東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Mise en scene, acting, and space in ...

D'Arcy, Geraint.

FindBook

Google Book

Amazon

博客來

Mise en scene, acting, and space in comics

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Mise en scene, acting, and space in comics/ by Geraint D'Arcy.
作者:	D'Arcy, Geraint.
出版者:	Cham :Springer International Publishing : : 2020.,
面頁冊數:	x, 136 p. :ill., digital ;24 cm.
內容註:	1. Introduction -- 2. Mise en scene and Decor -- 3. Acting -- 4. Space -- 5. Conclusion.
Contained By:	Springer Nature eBook
標題:	Comic books, strips, etc. - History and criticism. -
電子資源:	https://doi.org/10.1007/978-3-030-51113-5
ISBN:	9783030511135

Mise en scene, acting, and space in comics
D'Arcy, Geraint.

Mise en scene, acting, and space in comics[electronic resource] /by Geraint D'Arcy. - Cham :Springer International Publishing :2020. - x, 136 p. :ill., digital ;24 cm. - Palgrave studies in comics and graphic novels. - Palgrave studies in comics and graphic novels..

1. Introduction -- 2. Mise en scene and Decor -- 3. Acting -- 4. Space -- 5. Conclusion.

"This is a clear, concise, and very useful book for students, educators, and academics in the field of comic studies. It will be the 'go-to' book from now on and help us all feel more comfortable using 'mise en scene' in our conversations, debates, and analyses of comic books." -Ian Hornsby, University of Chichester, United Kingdom This book explores some of the less frequently questioned ideas which underpin comics creation and criticism. "Mise en scene" is a term which refers to the way in which visual elements work together to create meaning in comics. It is a term that comics have borrowed from cinema, which borrowed it in turn from theatre. But comics are not film and they are not cinema, so how can this term be of any use? If we consider comics to have mise en scene, should not we also ask if the characters in comics act like the characters on film and stage? In its exploration of these ideas, this book also asks what film and theatre can learn from comics. Geraint D'Arcy is a practising scenographer, and the author of Critical Approaches to TV and Film Set Design (2019) A Lecturer in Media practice at the UEA, Norwich, he previously worked at USW, Cardiff, where he helped establish the bi-annual Creative Comics, Creating Comics symposium.

ISBN: 9783030511135

Standard No.: 10.1007/978-3-030-51113-5doiSubjects--Topical Terms:

595293
Comic books, strips, etc.
--History and criticism.

LC Class. No.: PN6714 / .D373 2020

Dewey Class. No.: 741.59

Mise en scene, acting, and space in comics
LDR:02392nmm a2200337 a 4500 001 2222611
003 DE-He213
005 20201116133127.0
006 m d
007 cr nn 008maaau
008 210108s2020 sz s 0 eng d
020 $a 9783030511135 $q (electronic bk.)
020 $a 9783030511128 $q (paper)
024 7 $a 10.1007/978-3-030-51113-5 $2 doi
035 $a 978-3-030-51113-5
040 $a GP $c GP
041 0 $a eng
050 4 $a PN6714 $b .D373 2020
072 7 $a FX $2 bicssc
072 7 $a CGN000000 $2 bisacsh
072 7 $a X $2 thema
082 0 4 $a 741.59 $2 23
090 $a PN6714 $b .D214 2020
100 1 $a D'Arcy, Geraint. $3 3461536
245 1 0 $a Mise en scene, acting, and space in comics $h [electronic resource] / $c by Geraint D'Arcy.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Pivot, $c 2020.
300 $a x, 136 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave studies in comics and graphic novels
505 0 $a 1. Introduction -- 2. Mise en scene and Decor -- 3. Acting -- 4. Space -- 5. Conclusion.
520 $a "This is a clear, concise, and very useful book for students, educators, and academics in the field of comic studies. It will be the 'go-to' book from now on and help us all feel more comfortable using 'mise en scene' in our conversations, debates, and analyses of comic books." -Ian Hornsby, University of Chichester, United Kingdom This book explores some of the less frequently questioned ideas which underpin comics creation and criticism. "Mise en scene" is a term which refers to the way in which visual elements work together to create meaning in comics. It is a term that comics have borrowed from cinema, which borrowed it in turn from theatre. But comics are not film and they are not cinema, so how can this term be of any use? If we consider comics to have mise en scene, should not we also ask if the characters in comics act like the characters on film and stage? In its exploration of these ideas, this book also asks what film and theatre can learn from comics. Geraint D'Arcy is a practising scenographer, and the author of Critical Approaches to TV and Film Set Design (2019) A Lecturer in Media practice at the UEA, Norwich, he previously worked at USW, Cardiff, where he helped establish the bi-annual Creative Comics, Creating Comics symposium.
650 0 $a Comic books, strips, etc. $x History and criticism. $3 595293
650 1 4 $a Comics Studies. $3 3447582
650 2 4 $a Technology and Stagecraft. $3 3220706
650 2 4 $a Film Theory. $3 2191773
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in comics and graphic novels. $3 2191765
856 4 0 $u https://doi.org/10.1007/978-3-030-51113-5
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)