東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Performing Posthuman Spectatorship: ...

Lewis, William Woodall, II.

FindBook

Google Book

Amazon

博客來

Performing Posthuman Spectatorship: Contemporary Technogenesis and Experiential Architectures of Exchange.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Performing Posthuman Spectatorship: Contemporary Technogenesis and Experiential Architectures of Exchange./
作者:	Lewis, William Woodall, II.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	279 p.
附註:	Source: Dissertations Abstracts International, Volume: 80-03, Section: A.
Contained By:	Dissertations Abstracts International80-03A.
標題:	Communication. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10838165
ISBN:	9780438383425

Performing Posthuman Spectatorship: Contemporary Technogenesis and Experiential Architectures of Exchange.
Lewis, William Woodall, II.

Performing Posthuman Spectatorship: Contemporary Technogenesis and Experiential Architectures of Exchange. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 279 p.

Source: Dissertations Abstracts International, Volume: 80-03, Section: A.

Thesis (Ph.D.)--University of Colorado at Boulder, 2018.

This item must not be sold to any third party vendors.

The project offers an analytical lens for use when studying the operations and aesthetics of contemporary spectatorship. This lens is informed by the ecological and relational methodology found in critical posthumanism and is useful when considering the relationships between spectatorship, contemporary performance, and digital media/technology under paradigms of deep mediatization. The form of spectatorship considered involves active participation and relational exchange between event and individual. The project argues for an interdisciplinary model for looking at the influence of digital technologies on the subjective condition of human beings who perform the role of spectator in various performative events. As a perpetually evolving form of embodied performativity, posthuman spectatorship develops at the convergence of media environments, communications technologies, and narratives and performance events and is conditioned by contemporary politics and ethics. Due to the deeply interactive nature of contemporary technologies, posthuman spectators become evolve to perform as co-producers of their own daily realities through their deeply enmeshed relationship with media and mediatization opening-up radical new opportunities for political and ethical response, activism, and world building. The foundation for a posthuman model of spectatorship extends the analytical scope beyond unidirectional modes of reception to encompass a multitude of relational activities undertaken by contemporary spectators.

ISBN: 9780438383425Subjects--Topical Terms:

524709
Communication.

Performing Posthuman Spectatorship: Contemporary Technogenesis and Experiential Architectures of Exchange.
LDR:02648nmm a2200337 4500 001 2205959
005 20190909085605.5
008 201008s2018 ||||||||||||||||| ||eng d
020 $a 9780438383425
035 $a (MiAaPQ)AAI10838165
035 $a (MiAaPQ)colorado:15595
035 $a AAI10838165
040 $a MiAaPQ $c MiAaPQ
100 1 $a Lewis, William Woodall, II. $3 3432845
245 1 0 $a Performing Posthuman Spectatorship: Contemporary Technogenesis and Experiential Architectures of Exchange.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 279 p.
500 $a Source: Dissertations Abstracts International, Volume: 80-03, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Steuernagel, Marcos.
502 $a Thesis (Ph.D.)--University of Colorado at Boulder, 2018.
506 $a This item must not be sold to any third party vendors.
520 $a The project offers an analytical lens for use when studying the operations and aesthetics of contemporary spectatorship. This lens is informed by the ecological and relational methodology found in critical posthumanism and is useful when considering the relationships between spectatorship, contemporary performance, and digital media/technology under paradigms of deep mediatization. The form of spectatorship considered involves active participation and relational exchange between event and individual. The project argues for an interdisciplinary model for looking at the influence of digital technologies on the subjective condition of human beings who perform the role of spectator in various performative events. As a perpetually evolving form of embodied performativity, posthuman spectatorship develops at the convergence of media environments, communications technologies, and narratives and performance events and is conditioned by contemporary politics and ethics. Due to the deeply interactive nature of contemporary technologies, posthuman spectators become evolve to perform as co-producers of their own daily realities through their deeply enmeshed relationship with media and mediatization opening-up radical new opportunities for political and ethical response, activism, and world building. The foundation for a posthuman model of spectatorship extends the analytical scope beyond unidirectional modes of reception to encompass a multitude of relational activities undertaken by contemporary spectators.
590 $a School code: 0051.
650 4 $a Communication. $3 524709
650 4 $a Theater. $3 522973
650 4 $a Philosophy of science. $2 bicssc $3 2079849
690 $a 0402
690 $a 0459
690 $a 0465
710 2 $a University of Colorado at Boulder. $b Theatre and Dance. $3 1024597
773 0 $t Dissertations Abstracts International $g 80-03A.
790 $a 0051
791 $a Ph.D.
792 $a 2018
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10838165