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The North East of England on film an...

Leggott, James.

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The North East of England on film and television

Record Type:	Electronic resources : Monograph/item
Title/Author:	The North East of England on film and television/ by James Leggott.
Author:	Leggott, James.
Published:	Cham :Springer International Publishing : : 2021.,
Description:	xii, 230 p. :ill., digital ;24 cm.
[NT 15003449]:	Chapter 1. Introduction -- Chapter 2. Early Representations of the North East -- Chapter 3. Native Voices: North-East Drama Writers on Television in the 1970s -- Chapter 4. The Workshop movement in the 1980s: Alternative Visions of the North East -- Chapter 5. Comedy, Television and the North East -- Chapter 6. Histories of the North East -- Chapter 7. Crime Film and Television -- Chapter 8. The North East in the Twenty-First Century: New Realities.
Contained By:	Springer Nature eBook
Subject:	British Cinema and TV. -
Subject:	England, North East - In motion pictures. -
Online resource:	https://doi.org/10.1007/978-3-030-69146-2
ISBN:	9783030691462

The North East of England on film and television
Leggott, James.

The North East of England on film and television[electronic resource] /by James Leggott. - Cham :Springer International Publishing :2021. - xii, 230 p. :ill., digital ;24 cm.

Chapter 1. Introduction -- Chapter 2. Early Representations of the North East -- Chapter 3. Native Voices: North-East Drama Writers on Television in the 1970s -- Chapter 4. The Workshop movement in the 1980s: Alternative Visions of the North East -- Chapter 5. Comedy, Television and the North East -- Chapter 6. Histories of the North East -- Chapter 7. Crime Film and Television -- Chapter 8. The North East in the Twenty-First Century: New Realities.

"James Leggott's timely book reminds us of the rich seam of film and television set in the North East of England, whilst also pointing to the unfair way it has often been overlooked by scholars. In lucid, accessible prose he unpicks the myths and stereotypes that have sometimes characterised these depictions and steers us towards the richer, complex stories that have been produced by those who know the region first-hand. This is a meticulously researched volume that balances breadth of coverage with detailed analysis of key case studies, providing telling insights throughout."-- Professor Robert Shail, Leeds Beckett University This book analyses the representation of North-East England in film and television. It is a response to the way a number of important British films and programmes-for example, Get Carter (1971), Whatever Happened to the Likely Lads (1973-74), Our Friends in the North (1996) and Billy Elliot (2000)-have used this particular setting to explore questions of class, identity and history. It argues for the significance and coherence of a North-East corpus of film and television through a series of case studies relating to specific eras or types of representation. These include regional writers working for television in the 1970s, the achievements of the workshop movement in the 1980s and works produced within the genres of documentary, crime drama, comedy, period drama and reality television. The book discusses how the communities and landscapes of the region have been used to explore processes of cultural change, and legacies of de-industrialisation. James Leggott is Associate Professor in Film and Television Studies at Northumbria University, UK. He is the author of books on contemporary British cinema, and the films of the Amber Collective. He has published on various aspects of British film and television including period drama, comedy and documentary.

ISBN: 9783030691462

Standard No.: 10.1007/978-3-030-69146-2doiSubjects--Uniform Titles:

Get Carter (Motion picture : 1971)
Subjects--Topical Terms:

3383490
British Cinema and TV.
Subjects--Geographical Terms:

3506071
England, North East
--In motion pictures.

LC Class. No.: PN1993.5.G7 / L45 2021

Dewey Class. No.: 791.4362428

The North East of England on film and television
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505 0 $a Chapter 1. Introduction -- Chapter 2. Early Representations of the North East -- Chapter 3. Native Voices: North-East Drama Writers on Television in the 1970s -- Chapter 4. The Workshop movement in the 1980s: Alternative Visions of the North East -- Chapter 5. Comedy, Television and the North East -- Chapter 6. Histories of the North East -- Chapter 7. Crime Film and Television -- Chapter 8. The North East in the Twenty-First Century: New Realities.
520 $a "James Leggott's timely book reminds us of the rich seam of film and television set in the North East of England, whilst also pointing to the unfair way it has often been overlooked by scholars. In lucid, accessible prose he unpicks the myths and stereotypes that have sometimes characterised these depictions and steers us towards the richer, complex stories that have been produced by those who know the region first-hand. This is a meticulously researched volume that balances breadth of coverage with detailed analysis of key case studies, providing telling insights throughout."-- Professor Robert Shail, Leeds Beckett University This book analyses the representation of North-East England in film and television. It is a response to the way a number of important British films and programmes-for example, Get Carter (1971), Whatever Happened to the Likely Lads (1973-74), Our Friends in the North (1996) and Billy Elliot (2000)-have used this particular setting to explore questions of class, identity and history. It argues for the significance and coherence of a North-East corpus of film and television through a series of case studies relating to specific eras or types of representation. These include regional writers working for television in the 1970s, the achievements of the workshop movement in the 1980s and works produced within the genres of documentary, crime drama, comedy, period drama and reality television. The book discusses how the communities and landscapes of the region have been used to explore processes of cultural change, and legacies of de-industrialisation. James Leggott is Associate Professor in Film and Television Studies at Northumbria University, UK. He is the author of books on contemporary British cinema, and the films of the Amber Collective. He has published on various aspects of British film and television including period drama, comedy and documentary.
630 0 0 $a Get Carter (Motion picture : 1971) $3 3506073
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650 2 4 $a Regionalism. $3 562373
650 2 4 $a Landscape/Regional and Urban Planning. $3 895103
651 0 $a England, North East $x In motion pictures. $3 3506071
651 0 $a England, North East $x On television. $3 3506072
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