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Rethinking art and visual culture = ...
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Gronstad, Asbjorn Skarsvag.
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Rethinking art and visual culture = the poetics of opacity /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Rethinking art and visual culture/ by Asbjorn Skarsvag Gronstad.
其他題名:
the poetics of opacity /
作者:
Gronstad, Asbjorn Skarsvag.
出版者:
Cham :Springer International Publishing : : 2020.,
面頁冊數:
ix, 196 p. :ill., digital ;24 cm.
內容註:
Chapter 1. Introduction: The Devotion to Transparency Versus Virtues of Opacity -- Chapter 2 - On the Concept of Opacity in Art and Theory -- Chapter 3 - Boundaries of Discernibility: Ernie Gehr -- Chapter 4 - Archival Ghosts, or the Elsewhere of the Image: John Akomfrah -- Chapter 5 - The Shape of the Secret: Matt Saunders -- Chapter 6 - And Dark Within: David Lynch -- Chapter 7 - A Hermeneutics of the Black Site: Trevor Paglen -- Chapter 8 - Faceless, Nameless: Zach Blas -- Chapter 9- Sublime Static: Low -- Afterword.
Contained By:
Springer Nature eBook
標題:
Aesthetics. -
電子資源:
https://doi.org/10.1007/978-3-030-46176-8
ISBN:
9783030461768
Rethinking art and visual culture = the poetics of opacity /
Gronstad, Asbjorn Skarsvag.
Rethinking art and visual culture
the poetics of opacity /[electronic resource] :by Asbjorn Skarsvag Gronstad. - Cham :Springer International Publishing :2020. - ix, 196 p. :ill., digital ;24 cm.
Chapter 1. Introduction: The Devotion to Transparency Versus Virtues of Opacity -- Chapter 2 - On the Concept of Opacity in Art and Theory -- Chapter 3 - Boundaries of Discernibility: Ernie Gehr -- Chapter 4 - Archival Ghosts, or the Elsewhere of the Image: John Akomfrah -- Chapter 5 - The Shape of the Secret: Matt Saunders -- Chapter 6 - And Dark Within: David Lynch -- Chapter 7 - A Hermeneutics of the Black Site: Trevor Paglen -- Chapter 8 - Faceless, Nameless: Zach Blas -- Chapter 9- Sublime Static: Low -- Afterword.
This is the first book to offer a systematic account of the concept of opacity in the aesthetic field. Engaging with works by Ernie Gehr, John Akomfrah, Matt Saunders, David Lynch, Trevor Paglen, Zach Blas, and Low, the study considers the cultural, epistemological, and ethical values of images and sounds that are fuzzy, indeterminate, distorted, degraded, or otherwise indistinct. Rethinking Art and Visual Culture shows how opaque forms of art address problems of mediation, knowledge, and information. It also intervenes in current debates about new systems of visibility and surveillance by explaining how indefinite art provides a critique of the positivist drive behind these regimes. A timely contribution to media theory, cinema studies, American studies, and aesthetics, the book presents a novel and extensive analysis of the politics of transparency.
ISBN: 9783030461768
Standard No.: 10.1007/978-3-030-46176-8doiSubjects--Topical Terms:
523036
Aesthetics.
LC Class. No.: N66
Dewey Class. No.: 701
Rethinking art and visual culture = the poetics of opacity /
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Chapter 1. Introduction: The Devotion to Transparency Versus Virtues of Opacity -- Chapter 2 - On the Concept of Opacity in Art and Theory -- Chapter 3 - Boundaries of Discernibility: Ernie Gehr -- Chapter 4 - Archival Ghosts, or the Elsewhere of the Image: John Akomfrah -- Chapter 5 - The Shape of the Secret: Matt Saunders -- Chapter 6 - And Dark Within: David Lynch -- Chapter 7 - A Hermeneutics of the Black Site: Trevor Paglen -- Chapter 8 - Faceless, Nameless: Zach Blas -- Chapter 9- Sublime Static: Low -- Afterword.
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This is the first book to offer a systematic account of the concept of opacity in the aesthetic field. Engaging with works by Ernie Gehr, John Akomfrah, Matt Saunders, David Lynch, Trevor Paglen, Zach Blas, and Low, the study considers the cultural, epistemological, and ethical values of images and sounds that are fuzzy, indeterminate, distorted, degraded, or otherwise indistinct. Rethinking Art and Visual Culture shows how opaque forms of art address problems of mediation, knowledge, and information. It also intervenes in current debates about new systems of visibility and surveillance by explaining how indefinite art provides a critique of the positivist drive behind these regimes. A timely contribution to media theory, cinema studies, American studies, and aesthetics, the book presents a novel and extensive analysis of the politics of transparency.
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