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A history of contemporary Chinese ar...
~
Zhou, Yan.
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博客來
A history of contemporary Chinese art = 1949 to present /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
A history of contemporary Chinese art/ by Yan Zhou.
其他題名:
1949 to present /
作者:
Zhou, Yan.
出版者:
Singapore :Springer Singapore : : 2020.,
面頁冊數:
xix, 518 p. :ill., digital ;24 cm.
內容註:
Abstract -- Acknowledgments -- List of Figures -- Introduction -- Visual Utopia: Art in the Seventeen-Years (1949-1966) -- Revolutionary Action: Art in the Cultural Revolution (1966-1976) -- Truth, Virtue and Beauty: Art in the Post-Cultural Revolution -- Idealism and New Utopia: Avant-Garde Movement (1985-1989) -- Art under Impact of Globalization (1990-1999) -- Institutionalization of Contemporary Art (2000-2015) -- Chronicle of Events 1949 - 2015 -- Bibliography -- Abbreviation of Institutions and Title of Periodicals -- Chinese glossary (people's names and art terms) -- Index.
Contained By:
Springer Nature eBook
標題:
Art, Chinese - 20th century. -
電子資源:
https://doi.org/10.1007/978-981-15-1141-7
ISBN:
9789811511417
A history of contemporary Chinese art = 1949 to present /
Zhou, Yan.
A history of contemporary Chinese art
1949 to present /[electronic resource] :by Yan Zhou. - Singapore :Springer Singapore :2020. - xix, 518 p. :ill., digital ;24 cm. - Chinese contemporary art series,2199-9058. - Chinese contemporary art series..
Abstract -- Acknowledgments -- List of Figures -- Introduction -- Visual Utopia: Art in the Seventeen-Years (1949-1966) -- Revolutionary Action: Art in the Cultural Revolution (1966-1976) -- Truth, Virtue and Beauty: Art in the Post-Cultural Revolution -- Idealism and New Utopia: Avant-Garde Movement (1985-1989) -- Art under Impact of Globalization (1990-1999) -- Institutionalization of Contemporary Art (2000-2015) -- Chronicle of Events 1949 - 2015 -- Bibliography -- Abbreviation of Institutions and Title of Periodicals -- Chinese glossary (people's names and art terms) -- Index.
Chinese art has experienced its most profound metamorphosis since the early 1950s, transforming from humble realism to socialist realism, from revolutionary art to critical realism, then avant-garde movement, and globalized Chinese art. With a hybrid mix of Chinese philosophy, imported but revised Marxist ideology, and western humanities, Chinese artists have created an alternative approach - after a great ideological and aesthetic transition in the 1980s - toward its own contemporaneity though interacting and intertwining with the art of rest of the world. This book will investigate, from the perspective of an activist, critic, and historian who grew up prior to and participated in the great transition, and then researched and taught the subject, the evolution of Chinese art in modern and contemporary times. The volume will be a comprehensive and insightful history of the one of the most sophisticated and unparalleled artistic and cultural phenomena in the modern world.
ISBN: 9789811511417
Standard No.: 10.1007/978-981-15-1141-7doiSubjects--Topical Terms:
562594
Art, Chinese
--20th century.
LC Class. No.: N7345 / .Z468 2020
Dewey Class. No.: 709.51
A history of contemporary Chinese art = 1949 to present /
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Abstract -- Acknowledgments -- List of Figures -- Introduction -- Visual Utopia: Art in the Seventeen-Years (1949-1966) -- Revolutionary Action: Art in the Cultural Revolution (1966-1976) -- Truth, Virtue and Beauty: Art in the Post-Cultural Revolution -- Idealism and New Utopia: Avant-Garde Movement (1985-1989) -- Art under Impact of Globalization (1990-1999) -- Institutionalization of Contemporary Art (2000-2015) -- Chronicle of Events 1949 - 2015 -- Bibliography -- Abbreviation of Institutions and Title of Periodicals -- Chinese glossary (people's names and art terms) -- Index.
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Chinese art has experienced its most profound metamorphosis since the early 1950s, transforming from humble realism to socialist realism, from revolutionary art to critical realism, then avant-garde movement, and globalized Chinese art. With a hybrid mix of Chinese philosophy, imported but revised Marxist ideology, and western humanities, Chinese artists have created an alternative approach - after a great ideological and aesthetic transition in the 1980s - toward its own contemporaneity though interacting and intertwining with the art of rest of the world. This book will investigate, from the perspective of an activist, critic, and historian who grew up prior to and participated in the great transition, and then researched and taught the subject, the evolution of Chinese art in modern and contemporary times. The volume will be a comprehensive and insightful history of the one of the most sophisticated and unparalleled artistic and cultural phenomena in the modern world.
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