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Audio technology, music, and media =...
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Ashbourn, Julian.
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Audio technology, music, and media = from sound wave to reproduction /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Audio technology, music, and media/ by Julian Ashbourn.
其他題名:
from sound wave to reproduction /
作者:
Ashbourn, Julian.
出版者:
Cham :Springer International Publishing : : 2021.,
面頁冊數:
xii, 142 p. :ill., digital ;24 cm.
內容註:
Introduction -- How the war changed audio -- The V record label for US troops -- Stereo sound, multi-channel sound, film sound and more -- The physics of sound -- The advent of tape and moving coil microphones -- The development of microphone techniques -- Multi-channel Tape recorders -- The advent of the Big Studios -- The record business -- The Maverick producers and freelance engineers -- The big time with 24 track everywhere and heaps of signal processing -- How the technology changed the music -- Classical music recording is effectively broken by the technology -- Digital arrives, but something is not right -- A to D and D to A convertors and compressors in the digital domain -- High resolution Digital recording and re-sampling -- Lossless compression -- The revolution in playback technology -- The social revolution in consumed music -- The change in musicians -- How to do things properly -- The use of Digital Audio Workstations and the impact on music -- Why recordings sound worse now than they did in the 50s and 60s -- Music and Civilisation and why it is important -- Where is the future archive for serious music being produced now -- Are advances in technology always good -- Teaching Audio Engineers -- The future -- Conclusion.
Contained By:
Springer Nature eBook
標題:
Sound - Recording and reproducing. -
電子資源:
https://doi.org/10.1007/978-3-030-62429-3
ISBN:
9783030624293
Audio technology, music, and media = from sound wave to reproduction /
Ashbourn, Julian.
Audio technology, music, and media
from sound wave to reproduction /[electronic resource] :by Julian Ashbourn. - Cham :Springer International Publishing :2021. - xii, 142 p. :ill., digital ;24 cm.
Introduction -- How the war changed audio -- The V record label for US troops -- Stereo sound, multi-channel sound, film sound and more -- The physics of sound -- The advent of tape and moving coil microphones -- The development of microphone techniques -- Multi-channel Tape recorders -- The advent of the Big Studios -- The record business -- The Maverick producers and freelance engineers -- The big time with 24 track everywhere and heaps of signal processing -- How the technology changed the music -- Classical music recording is effectively broken by the technology -- Digital arrives, but something is not right -- A to D and D to A convertors and compressors in the digital domain -- High resolution Digital recording and re-sampling -- Lossless compression -- The revolution in playback technology -- The social revolution in consumed music -- The change in musicians -- How to do things properly -- The use of Digital Audio Workstations and the impact on music -- Why recordings sound worse now than they did in the 50s and 60s -- Music and Civilisation and why it is important -- Where is the future archive for serious music being produced now -- Are advances in technology always good -- Teaching Audio Engineers -- The future -- Conclusion.
ISBN: 9783030624293
Standard No.: 10.1007/978-3-030-62429-3doiSubjects--Topical Terms:
561286
Sound
--Recording and reproducing.
LC Class. No.: TK7881.4
Dewey Class. No.: 621.3893
Audio technology, music, and media = from sound wave to reproduction /
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Introduction -- How the war changed audio -- The V record label for US troops -- Stereo sound, multi-channel sound, film sound and more -- The physics of sound -- The advent of tape and moving coil microphones -- The development of microphone techniques -- Multi-channel Tape recorders -- The advent of the Big Studios -- The record business -- The Maverick producers and freelance engineers -- The big time with 24 track everywhere and heaps of signal processing -- How the technology changed the music -- Classical music recording is effectively broken by the technology -- Digital arrives, but something is not right -- A to D and D to A convertors and compressors in the digital domain -- High resolution Digital recording and re-sampling -- Lossless compression -- The revolution in playback technology -- The social revolution in consumed music -- The change in musicians -- How to do things properly -- The use of Digital Audio Workstations and the impact on music -- Why recordings sound worse now than they did in the 50s and 60s -- Music and Civilisation and why it is important -- Where is the future archive for serious music being produced now -- Are advances in technology always good -- Teaching Audio Engineers -- The future -- Conclusion.
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