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Contemporary revolutions = turning b...

Friedman, Susan Stanford,

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Contemporary revolutions = turning back to the future in 21st-century literature and art /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Contemporary revolutions/ edited by Susan Stanford Friedman.
其他題名:	turning back to the future in 21st-century literature and art /
其他題名:	Back to the future in 21st-century literature and art
其他作者:	Friedman, Susan Stanford,
出版者:	London :Bloomsbury Academic, : 2018.,
面頁冊數:	1 online resource (xi, 245 p.)
附註:	Contributions to a panel on "Revolving Modernisms, Recycling Revolutions" held at the 2015 Modernist Studies Association Conference in Boston. The conference's unifying theme was Revolution, a gesture toward the city as a birthplace of the American Revolution. The panel grew out of the recognition of contradictory meanings hidden in the etymology of the word revolution. Revolution originally meant a turning back, a rotation back to move forward, as in the cycle of the planets; later, revolution came to mean radical overthrow, rupture, change, particularly of political systems and the social order.
內容註:	List of Figures -- Notes on Contributors -- Beginnings. Introduction: "The Past in the Present: Temporalities of the Contemporary" ; Chapter 1: "Recycling Revolution: Re-mixing A Room of One's Own and Black Power in Kabe Wilson's Performance, Installation, and Narrative Art" -- Recycles: Aesthetics of Unsewing and Blacking Out. Chapter 2: "Stitch Works: Ellen Bell's Unpicking Aesthetics and Victorian Women's Creative Labor" ; Chapter 3: "Make It Niu: Blacking Out of Albert Wendt's Pouliuli the Tusitala Way"-- Revolutions: Arts of Resistance. Chapter 4: "Curating the Syrian Revolution Online" ; Chapter 5: "A Thousand Times No!: Spray Painting as Resistance and the Visual History of the Lam-Alif" -- Restages: Palimpsests of the Past. Chapter 6: "The Folds of History in William Kentridge's Black Box Theatre: Sampling German Nazism and Colonialism" ; Chapter 7: "The Revolutions of Antjie Krog's Lady Anne: A Chronicle in Verse." -- Rereads: Then, Now. Chapter 8: "Repair Work, Despair Work: W. G. Sebald's Contending Modernisms" ; Chapter 9: "On Rereading Woolf's Orlando as Transgender Text" -- Index.
標題:	Art, Modern - Congresses. - History and criticism - 21st century -
電子資源:	https://doi.org/10.5040/9781350045323?locatt=label:secondary_bloomsburyCollections
ISBN:	9781350045323 (ebk.)

Contemporary revolutions = turning back to the future in 21st-century literature and art /
Contemporary revolutionsturning back to the future in 21st-century literature and art /[electronic resource] :Back to the future in 21st-century literature and artedited by Susan Stanford Friedman. - London :Bloomsbury Academic,2018. - 1 online resource (xi, 245 p.)

Contributions to a panel on "Revolving Modernisms, Recycling Revolutions" held at the 2015 Modernist Studies Association Conference in Boston. The conference's unifying theme was Revolution, a gesture toward the city as a birthplace of the American Revolution. The panel grew out of the recognition of contradictory meanings hidden in the etymology of the word revolution. Revolution originally meant a turning back, a rotation back to move forward, as in the cycle of the planets; later, revolution came to mean radical overthrow, rupture, change, particularly of political systems and the social order.

Includes bibliographical references and index.

List of Figures -- Notes on Contributors -- Beginnings. Introduction: "The Past in the Present: Temporalities of the Contemporary" ; Chapter 1: "Recycling Revolution: Re-mixing A Room of One's Own and Black Power in Kabe Wilson's Performance, Installation, and Narrative Art" -- Recycles: Aesthetics of Unsewing and Blacking Out. Chapter 2: "Stitch Works: Ellen Bell's Unpicking Aesthetics and Victorian Women's Creative Labor" ; Chapter 3: "Make It Niu: Blacking Out of Albert Wendt's Pouliuli the Tusitala Way"-- Revolutions: Arts of Resistance. Chapter 4: "Curating the Syrian Revolution Online" ; Chapter 5: "A Thousand Times No!: Spray Painting as Resistance and the Visual History of the Lam-Alif" -- Restages: Palimpsests of the Past. Chapter 6: "The Folds of History in William Kentridge's Black Box Theatre: Sampling German Nazism and Colonialism" ; Chapter 7: "The Revolutions of Antjie Krog's Lady Anne: A Chronicle in Verse." -- Rereads: Then, Now. Chapter 8: "Repair Work, Despair Work: W. G. Sebald's Contending Modernisms" ; Chapter 9: "On Rereading Woolf's Orlando as Transgender Text" -- Index.

"Returning to revolution's original meaning of 'cycle', Contemporary Revolutions explores how 21st-century writers, artists, and performers re-engage the arts of the past to reimagine a present and future encompassing revolutionary commitments to justice and freedom. Dealing with histories of colonialism, slavery, genocide, civil war, and gender and class inequities, essays examine literature and arts of Africa, Europe, the Middle East, the Pacific Islands, and the United States. The broad range of contemporary writers and artists considered include fabric artist Ellen Bell; poets Selena Tusitala Marsh and Antje Krog; Syrian artists of the civil war and Sana Yazigi's creative memory web site about the war; street artist Bahia Shehab; theatre installation artist William Kentridge; and the recycles of Virginia Woolf by multi-media artist Kabe Wilson, novelist W. G. Sebald, and the contemporary trans movement."--Bloomsbury Publishing.

ISBN: 9781350045323 (ebk.)Subjects--Topical Terms:

3464115
Art, Modern
--History and criticism--21st century--Congresses.

LC Class. No.: PN780.5 / .C66 2019

Dewey Class. No.: 808/.009051

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504 $a Includes bibliographical references and index.
505 0 $a List of Figures -- Notes on Contributors -- Beginnings. Introduction: "The Past in the Present: Temporalities of the Contemporary" ; Chapter 1: "Recycling Revolution: Re-mixing A Room of One's Own and Black Power in Kabe Wilson's Performance, Installation, and Narrative Art" -- Recycles: Aesthetics of Unsewing and Blacking Out. Chapter 2: "Stitch Works: Ellen Bell's Unpicking Aesthetics and Victorian Women's Creative Labor" ; Chapter 3: "Make It Niu: Blacking Out of Albert Wendt's Pouliuli the Tusitala Way"-- Revolutions: Arts of Resistance. Chapter 4: "Curating the Syrian Revolution Online" ; Chapter 5: "A Thousand Times No!: Spray Painting as Resistance and the Visual History of the Lam-Alif" -- Restages: Palimpsests of the Past. Chapter 6: "The Folds of History in William Kentridge's Black Box Theatre: Sampling German Nazism and Colonialism" ; Chapter 7: "The Revolutions of Antjie Krog's Lady Anne: A Chronicle in Verse." -- Rereads: Then, Now. Chapter 8: "Repair Work, Despair Work: W. G. Sebald's Contending Modernisms" ; Chapter 9: "On Rereading Woolf's Orlando as Transgender Text" -- Index.
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