東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The motion picture industry, Hollywo...

Olmsted, Sandra Lee.

FindBook

Google Book

Amazon

博客來

The motion picture industry, Hollywood self-representations, and a rhetoric of actions.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The motion picture industry, Hollywood self-representations, and a rhetoric of actions./
作者:	Olmsted, Sandra Lee.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
面頁冊數:	357 p.
附註:	Source: Dissertations Abstracts International, Volume: 78-08, Section: A.
Contained By:	Dissertations Abstracts International78-08A.
標題:	Film studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10196130
ISBN:	9781369482584

The motion picture industry, Hollywood self-representations, and a rhetoric of actions.
Olmsted, Sandra Lee.

The motion picture industry, Hollywood self-representations, and a rhetoric of actions. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 357 p.

Source: Dissertations Abstracts International, Volume: 78-08, Section: A.

Thesis (Ph.D.)--Saint Louis University, 2016.

This item is not available from ProQuest Dissertations & Theses.

The goal of this project is to analyze the images that the motion picture industry has created of itself, and to connect those images to four ideas evolving through this historical study of the industry. First, the development of the "Hollywood Gaze" addresses the audiences' desire for Hollywood, and the motion picture industry harnessed the power of the audiences' desires and fears and used these as a business tool in creating its own self-image and as a means of participating in broader cultural discourses. Although the industry was focused on growing both the audience and itself, many constituencies impacted those goals, especially when outside detractors convinced the audiences to avoid the movies. In addition to discourses which directly impacted the industry's business aims, the Moguls and studio executives, being racial or ethnic "others," had personal interests in many the broader public discourses that constructed the American cultural identity; they used the industry's self-representations and metanarratives to advocate for their positions. Third, looking at the industry's historical business problems -- such as censorship, the transitions to sound, and the advent of television -- and their self-representations at these transitions allow us to identify a set of complex business tools. The Moguls focused on satisfying the audiences' desires, maintaining flexibility in negotiating its self-image, practicing good corporate citizenship, propagating their image of America, and maintaining good business relationships. They will eventually share these business methods with the industry's technology partners and with their political allies, such as Ronald Reagan. Encompassing not only advertisements, public relations, marketing, the star system, and metanarratives but also legal and business documents, this study offers a new understanding of the industry's history as shaped through its own blending of artistic expression and business practices. This approach may be called a business-focused historicism, one which analyzes and interprets film not only as a product of the motion picture industry but also as one of its most central and important industry practices.

ISBN: 9781369482584Subjects--Topical Terms:

2122736
Film studies.

The motion picture industry, Hollywood self-representations, and a rhetoric of actions.
LDR:03345nmm a2200325 4500 001 2210078
005 20191118121539.5
008 201008s2016 ||||||||||||||||| ||eng d
020 $a 9781369482584
035 $a (MiAaPQ)AAI10196130
035 $a (MiAaPQ)slu:11555
035 $a AAI10196130
040 $a MiAaPQ $c MiAaPQ
100 1 $a Olmsted, Sandra Lee. $3 3437202
245 1 4 $a The motion picture industry, Hollywood self-representations, and a rhetoric of actions.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2016
300 $a 357 p.
500 $a Source: Dissertations Abstracts International, Volume: 78-08, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Casaregola, Vincent.
502 $a Thesis (Ph.D.)--Saint Louis University, 2016.
506 $a This item is not available from ProQuest Dissertations & Theses.
506 $a This item must not be sold to any third party vendors.
520 $a The goal of this project is to analyze the images that the motion picture industry has created of itself, and to connect those images to four ideas evolving through this historical study of the industry. First, the development of the "Hollywood Gaze" addresses the audiences' desire for Hollywood, and the motion picture industry harnessed the power of the audiences' desires and fears and used these as a business tool in creating its own self-image and as a means of participating in broader cultural discourses. Although the industry was focused on growing both the audience and itself, many constituencies impacted those goals, especially when outside detractors convinced the audiences to avoid the movies. In addition to discourses which directly impacted the industry's business aims, the Moguls and studio executives, being racial or ethnic "others," had personal interests in many the broader public discourses that constructed the American cultural identity; they used the industry's self-representations and metanarratives to advocate for their positions. Third, looking at the industry's historical business problems -- such as censorship, the transitions to sound, and the advent of television -- and their self-representations at these transitions allow us to identify a set of complex business tools. The Moguls focused on satisfying the audiences' desires, maintaining flexibility in negotiating its self-image, practicing good corporate citizenship, propagating their image of America, and maintaining good business relationships. They will eventually share these business methods with the industry's technology partners and with their political allies, such as Ronald Reagan. Encompassing not only advertisements, public relations, marketing, the star system, and metanarratives but also legal and business documents, this study offers a new understanding of the industry's history as shaped through its own blending of artistic expression and business practices. This approach may be called a business-focused historicism, one which analyzes and interprets film not only as a product of the motion picture industry but also as one of its most central and important industry practices.
590 $a School code: 0193.
650 4 $a Film studies. $3 2122736
690 $a 0900
710 2 $a Saint Louis University. $b English. $3 1677763
773 0 $t Dissertations Abstracts International $g 78-08A.
790 $a 0193
791 $a Ph.D.
792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10196130