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The new age of electronic dance musi...

Jori, Anita.

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The new age of electronic dance music and club culture

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The new age of electronic dance music and club culture/ edited by Anita Jori, Martin Lucke.
其他作者:	Jori, Anita.
出版者:	Cham :Springer International Publishing : : 2020.,
面頁冊數:	viii, 151 p. :ill., digital ;24 cm.
內容註:	Introduction -- Part I -- Electronic Dance Music and Club Culture in Berlin -- Dimensions of Club Culture - Learning from Berlin -- Only the Echo is Left (Alive) -- The Berlin Techno Myth and Issues of Diversity About the connections between techno, the muting of diverse perspectives, inequalities and the persisting need for platforms like female:pressure -- Club Culture and Electronic Dance Music in Berlin: An Economical, Social and Aesthetical Perspective -- Researching Informal Musical Expertise and Mediations of Aesthetic Experiences among the Berlin Techno Audience -- Part II -- Musicians and Musickers -- The Influence of Berlin on Austrian and Polish Electronic Musickers -- "100% Expert!" Mastery and Equality in Darsha Hewitt's Sideman 5000 Adventure -- Part III -- Electronic Musical Instruments and Their Users -- Sound Visions and Visible Sounds. Electronic Musical Instruments and Their Power to Change -- The Discourse Community of Electronic Dance Music Through the Example of the TB-303 Owners Club -- The Human Modular Synthesizer - The Musical Design and Live Performance of Elektro Guzzi's Pentagonia.
Contained By:	Springer eBooks
標題:	Electronic dance music. -
電子資源:	https://doi.org/10.1007/978-3-030-39002-0
ISBN:	9783030390020

The new age of electronic dance music and club culture
The new age of electronic dance music and club culture[electronic resource] /edited by Anita Jori, Martin Lucke. - Cham :Springer International Publishing :2020. - viii, 151 p. :ill., digital ;24 cm. - Music business research,2522-0829. - Music business research..

Introduction -- Part I -- Electronic Dance Music and Club Culture in Berlin -- Dimensions of Club Culture - Learning from Berlin -- Only the Echo is Left (Alive) -- The Berlin Techno Myth and Issues of Diversity About the connections between techno, the muting of diverse perspectives, inequalities and the persisting need for platforms like female:pressure -- Club Culture and Electronic Dance Music in Berlin: An Economical, Social and Aesthetical Perspective -- Researching Informal Musical Expertise and Mediations of Aesthetic Experiences among the Berlin Techno Audience -- Part II -- Musicians and Musickers -- The Influence of Berlin on Austrian and Polish Electronic Musickers -- "100% Expert!" Mastery and Equality in Darsha Hewitt's Sideman 5000 Adventure -- Part III -- Electronic Musical Instruments and Their Users -- Sound Visions and Visible Sounds. Electronic Musical Instruments and Their Power to Change -- The Discourse Community of Electronic Dance Music Through the Example of the TB-303 Owners Club -- The Human Modular Synthesizer - The Musical Design and Live Performance of Elektro Guzzi's Pentagonia.

This book offers a comprehensive overview of electronic dance music (EDM) and club culture. To do so, it interlinks a broad range of disciplines, revealing their (at times vastly) differing standpoints on the same subject. Scholars from such diverse fields as cultural studies, economics, linguistics, media studies, musicology, philosophy, and sociology share their perspectives. In addition, the book features articles by practitioners who have been active on the EDM scene for many years and discuss issues like gender and diversity problems in general, and the effects of gentrification on club culture in Berlin. Although the book's main focus is on Berlin, one of the key centers of EDM and club culture, its findings can also be applied to other hotspots. Though primarily intended for researchers and students, the book will benefit all readers interested in obtaining an interdisciplinary overview of research on electronic dance music.

ISBN: 9783030390020

Standard No.: 10.1007/978-3-030-39002-0doiSubjects--Topical Terms:

3451510
Electronic dance music.

LC Class. No.: ML3540.5 / .N493 2020

Dewey Class. No.: 781.648

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505 0 $a Introduction -- Part I -- Electronic Dance Music and Club Culture in Berlin -- Dimensions of Club Culture - Learning from Berlin -- Only the Echo is Left (Alive) -- The Berlin Techno Myth and Issues of Diversity About the connections between techno, the muting of diverse perspectives, inequalities and the persisting need for platforms like female:pressure -- Club Culture and Electronic Dance Music in Berlin: An Economical, Social and Aesthetical Perspective -- Researching Informal Musical Expertise and Mediations of Aesthetic Experiences among the Berlin Techno Audience -- Part II -- Musicians and Musickers -- The Influence of Berlin on Austrian and Polish Electronic Musickers -- "100% Expert!" Mastery and Equality in Darsha Hewitt's Sideman 5000 Adventure -- Part III -- Electronic Musical Instruments and Their Users -- Sound Visions and Visible Sounds. Electronic Musical Instruments and Their Power to Change -- The Discourse Community of Electronic Dance Music Through the Example of the TB-303 Owners Club -- The Human Modular Synthesizer - The Musical Design and Live Performance of Elektro Guzzi's Pentagonia.
520 $a This book offers a comprehensive overview of electronic dance music (EDM) and club culture. To do so, it interlinks a broad range of disciplines, revealing their (at times vastly) differing standpoints on the same subject. Scholars from such diverse fields as cultural studies, economics, linguistics, media studies, musicology, philosophy, and sociology share their perspectives. In addition, the book features articles by practitioners who have been active on the EDM scene for many years and discuss issues like gender and diversity problems in general, and the effects of gentrification on club culture in Berlin. Although the book's main focus is on Berlin, one of the key centers of EDM and club culture, its findings can also be applied to other hotspots. Though primarily intended for researchers and students, the book will benefit all readers interested in obtaining an interdisciplinary overview of research on electronic dance music.
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