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Collective trauma and the psychology...
~
Porter, Deborah Lynn.
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Collective trauma and the psychology of secrets in transnational film
Record Type:
Electronic resources : Monograph/item
Title/Author:
Collective trauma and the psychology of secrets in transnational film/ Deborah Lynn Porter.
Author:
Porter, Deborah Lynn.
Published:
London :Routledge, : 2018.,
Description:
1 online resource (x, 247 p.)
Subject:
Identity (Psychology) in motion pictures. -
Online resource:
https://www.taylorfrancis.com/books/9781351246064
ISBN:
9781351246064 (ebk.)
Collective trauma and the psychology of secrets in transnational film
Porter, Deborah Lynn.
Collective trauma and the psychology of secrets in transnational film
[electronic resource] /Deborah Lynn Porter. - London :Routledge,2018. - 1 online resource (x, 247 p.) - Routledge Advances in Film Studies.
"Collective Trauma and the Psychology of Secrets in Transnational Film advances a methodological line of inquiry based on a fresh insight into the ways in which cinematic meaning is generated and can be ascertained. Premised on a critical reading strategy informed by a metapsychology of secrets, the book features analyses of internationally acclaimed films--Guillermo del Torro's Pan's Labyrinth, Andrey Zvyagintsev's The Return, Jee-woon Kim's A Tale of Two Sisters, and Alejandro AmenÁbar's The Others. It demonstrates how a rethinking of the figure of the secret in national film yields a new vantage point for examining heretofore unrecognized connections between collective historical experience, cinematic production and a transnational aesthetic of concealment and hiding."--Provided by publisher.
ISBN: 9781351246064 (ebk.)Subjects--Topical Terms:
885163
Identity (Psychology) in motion pictures.
LC Class. No.: PN1995.9.T6855 / P67 2018
Dewey Class. No.: 791.43611
Collective trauma and the psychology of secrets in transnational film
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"Collective Trauma and the Psychology of Secrets in Transnational Film advances a methodological line of inquiry based on a fresh insight into the ways in which cinematic meaning is generated and can be ascertained. Premised on a critical reading strategy informed by a metapsychology of secrets, the book features analyses of internationally acclaimed films--Guillermo del Torro's Pan's Labyrinth, Andrey Zvyagintsev's The Return, Jee-woon Kim's A Tale of Two Sisters, and Alejandro AmenÁbar's The Others. It demonstrates how a rethinking of the figure of the secret in national film yields a new vantage point for examining heretofore unrecognized connections between collective historical experience, cinematic production and a transnational aesthetic of concealment and hiding."--Provided by publisher.
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https://www.taylorfrancis.com/books/9781351246064
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W9407370
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EB PN1995.9.T6855 P67 2018
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