東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The wall beside the work = the place...

Pigrum, Derek.

FindBook

Google Book

Amazon

博客來

The wall beside the work = the place of the charged image in transitional artistic practices /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The wall beside the work/ by Derek Pigrum.
其他題名:	the place of the charged image in transitional artistic practices /
作者:	Pigrum, Derek.
出版者:	Cham :Springer International Publishing : : 2021.,
面頁冊數:	xxv, 210 p. :ill. (some col.), digital ;24 cm.
內容註:	Introduction -- The Web of Multi-Mode Transitional Practices -- The Work of the Wall -- Potential Space and the Charge of the Transitional object -- The Place of the Studio -- The Wall Beside the Work -- off the Wall(floor) into the Work -- When the Wall becomes a work -- other Walls, other Work -- The Wall beside the Work as a Theatre of Memory -- Not just another brick in the wall -- Serendipity: The Bridge between Painting and Science -- Conclusion.
Contained By:	Springer Nature eBook
標題:	Art - Philosophy. -
電子資源:	https://doi.org/10.1007/978-3-030-71629-5
ISBN:	9783030716295

The wall beside the work = the place of the charged image in transitional artistic practices /
Pigrum, Derek.

The wall beside the workthe place of the charged image in transitional artistic practices /[electronic resource] :by Derek Pigrum. - Cham :Springer International Publishing :2021. - xxv, 210 p. :ill. (some col.), digital ;24 cm. - Numanities - arts and humanities in progress,v.172510-442X ;. - Numanities - arts and humanities in progress ;v.17..

Introduction -- The Web of Multi-Mode Transitional Practices -- The Work of the Wall -- Potential Space and the Charge of the Transitional object -- The Place of the Studio -- The Wall Beside the Work -- off the Wall(floor) into the Work -- When the Wall becomes a work -- other Walls, other Work -- The Wall beside the Work as a Theatre of Memory -- Not just another brick in the wall -- Serendipity: The Bridge between Painting and Science -- Conclusion.

This book is about the way artists generate an endless chain of substitute objects for something they can never quite find. It explores the work involved in art with a focus upon finding, gathering, and assembling charged and auratic objects on the wall beside the work. The author employs the term Das Gegenwerk or the work towards the work. This concept avoids definitive closure and expands the notion of drafting and related practices to include qualitative research methods. The multi-mode transitional practices of Das Gegenwerk are devoid of any demand for a preconceived goal but instead hinge upon the provisional and indeterminate. As such, it is a far cry from the binary logic of the computer and the design cycle but is of interest to an audience engaged with both. Das Gegenwerk hinges on our capacity to respond to the outside rather than the inwardness often attributed to creative agency. A fundamental belief of the book is that by investigating and adapting the practices of expert practitioners, we can gain an understanding of high-level creativity. It is neither a recipe nor a linear or cyclic approach. Rather, artistic creation is an interweave of transitional multi-mode practices where the overriding emphasis is on the handling or habituation of transitional materials in physical place. The author addresses the urgent need to provide a balance between the promise of new technology and our capacity to both respond to and work with what the world bestows.

ISBN: 9783030716295

Standard No.: 10.1007/978-3-030-71629-5doiSubjects--Topical Terms:

523037
Art
--Philosophy.

LC Class. No.: N70 / .P54 2021

Dewey Class. No.: 701

The wall beside the work = the place of the charged image in transitional artistic practices /
LDR:03042nmm a2200337 a 4500 001 2245068
003 DE-He213
005 20210626200646.0
006 m d
007 cr nn 008maaau
008 211207s2021 sz s 0 eng d
020 $a 9783030716295 $q (electronic bk.)
020 $a 9783030716288 $q (paper)
024 7 $a 10.1007/978-3-030-71629-5 $2 doi
035 $a 978-3-030-71629-5
040 $a GP $c GP
041 0 $a eng
050 4 $a N70 $b .P54 2021
072 7 $a HPCF $2 bicssc
072 7 $a PHI016000 $2 bisacsh
072 7 $a QDHR $2 thema
082 0 4 $a 701 $2 23
090 $a N70 $b .P633 2021
100 1 $a Pigrum, Derek. $3 3334927
245 1 4 $a The wall beside the work $h [electronic resource] : $b the place of the charged image in transitional artistic practices / $c by Derek Pigrum.
260 $a Cham : $b Springer International Publishing : $b Imprint: Springer, $c 2021.
300 $a xxv, 210 p. : $b ill. (some col.), digital ; $c 24 cm.
490 1 $a Numanities - arts and humanities in progress, $x 2510-442X ; $v v.17
505 0 $a Introduction -- The Web of Multi-Mode Transitional Practices -- The Work of the Wall -- Potential Space and the Charge of the Transitional object -- The Place of the Studio -- The Wall Beside the Work -- off the Wall(floor) into the Work -- When the Wall becomes a work -- other Walls, other Work -- The Wall beside the Work as a Theatre of Memory -- Not just another brick in the wall -- Serendipity: The Bridge between Painting and Science -- Conclusion.
520 $a This book is about the way artists generate an endless chain of substitute objects for something they can never quite find. It explores the work involved in art with a focus upon finding, gathering, and assembling charged and auratic objects on the wall beside the work. The author employs the term Das Gegenwerk or the work towards the work. This concept avoids definitive closure and expands the notion of drafting and related practices to include qualitative research methods. The multi-mode transitional practices of Das Gegenwerk are devoid of any demand for a preconceived goal but instead hinge upon the provisional and indeterminate. As such, it is a far cry from the binary logic of the computer and the design cycle but is of interest to an audience engaged with both. Das Gegenwerk hinges on our capacity to respond to the outside rather than the inwardness often attributed to creative agency. A fundamental belief of the book is that by investigating and adapting the practices of expert practitioners, we can gain an understanding of high-level creativity. It is neither a recipe nor a linear or cyclic approach. Rather, artistic creation is an interweave of transitional multi-mode practices where the overriding emphasis is on the handling or habituation of transitional materials in physical place. The author addresses the urgent need to provide a balance between the promise of new technology and our capacity to both respond to and work with what the world bestows.
650 0 $a Art $x Philosophy. $3 523037
650 0 $a Creation (Literary, artistic, etc.) $3 529080
650 1 4 $a Modern Philosophy. $3 896984
650 2 4 $a Fine Arts. $3 891065
650 2 4 $a Interior Architecture and Design. $3 3218480
650 2 4 $a Learning & Instruction. $3 893930
710 2 $a SpringerLink (online service) $3 3506464
773 0 $t Springer Nature eBook
830 0 $a Numanities - arts and humanities in progress ; $v v.17. $3 3506495
856 4 0 $u https://doi.org/10.1007/978-3-030-71629-5
950 $a Religion and Philosophy (SpringerNature-41175)