東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

War representation in British cinema...

Flanagan, Kevin M.

FindBook

Google Book

Amazon

博客來

War representation in British cinema and television = from Suez to Thatcher, and beyond /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	War representation in British cinema and television/ by Kevin M. Flanagan.
其他題名:	from Suez to Thatcher, and beyond /
作者:	Flanagan, Kevin M.
出版者:	Cham :Springer International Publishing : : 2019.,
面頁冊數:	xi, 225 p. :ill., digital ;24 cm.
內容註:	Chapter 1. Introduction: Towards an Alternative Tradition of War Representation -- Chapter 2. "For Christ's Sake, We're Surrounded!": Tragedy, Bleakness, Cynicism and Existentialism in British War Cinema, 1957-1977 -- Chapter 3. Comic Alternatives to the "Pleasure Culture of War" -- Chapter 4. On Screen and at Arm's Length: Social Class and the Simulation of Combat -- Chapter 5. The Bomb and After: Fantasies of Apocalypse and Decline -- Chapter 6. Conclusion: The Legacies of the 1960s and 1970s War Representation, From Thatcher to Brexit.
Contained By:	Springer eBooks
標題:	War television programs - History and criticism. - Great Britain -
電子資源:	https://doi.org/10.1007/978-3-030-30203-0
ISBN:	9783030302030

War representation in British cinema and television = from Suez to Thatcher, and beyond /
Flanagan, Kevin M.

War representation in British cinema and televisionfrom Suez to Thatcher, and beyond /[electronic resource] :by Kevin M. Flanagan. - Cham :Springer International Publishing :2019. - xi, 225 p. :ill., digital ;24 cm. - Britain and the world. - Britain and the world..

Chapter 1. Introduction: Towards an Alternative Tradition of War Representation -- Chapter 2. "For Christ's Sake, We're Surrounded!": Tragedy, Bleakness, Cynicism and Existentialism in British War Cinema, 1957-1977 -- Chapter 3. Comic Alternatives to the "Pleasure Culture of War" -- Chapter 4. On Screen and at Arm's Length: Social Class and the Simulation of Combat -- Chapter 5. The Bomb and After: Fantasies of Apocalypse and Decline -- Chapter 6. Conclusion: The Legacies of the 1960s and 1970s War Representation, From Thatcher to Brexit.

"A highly original addition to the growing literature on war and film, Kevin Flanagan's welcome new study ranges beyond the narrow confines of the 'war film' to consider how war imagery and narratives are present across a wide range of British genres. Flanagan proves himself a perceptive cultural critic with a wide-ranging knowledge and deep understanding of British cinema and television. He has produced a study that is thoughtful and thought-provoking in equal measure, and which is not afraid to challenge dominant myths and existing preconceptions." James Chapman, Professor of Film Studies at the University of Leicester and editor of the Historical Journal of Film, Radio and Television. This book explores alternatives to realist, triumphalist, and heroic representations of war in British film and television. Focusing on the period between the Suez Crisis of 1956 and the Falkland War but offering connections to the moment of Brexit, it argues that the "lost continent" of existential, satirical, simulated, and abstractly traumatic war stories is as central to understanding Britain's martial history as the mainstream inheritance. The book features case studies that stress the contribution of exiled or expatriate directors and outsider sensibilities, with particular emphasis on Peter Watkins, Joseph Losey, and Richard Lester. At the same time, it demonstrates concerns and stylistic emphases that continue to the present in television series and films by directors such as Lone Scherfig and Christopher Nolan. Encompassing everything from features to government information films, the book explores related trends in the British film industry, popular culture, and film criticism, while offering a sense of how these contexts contribute to historical memory. Kevin M. Flanagan is Term Assistant Professor of English at George Mason University, USA. He is the editor of Ken Russell: Re-Viewing England's Last Mannerist (2009) and has published essays in Screen, Framework, Critical Quarterly, and the Journal of British Cinema and Television, as well as in many edited collections and reference works.

