東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The Page in the Screen: Visualized I...

Watson, Jacob T.

FindBook

Google Book

Amazon

博客來

The Page in the Screen: Visualized Information and the Aesthetics of the Digital Image.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Page in the Screen: Visualized Information and the Aesthetics of the Digital Image./
作者:	Watson, Jacob T.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:	137 p.
附註:	Source: Dissertations Abstracts International, Volume: 80-12, Section: A.
Contained By:	Dissertations Abstracts International80-12A.
標題:	Aesthetics. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13858599
ISBN:	9781392203002

The Page in the Screen: Visualized Information and the Aesthetics of the Digital Image.
Watson, Jacob T.

The Page in the Screen: Visualized Information and the Aesthetics of the Digital Image. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 137 p.

Source: Dissertations Abstracts International, Volume: 80-12, Section: A.

Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2019.

This item must not be sold to any third party vendors.

The digital as we understand it today is incompatible with the concept of aesthetic experience. Numerous scholars have identified this incompatibility as the primary conceptual problem that must be addressed by the theory of digital aesthetics. "The Page in the Screen" provides a solution to this problem in the form of a reconceptualization of the digital image. The dissertation begins with a reading of Deleuze's The Time-Image that culminates in a re-imagining of the digital image as an information-graphical image. I provide a historical account that shows how this digital-qua-infographic image transformed the moving images that we interact with on a daily basis. Infographics had a small and circumscribed place in the visual architecture of pre-war screens; they began to completely restructure the screen in the 1940s, beginning with the infographic innovations of the first television news broadcasts. The fact that television played such a large role in the proliferation of infographics underscores one of the major contentions of my theory of the digital image, which is that this image is a digital technology in its own right and not reducible to the phenomenal manifestation of digital processes carried out by computers. Finally, I present a theory of the infographic image based in the writings of C.S. Peirce and Jacques Bertin in order to show that the infographic image and the moving image have incongruous ways of organizing time and space. This incongruity results in a paradox when the two images become integrated in the digital age. In the end, I argue that this paradox is the site where the digital and the aesthetic interface with one another.

ISBN: 9781392203002Subjects--Topical Terms:

523036
Aesthetics.

The Page in the Screen: Visualized Information and the Aesthetics of the Digital Image.
LDR:02799nmm a2200337 4500 001 2208540
005 20191021073459.5
008 201008s2019 ||||||||||||||||| ||eng d
020 $a 9781392203002
035 $a (MiAaPQ)AAI13858599
035 $a (MiAaPQ)unc:18541
035 $a AAI13858599
040 $a MiAaPQ $c MiAaPQ
100 1 $a Watson, Jacob T. $3 3435576
245 1 4 $a The Page in the Screen: Visualized Information and the Aesthetics of the Digital Image.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 137 p.
500 $a Source: Dissertations Abstracts International, Volume: 80-12, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Flaxman, Gregory.
502 $a Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2019.
506 $a This item must not be sold to any third party vendors.
520 $a The digital as we understand it today is incompatible with the concept of aesthetic experience. Numerous scholars have identified this incompatibility as the primary conceptual problem that must be addressed by the theory of digital aesthetics. "The Page in the Screen" provides a solution to this problem in the form of a reconceptualization of the digital image. The dissertation begins with a reading of Deleuze's The Time-Image that culminates in a re-imagining of the digital image as an information-graphical image. I provide a historical account that shows how this digital-qua-infographic image transformed the moving images that we interact with on a daily basis. Infographics had a small and circumscribed place in the visual architecture of pre-war screens; they began to completely restructure the screen in the 1940s, beginning with the infographic innovations of the first television news broadcasts. The fact that television played such a large role in the proliferation of infographics underscores one of the major contentions of my theory of the digital image, which is that this image is a digital technology in its own right and not reducible to the phenomenal manifestation of digital processes carried out by computers. Finally, I present a theory of the infographic image based in the writings of C.S. Peirce and Jacques Bertin in order to show that the infographic image and the moving image have incongruous ways of organizing time and space. This incongruity results in a paradox when the two images become integrated in the digital age. In the end, I argue that this paradox is the site where the digital and the aesthetic interface with one another.
590 $a School code: 0153.
650 4 $a Aesthetics. $3 523036
650 4 $a Mass communications. $3 3422380
650 4 $a Film studies. $3 2122736
690 $a 0650
690 $a 0708
690 $a 0900
710 2 $a The University of North Carolina at Chapel Hill. $b English and Comparative Literature. $3 3352814
773 0 $t Dissertations Abstracts International $g 80-12A.
790 $a 0153
791 $a Ph.D.
792 $a 2019
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13858599