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Ethical Dimensions of Music-Making i...
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Amoozegar-Fassaie, Farzad.
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Ethical Dimensions of Music-Making in Iran: Beauty in Islamic Revelations, Mysticism and Tradition.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Ethical Dimensions of Music-Making in Iran: Beauty in Islamic Revelations, Mysticism and Tradition./
作者:
Amoozegar-Fassaie, Farzad.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:
292 p.
附註:
Source: Dissertations Abstracts International, Volume: 80-06, Section: A.
Contained By:
Dissertations Abstracts International80-06A.
標題:
Ethics. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13422314
ISBN:
9780438743601
Ethical Dimensions of Music-Making in Iran: Beauty in Islamic Revelations, Mysticism and Tradition.
Amoozegar-Fassaie, Farzad.
Ethical Dimensions of Music-Making in Iran: Beauty in Islamic Revelations, Mysticism and Tradition.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 292 p.
Source: Dissertations Abstracts International, Volume: 80-06, Section: A.
Thesis (Ph.D.)--University of California, Los Angeles, 2018.
This item must not be added to any third party search indexes.
This dissertation is based on the reflections of three prominent Iranian ustadan (master musicians; plural of ustad )-Lotfi, Jankouk and Salem-on what defines beauty in musiqi-e sonnati (traditional music). The judgment of beauty incorporates an array of ethical queries conveyed through a language that is heavily entangled with Islamic revelations, mystical beliefs and traditional values. The three ustadan 's perceptions of beauty are articulated through their understandings of how akhlaq (ethics, morals or manners) shapes the ideals of musiqi-e sonnati. Akhlaq defines a set of principles that form the attitudes and actions relevant to the process of music-making. This dissertation examines the judgment of beauty and akhlaq in relation to musiqi-e sonnati based on an examination of language, logic, politics and metaphysics. For the three ustadan , beauty is mainly reflected upon thought a metaphysical and spiritual perspective, that they have learned through readings of Iranian poetry and literature. Beauty and ethical ideals shape how the three ustadan make use of the radif (Iranian musical repertoire) as the main source of akhlaq in their music classes, and the ways in which their role has now extends to the public sphere to advance the position of musiqi-e sonnati. In the past four decades Iranians have witnessed the "Islamization" of the political, cultural and social norms. More recently, Iran has seen the disengagement of their youth from the traditional values. This detachment among the youth highlights a breakdown of conventional akhlaq principles, creating an ambiguity of the normative social and cultural practices in Iran. The youth's nonconformism steps beyond socio-normative principles and Islamic values to create its own ethos. The three ustadan are faced with the unravelling of the norms, as they are confronted with a desire to adjust to the music tastes of younger Iranians. As the ethical values are being undone, newly-formed ideas about the judgment of beauty are being demarcated. Based on the current political, religious and social undertakings in Iran, this dissertation examines the correlation of ethics and beauty in musiqi-e sonnati This dissertation contributes to the fields of ethnomusicology, anthropology and Middle Eastern studies by a) serving as an in-depth ethnography exploring the relationship between music-making, judgment of beauty, and akhlaq from the perspective of the three ustadan, Shi'a authorities and Islamic scholars; b) mapping out akhlaq as a matrix incorporating language, logic, politics, Islamic values, and music's affective power over individual sensibility and emotion; and c) exploring the tension, derived from individual musical experiences, between religious and cultural obligation and personal desire. This dissertation also explores urgent questions shared among the wider Iranian public and Western academics: a) What is it in the act of listening to or participating in music that could make it good or evil (bad)? and b) To what degree are beauty and ethics compatible, considering the intensity with which Iran is changing?
ISBN: 9780438743601Subjects--Topical Terms:
517264
Ethics.
Ethical Dimensions of Music-Making in Iran: Beauty in Islamic Revelations, Mysticism and Tradition.
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This dissertation is based on the reflections of three prominent Iranian ustadan (master musicians; plural of ustad )-Lotfi, Jankouk and Salem-on what defines beauty in musiqi-e sonnati (traditional music). The judgment of beauty incorporates an array of ethical queries conveyed through a language that is heavily entangled with Islamic revelations, mystical beliefs and traditional values. The three ustadan 's perceptions of beauty are articulated through their understandings of how akhlaq (ethics, morals or manners) shapes the ideals of musiqi-e sonnati. Akhlaq defines a set of principles that form the attitudes and actions relevant to the process of music-making. This dissertation examines the judgment of beauty and akhlaq in relation to musiqi-e sonnati based on an examination of language, logic, politics and metaphysics. For the three ustadan , beauty is mainly reflected upon thought a metaphysical and spiritual perspective, that they have learned through readings of Iranian poetry and literature. Beauty and ethical ideals shape how the three ustadan make use of the radif (Iranian musical repertoire) as the main source of akhlaq in their music classes, and the ways in which their role has now extends to the public sphere to advance the position of musiqi-e sonnati. In the past four decades Iranians have witnessed the "Islamization" of the political, cultural and social norms. More recently, Iran has seen the disengagement of their youth from the traditional values. This detachment among the youth highlights a breakdown of conventional akhlaq principles, creating an ambiguity of the normative social and cultural practices in Iran. The youth's nonconformism steps beyond socio-normative principles and Islamic values to create its own ethos. The three ustadan are faced with the unravelling of the norms, as they are confronted with a desire to adjust to the music tastes of younger Iranians. As the ethical values are being undone, newly-formed ideas about the judgment of beauty are being demarcated. Based on the current political, religious and social undertakings in Iran, this dissertation examines the correlation of ethics and beauty in musiqi-e sonnati This dissertation contributes to the fields of ethnomusicology, anthropology and Middle Eastern studies by a) serving as an in-depth ethnography exploring the relationship between music-making, judgment of beauty, and akhlaq from the perspective of the three ustadan, Shi'a authorities and Islamic scholars; b) mapping out akhlaq as a matrix incorporating language, logic, politics, Islamic values, and music's affective power over individual sensibility and emotion; and c) exploring the tension, derived from individual musical experiences, between religious and cultural obligation and personal desire. This dissertation also explores urgent questions shared among the wider Iranian public and Western academics: a) What is it in the act of listening to or participating in music that could make it good or evil (bad)? and b) To what degree are beauty and ethics compatible, considering the intensity with which Iran is changing?
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13422314
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