ISBN: 9783030302030

Standard No.: 10.1007/978-3-030-30203-0doiSubjects--Topical Terms:

3453901
War television programs
--History and criticism.--Great Britain

LC Class. No.: PN1995.9.W3 / F536 2019

Dewey Class. No.: 791.436581

War representation in British cinema and television = from Suez to Thatcher, and beyond /
LDR:03729nmm a2200337 a 4500 001 2218991
003 DE-He213
005 20200130095756.0
006 m d
007 cr nn 008maaau
008 201126s2019 sz s 0 eng d
020 $a 9783030302030 $q (electronic bk.)
020 $a 9783030302023 $q (paper)
024 7 $a 10.1007/978-3-030-30203-0 $2 doi
035 $a 978-3-030-30203-0
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.W3 $b F536 2019
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.436581 $2 23
090 $a PN1995.9.W3 $b F583 2019
100 1 $a Flanagan, Kevin M. $3 3280474
245 1 0 $a War representation in British cinema and television $h [electronic resource] : $b from Suez to Thatcher, and beyond / $c by Kevin M. Flanagan.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a xi, 225 p. : $b ill., digital ; $c 24 cm.
490 1 $a Britain and the world
505 0 $a Chapter 1. Introduction: Towards an Alternative Tradition of War Representation -- Chapter 2. "For Christ's Sake, We're Surrounded!": Tragedy, Bleakness, Cynicism and Existentialism in British War Cinema, 1957-1977 -- Chapter 3. Comic Alternatives to the "Pleasure Culture of War" -- Chapter 4. On Screen and at Arm's Length: Social Class and the Simulation of Combat -- Chapter 5. The Bomb and After: Fantasies of Apocalypse and Decline -- Chapter 6. Conclusion: The Legacies of the 1960s and 1970s War Representation, From Thatcher to Brexit.
520 $a "A highly original addition to the growing literature on war and film, Kevin Flanagan's welcome new study ranges beyond the narrow confines of the 'war film' to consider how war imagery and narratives are present across a wide range of British genres. Flanagan proves himself a perceptive cultural critic with a wide-ranging knowledge and deep understanding of British cinema and television. He has produced a study that is thoughtful and thought-provoking in equal measure, and which is not afraid to challenge dominant myths and existing preconceptions." James Chapman, Professor of Film Studies at the University of Leicester and editor of the Historical Journal of Film, Radio and Television. This book explores alternatives to realist, triumphalist, and heroic representations of war in British film and television. Focusing on the period between the Suez Crisis of 1956 and the Falkland War but offering connections to the moment of Brexit, it argues that the "lost continent" of existential, satirical, simulated, and abstractly traumatic war stories is as central to understanding Britain's martial history as the mainstream inheritance. The book features case studies that stress the contribution of exiled or expatriate directors and outsider sensibilities, with particular emphasis on Peter Watkins, Joseph Losey, and Richard Lester. At the same time, it demonstrates concerns and stylistic emphases that continue to the present in television series and films by directors such as Lone Scherfig and Christopher Nolan. Encompassing everything from features to government information films, the book explores related trends in the British film industry, popular culture, and film criticism, while offering a sense of how these contexts contribute to historical memory. Kevin M. Flanagan is Term Assistant Professor of English at George Mason University, USA. He is the editor of Ken Russell: Re-Viewing England's Last Mannerist (2009) and has published essays in Screen, Framework, Critical Quarterly, and the Journal of British Cinema and Television, as well as in many edited collections and reference works.
650 0 $a War television programs $z Great Britain $x History and criticism. $3 3453901
650 0 $a War in mass media. $3 618093
650 1 4 $a British Cinema and TV. $3 3383490
650 2 4 $a British Culture. $3 2200126
650 2 4 $a History of World War II and the Holocaust. $3 2181996
650 2 4 $a History of Britain and Ireland. $3 2181940
650 0 $a War films $z Great Britain $x History and criticism. $3 3453900
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
830 0 $a Britain and the world. $3 1975927
856 4 0 $u https://doi.org/10.1007/978-3-030-30203-0
950 $a Literature, Cultural and Media Studies (Springer-41173)