culture /
作者:
Raine, Sarah.
出版者:
Cham :Springer International Publishing : : 2020.,
面頁冊數:
xiii, 207 p. :ill., digital ;24 cm.
內容註:
1. We Share the Floor -- 2. "Going to a Happening" -- 3. "Let's Talk It Over" -- 4. "I Got Something Good" -- 5. The History Lesson -- 6. "Back in the Day" -- 7. "I'm Where It's At" -- 8. "Hey Girl Don't Bother Me" -- 9. "A Little Togetherness".
Contained By:
Springer Nature eBook
標題:
Soul music - Social aspects - England, Northern -
電子資源:
https://doi.org/10.1007/978-3-030-41364-4
ISBN:
9783030413644
Authenticity and belonging in the northern soul scene = the role of history and identity in a multigenerational music culture /
Raine, Sarah.
Authenticity and belonging in the northern soul scene
the role of history and identity in a multigenerational music culture /[electronic resource] :by Sarah Raine. - Cham :Springer International Publishing :2020. - xiii, 207 p. :ill., digital ;24 cm. - Palgrave studies in the history of subcultures and popular music,2730-9517. - Palgrave studies in the history of subcultures and popular music..
1. We Share the Floor -- 2. "Going to a Happening" -- 3. "Let's Talk It Over" -- 4. "I Got Something Good" -- 5. The History Lesson -- 6. "Back in the Day" -- 7. "I'm Where It's At" -- 8. "Hey Girl Don't Bother Me" -- 9. "A Little Togetherness".
This book, which builds on a three-year immersive ethnographic study, argues that what scene participants do and say within the northern soul scene constitutes a claim to belong. For younger members, making claims to belong is problematic in a scene where dominant notions of authenticity held by insiders are rooted in a particular past: the places, people, events, and soundscapes of particular venues during the 1970s. In order to engage with this past, young men and women participate in a range of discursive practices. This book argues that these practices, and the ways they intersect and deviate from dominant notions of authenticity, represent shared and individual negotiations of the 'true soulie'. In doing so, it reveals the rich experiences of the younger generation of this multigenerational music scene, and the ways they establish a claim to belong to a scene first formed before they were born.
ISBN: 9783030413644
Standard No.: 10.1007/978-3-030-41364-4doiSubjects--Topical Terms:
3530119
Soul music
--Social aspects--England, Northern
LC Class. No.: ML3537 / .R35 2020
Dewey Class. No.: 781.64409427
Authenticity and belonging in the northern soul scene = the role of history and identity in a multigenerational music culture /
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1. We Share the Floor -- 2. "Going to a Happening" -- 3. "Let's Talk It Over" -- 4. "I Got Something Good" -- 5. The History Lesson -- 6. "Back in the Day" -- 7. "I'm Where It's At" -- 8. "Hey Girl Don't Bother Me" -- 9. "A Little Togetherness".
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This book, which builds on a three-year immersive ethnographic study, argues that what scene participants do and say within the northern soul scene constitutes a claim to belong. For younger members, making claims to belong is problematic in a scene where dominant notions of authenticity held by insiders are rooted in a particular past: the places, people, events, and soundscapes of particular venues during the 1970s. In order to engage with this past, young men and women participate in a range of discursive practices. This book argues that these practices, and the ways they intersect and deviate from dominant notions of authenticity, represent shared and individual negotiations of the 'true soulie'. In doing so, it reveals the rich experiences of the younger generation of this multigenerational music scene, and the ways they establish a claim to belong to a scene first formed before they were born.
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