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The Translation of American Comic St...

Exner, Eike.

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The Translation of American Comic Strips in Pre-World War II Japan and the Origins of Contemporary Narrative Manga.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Translation of American Comic Strips in Pre-World War II Japan and the Origins of Contemporary Narrative Manga./
作者:	Exner, Eike.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	253 p.
附註:	Source: Dissertations Abstracts International, Volume: 80-06, Section: A.
Contained By:	Dissertations Abstracts International80-06A.
標題:	Comparative literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10819769

The Translation of American Comic Strips in Pre-World War II Japan and the Origins of Contemporary Narrative Manga.
Exner, Eike.

The Translation of American Comic Strips in Pre-World War II Japan and the Origins of Contemporary Narrative Manga. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 253 p.

Source: Dissertations Abstracts International, Volume: 80-06, Section: A.

Thesis (Ph.D.)--University of Southern California, 2018.

This item must not be sold to any third party vendors.

This dissertation traces the origins of contemporary Japanese comics back to the introduction of translated American comic strips to Japan in the 1920s and 1930s. Identifying the model employed by modern comics as that of Thierry Smolderen's audiovisual stage, it examines the creation of said model at the hands of Rudolph Dirks and Frederick Burr Opper in William Randolph Hearst's New York Journal 1898-1900 as a shift from extradiegetic narration to what I term "transdiegetic" content in graphic narrative. The dissertation details the introduction to Japan of this audiovisual stage via George McManus's Bringing Up Father and the many other comic strip translations in its wake. These translations inspired a new generation of Japanese graphic artists, such as Aso Yutaka, Yokoyama Ryuichi, Tagawa Suiho, and Tezuka Osamu, replacing the manga manbun or picture story model heretofore dominant in Japan with the audiovisual stage model. The American roots of modern Japanese manga are vastly underestimated in existing manga historiography, in part because the bulk of the research upon which this dissertation is based is original and not yet widely known. This dissertation is hence an attempt to revise current narratives about the origins of Japanese comics by shedding light on modern manga's forgotten connection to early American newspaper comic strips.Subjects--Topical Terms:

570001
Comparative literature.

The Translation of American Comic Strips in Pre-World War II Japan and the Origins of Contemporary Narrative Manga.
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520 $a This dissertation traces the origins of contemporary Japanese comics back to the introduction of translated American comic strips to Japan in the 1920s and 1930s. Identifying the model employed by modern comics as that of Thierry Smolderen's audiovisual stage, it examines the creation of said model at the hands of Rudolph Dirks and Frederick Burr Opper in William Randolph Hearst's New York Journal 1898-1900 as a shift from extradiegetic narration to what I term "transdiegetic" content in graphic narrative. The dissertation details the introduction to Japan of this audiovisual stage via George McManus's Bringing Up Father and the many other comic strip translations in its wake. These translations inspired a new generation of Japanese graphic artists, such as Aso Yutaka, Yokoyama Ryuichi, Tagawa Suiho, and Tezuka Osamu, replacing the manga manbun or picture story model heretofore dominant in Japan with the audiovisual stage model. The American roots of modern Japanese manga are vastly underestimated in existing manga historiography, in part because the bulk of the research upon which this dissertation is based is original and not yet widely known. This dissertation is hence an attempt to revise current narratives about the origins of Japanese comics by shedding light on modern manga's forgotten connection to early American newspaper comic strips.
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