東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The origins of transmedia storytelli...

Weedon, Alexis.

FindBook

Google Book

Amazon

博客來

The origins of transmedia storytelling in early twentieth century adaptation

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The origins of transmedia storytelling in early twentieth century adaptation/ by Alexis Weedon.
作者:	Weedon, Alexis.
出版者:	Cham :Springer International Publishing : : 2021.,
面頁冊數:	xix, 281 p. :ill., digital ;24 cm.
內容註:	Chapter 1. Introduction -- Chapter 2. Storytellers and the participatory audience -- Chapter 3. Writing across media: the techniques of Clemence Dane -- Chapter 4. Adaptations of Elizabeth I and Shakespeare by Clemence Dane -- Chapter 5. Novelist as a Pierrot: G.B. Stern on women and role-playing identity, etc.
Contained By:	Springer Nature eBook
標題:	English fiction - History and criticism. - 20th century -
電子資源:	https://doi.org/10.1007/978-3-030-72476-4
ISBN:	9783030724764

The origins of transmedia storytelling in early twentieth century adaptation
Weedon, Alexis.

The origins of transmedia storytelling in early twentieth century adaptation[electronic resource] /by Alexis Weedon. - Cham :Springer International Publishing :2021. - xix, 281 p. :ill., digital ;24 cm.

Chapter 1. Introduction -- Chapter 2. Storytellers and the participatory audience -- Chapter 3. Writing across media: the techniques of Clemence Dane -- Chapter 4. Adaptations of Elizabeth I and Shakespeare by Clemence Dane -- Chapter 5. Novelist as a Pierrot: G.B. Stern on women and role-playing identity, etc.

'Impeccably researched and rigorously argued, Weedon's book offers a precise historical study of a period and culture when adaptation practices and transmedia storytelling were just beginning to take shape as a fascinating anticipation of the twenty-first century.' - Timothy Corrigan, Professor Emeritus of English, Cinema Studies, and History of Art, University of Pennsylvania, USA. This book explores the significance of professional writers and their role in developing British storytelling in the 1920s and 1930s, and their influence on the poetics of today's transmedia storytelling. Modern techniques can be traced back to the early twentieth century when film, radio and television provided professional writers with new formats and revenue streams for their fiction. The book explores the contribution of four British authors, household names in their day, who adapted work for film, television and radio. Although celebrities between the wars, Clemence Dane, G.B. Stern, Hugh Walpole and A.E.W Mason have fallen from view. The popular playwright Dane, witty novelist Stern and raconteur Walpole have been marginalised for being German, Jewish, female or gay and Mason's contribution to film has been overlooked also. It argues that these and other vocational authors should be reassessed for their contribution to new media forms of storytelling. The book makes a significant contribution in the fields of media studies, adaptation studies, and the literary middlebrow.

ISBN: 9783030724764

Standard No.: 10.1007/978-3-030-72476-4doiSubjects--Personal Names:

3506054
Dane, Clemence
--Adaptations.Subjects--Topical Terms:

537366
English fiction
--History and criticism.--20th century

LC Class. No.: PR881 / .W443 2021

Dewey Class. No.: 823.9109

The origins of transmedia storytelling in early twentieth century adaptation
LDR:02807nmm a2200325 a 4500 001 2244812
003 DE-He213
005 20210703074601.0
006 m d
007 cr nn 008maaau
008 211207s2021 sz s 0 eng d
020 $a 9783030724764 $q (electronic bk.)
020 $a 9783030724757 $q (paper)
024 7 $a 10.1007/978-3-030-72476-4 $2 doi
035 $a 978-3-030-72476-4
040 $a GP $c GP
041 0 $a eng
050 4 $a PR881 $b .W443 2021
072 7 $a DSB $2 bicssc
072 7 $a LIT000000 $2 bisacsh
072 7 $a DSB $2 thema
082 0 4 $a 823.9109 $2 23
090 $a PR881 $b .W394 2021
100 1 $a Weedon, Alexis. $3 3506053
245 1 4 $a The origins of transmedia storytelling in early twentieth century adaptation $h [electronic resource] / $c by Alexis Weedon.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2021.
300 $a xix, 281 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1. Introduction -- Chapter 2. Storytellers and the participatory audience -- Chapter 3. Writing across media: the techniques of Clemence Dane -- Chapter 4. Adaptations of Elizabeth I and Shakespeare by Clemence Dane -- Chapter 5. Novelist as a Pierrot: G.B. Stern on women and role-playing identity, etc.
520 $a 'Impeccably researched and rigorously argued, Weedon's book offers a precise historical study of a period and culture when adaptation practices and transmedia storytelling were just beginning to take shape as a fascinating anticipation of the twenty-first century.' - Timothy Corrigan, Professor Emeritus of English, Cinema Studies, and History of Art, University of Pennsylvania, USA. This book explores the significance of professional writers and their role in developing British storytelling in the 1920s and 1930s, and their influence on the poetics of today's transmedia storytelling. Modern techniques can be traced back to the early twentieth century when film, radio and television provided professional writers with new formats and revenue streams for their fiction. The book explores the contribution of four British authors, household names in their day, who adapted work for film, television and radio. Although celebrities between the wars, Clemence Dane, G.B. Stern, Hugh Walpole and A.E.W Mason have fallen from view. The popular playwright Dane, witty novelist Stern and raconteur Walpole have been marginalised for being German, Jewish, female or gay and Mason's contribution to film has been overlooked also. It argues that these and other vocational authors should be reassessed for their contribution to new media forms of storytelling. The book makes a significant contribution in the fields of media studies, adaptation studies, and the literary middlebrow.
600 1 0 $a Dane, Clemence $x Adaptations. $3 3506054
600 1 0 $a Stern, G. B. $q (Gladys Bronwyn), $d 1890-1973 $x Adaptations. $3 3506055
600 1 0 $a Walpole, Hugh, $d 1884-1941 $x Adaptations. $3 3506056
600 1 0 $a Mason, A. E. W. $q (Alfred Edward Woodley), $d 1865-1948 $x Adaptations. $3 3506057
650 0 $a English fiction $y 20th century $x History and criticism. $3 537366
650 0 $a Authors, English $y 20th century. $3 720074
650 0 $a Storytelling in mass media. $3 2088017
650 0 $a Digital storytelling. $3 621453
650 1 4 $a Literature and Technology/Media. $3 2195339
650 2 4 $a Twentieth-Century Literature. $3 2182347
650 2 4 $a Media and Communication. $3 2187136
650 2 4 $a Screen Studies. $3 3383518
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-030-72476-4
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)