東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The Development of Chinese Private A...

Liu, Yiyan.

FindBook

Google Book

Amazon

博客來

The Development of Chinese Private Art Museums Dedicated to Contemporary Art, 1990s to the Present.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Development of Chinese Private Art Museums Dedicated to Contemporary Art, 1990s to the Present./
作者:	Liu, Yiyan.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	64 p.
附註:	Source: Masters Abstracts International, Volume: 80-05.
Contained By:	Masters Abstracts International80-05.
標題:	Marketing. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10974673
ISBN:	9780438568402

The Development of Chinese Private Art Museums Dedicated to Contemporary Art, 1990s to the Present.
Liu, Yiyan.

The Development of Chinese Private Art Museums Dedicated to Contemporary Art, 1990s to the Present. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 64 p.

Source: Masters Abstracts International, Volume: 80-05.

Thesis (M.A.)--Fashion Institute of Technology, State University of New York, 2018.

This item must not be sold to any third party vendors.

Today, the expansion of Chinese private art museums has become a significant and meaningful cultural phenomenon in the art world. The speed of which the Chinese art industry is being developed, along with its complex relationship with a strict communist government that is paradoxically embracing capitalistic change makes it a truly remarkable event. The art market in China has only been under development for three decades but today it is common to hear of top works by being auctioned to Chinese buyers at astronomical prices. These buyers are creating vast collections and opening their own private art museums in China. These new art museums face unique challenges that stem from unclear laws due to the nascent government regulation in regard to art. They also face challenges stemming from lack of experience of how to operate museums that become successful in a Chinese culture, a culture whose appreciation for art is not as developed as in Western cultures. This paper analyses personal interviews, field trips, and numerous studies of Chinese private art museums, with the aim of allowing Westerners to gain a deeper insight into the Chinese art market and Chinese culture. This paper discusses geographical locations, defines terms that have different subtle cultural meanings, reviews Chinese art history since the 1980s, analyses the background of funders and investors, documents the current Chinese art situation, talks about Chinese tax laws and how they relate to art and contains two interview records of Chinese private art museum directors conducted by this author.

ISBN: 9780438568402Subjects--Topical Terms:

536353
Marketing.

The Development of Chinese Private Art Museums Dedicated to Contemporary Art, 1990s to the Present.
LDR:02700nmm a2200337 4500 001 2205999
005 20190909085612.5
008 201008s2018 ||||||||||||||||| ||eng d
020 $a 9780438568402
035 $a (MiAaPQ)AAI10974673
035 $a (MiAaPQ)fitnyc:10178
035 $a AAI10974673
040 $a MiAaPQ $c MiAaPQ
100 1 $a Liu, Yiyan. $3 3432889
245 1 4 $a The Development of Chinese Private Art Museums Dedicated to Contemporary Art, 1990s to the Present.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 64 p.
500 $a Source: Masters Abstracts International, Volume: 80-05.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Degen, Natasha.
502 $a Thesis (M.A.)--Fashion Institute of Technology, State University of New York, 2018.
506 $a This item must not be sold to any third party vendors.
520 $a Today, the expansion of Chinese private art museums has become a significant and meaningful cultural phenomenon in the art world. The speed of which the Chinese art industry is being developed, along with its complex relationship with a strict communist government that is paradoxically embracing capitalistic change makes it a truly remarkable event. The art market in China has only been under development for three decades but today it is common to hear of top works by being auctioned to Chinese buyers at astronomical prices. These buyers are creating vast collections and opening their own private art museums in China. These new art museums face unique challenges that stem from unclear laws due to the nascent government regulation in regard to art. They also face challenges stemming from lack of experience of how to operate museums that become successful in a Chinese culture, a culture whose appreciation for art is not as developed as in Western cultures. This paper analyses personal interviews, field trips, and numerous studies of Chinese private art museums, with the aim of allowing Westerners to gain a deeper insight into the Chinese art market and Chinese culture. This paper discusses geographical locations, defines terms that have different subtle cultural meanings, reviews Chinese art history since the 1980s, analyses the background of funders and investors, documents the current Chinese art situation, talks about Chinese tax laws and how they relate to art and contains two interview records of Chinese private art museum directors conducted by this author.
590 $a School code: 1829.
650 4 $a Marketing. $3 536353
650 4 $a Asian Studies. $3 1669375
650 4 $a Arts Management. $3 3423886
690 $a 0338
690 $a 0342
690 $a 0424
710 2 $a Fashion Institute of Technology, State University of New York. $b Art Market. $3 3282536
773 0 $t Masters Abstracts International $g 80-05.
790 $a 1829
791 $a M.A.
792 $a 2018
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10974673