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Affirmative aesthetics and wilful wo...

Ceuterick, Maud.

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Affirmative aesthetics and wilful women = gender, space and mobility in contemporary cinema /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Affirmative aesthetics and wilful women/ by Maud Ceuterick.
Reminder of title:	gender, space and mobility in contemporary cinema /
Author:	Ceuterick, Maud.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	xvi, 186 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction: Affirmative ethics, wilfulness, and affects as forms -- 2. Urban wanderer and wilful performances: Head-on (Gegen die wand) -- 3. Housing wilfulness: Wadjda -- 4. Lived body, affects and cars: Friday night (Vendredi soir) -- 5. Conclusion: Affirmative aesthetics.
Contained By:	Springer Nature eBook
Subject:	Sex role in motion pictures. -
Online resource:	https://doi.org/10.1007/978-3-030-37039-8
ISBN:	9783030370398

Affirmative aesthetics and wilful women = gender, space and mobility in contemporary cinema /
Ceuterick, Maud.

Affirmative aesthetics and wilful womengender, space and mobility in contemporary cinema /[electronic resource] :by Maud Ceuterick. - Cham :Springer International Publishing :2020. - xvi, 186 p. :ill., digital ;24 cm.

1. Introduction: Affirmative ethics, wilfulness, and affects as forms -- 2. Urban wanderer and wilful performances: Head-on (Gegen die wand) -- 3. Housing wilfulness: Wadjda -- 4. Lived body, affects and cars: Friday night (Vendredi soir) -- 5. Conclusion: Affirmative aesthetics.

Open access.

While the idea of women who stay at home and men who dominate the streets may seem outdated, binary considerations of gender, space, and power still proliferate in contemporary cinema. This open access book adopts a fluid approach to space designed to accommodate wilful, affirmative, and imaginative perspectives of gender on screen. Through close analysis, or micro-analysis, of Messidor (Alain Tanner, 1979), Vendredi Soir (Claire Denis, 2002), Wadjda (Haifaa Al-Mansour, 2012), and Head-On (Fatih Akin, 2004), this book looks for light, textures, rhythms, movement, and sound that give shape to affirmative forms, forms that contribute to rewriting bodies and spaces-such as cars, homes, and city streets-that reject traditional gender and power structures. Wilful women drive this book forward, through movement and pauses, imagination and desire, persistence and dissimulation, eroticism, performance and abjection.

ISBN: 9783030370398

Standard No.: 10.1007/978-3-030-37039-8doiSubjects--Topical Terms:

540629
Sex role in motion pictures.

LC Class. No.: PN1995.9.S47 / C4 2020

Dewey Class. No.: 791.43653

Affirmative aesthetics and wilful women = gender, space and mobility in contemporary cinema /
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505 0 $a 1. Introduction: Affirmative ethics, wilfulness, and affects as forms -- 2. Urban wanderer and wilful performances: Head-on (Gegen die wand) -- 3. Housing wilfulness: Wadjda -- 4. Lived body, affects and cars: Friday night (Vendredi soir) -- 5. Conclusion: Affirmative aesthetics.
506 $a Open access.
520 $a While the idea of women who stay at home and men who dominate the streets may seem outdated, binary considerations of gender, space, and power still proliferate in contemporary cinema. This open access book adopts a fluid approach to space designed to accommodate wilful, affirmative, and imaginative perspectives of gender on screen. Through close analysis, or micro-analysis, of Messidor (Alain Tanner, 1979), Vendredi Soir (Claire Denis, 2002), Wadjda (Haifaa Al-Mansour, 2012), and Head-On (Fatih Akin, 2004), this book looks for light, textures, rhythms, movement, and sound that give shape to affirmative forms, forms that contribute to rewriting bodies and spaces-such as cars, homes, and city streets-that reject traditional gender and power structures. Wilful women drive this book forward, through movement and pauses, imagination and desire, persistence and dissimulation, eroticism, performance and abjection.
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