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"I Am Not Deaf": Art-based Participa...

Rubesin, Hillary.

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"I Am Not Deaf": Art-based Participatory Action Research with Refugee Women from Burma.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	"I Am Not Deaf": Art-based Participatory Action Research with Refugee Women from Burma./
作者:	Rubesin, Hillary.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	302 p.
附註:	Source: Dissertation Abstracts International, Volume: 79-09(E), Section: A.
Contained By:	Dissertation Abstracts International79-09A(E).
標題:	Alternative medicine. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10792388
ISBN:	9780355856859

"I Am Not Deaf": Art-based Participatory Action Research with Refugee Women from Burma.
Rubesin, Hillary.

"I Am Not Deaf": Art-based Participatory Action Research with Refugee Women from Burma. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 302 p.

Source: Dissertation Abstracts International, Volume: 79-09(E), Section: A.

Thesis (Ph.D.)--Lesley University, 2018.

There are currently over 65 million displaced people across the world. Refugee women present a unique subset of those displaced. These women often struggle with "triple trauma," but these complex issues can go unvoiced and unaddressed as the women work to hold their families together in the midst of shifting landscapes and shifting gender roles and cultural norms.

ISBN: 9780355856859Subjects--Topical Terms:

536195
Alternative medicine.

"I Am Not Deaf": Art-based Participatory Action Research with Refugee Women from Burma.
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520 $a The following study demonstrates how the arts can offer refugee women an opportunity to express themselves and process complex issues in effective, creative, accessible, therapeutic, and cross-cultural ways. It details the process and explores the impact of an art-based participatory action research study conducted with a small group of refugee women from Burma resettled in Orange County, North Carolina. Throughout the four-month data collection period, the refugee women were able to explores issues of importance to them and determine how to best address these issues.
520 $a An arts-based, public narrative process enabled the refugee women from Burma to discover and share both risk and protective factors present in their lives. Through this process, the research participants discovered just how important the Women's Group was to them, and why this group was so impactful. Relationships between the refugee women and the American-born facilitators were strengthened through practices of cultural humility and cultural safety, as well as gender homogeneity, and arts-based processes. In the end, the trust built within these relationships enabled the refugee women to challenge the facilitators to help them keep the Women's Group strong and stable after the initial research period had ended, an unanticipated and important outcome.
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