東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Altered States of Consciousness in H...

Hawley, Lauren.

FindBook

Google Book

Amazon

博客來

Altered States of Consciousness in High Modernism.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Altered States of Consciousness in High Modernism./
作者:	Hawley, Lauren.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:	256 p.
附註:	Source: Dissertation Abstracts International, Volume: 80-05(E), Section: A.
Contained By:	Dissertation Abstracts International80-05A(E).
標題:	Literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13425735
ISBN:	9780438781979

Altered States of Consciousness in High Modernism.
Hawley, Lauren.

Altered States of Consciousness in High Modernism. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 256 p.

Source: Dissertation Abstracts International, Volume: 80-05(E), Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 2019.

This study examines the phenomenon of altered consciousness as it was understood by modernist intellectuals and poets as a source of epistemological rupture that could catalyze innovations in theory and art. These innovations arose through creative responses to revelations of the unknown that the altered state can instigate. Such innovations in thought are exemplified by Charles Baudelaire, William James, Sigmund Freud, Bertolt Brecht, and Walter Benjamin (Chapter 1), and innovations in art are performed in the long poems of William Carlos Williams, Mina Loy, and T.S. Eliot (Chapters 2-4). These figures show that exceptional mental states, religious experiences, intoxication, mystical visions, love, epiphanies, and other such extraordinary experiences interrupt a 'base-line' condition of 'ordinary' consciousness by subverting the Freudian ego's automatic censorship of destabilizing content. With the ego's controls subverted, the subject may grow conscious of James' "regions" of exceptional experiences whose causes and significance were unfamiliar to modern rational secular discourses, and which were experienced as aesthetic, in the Greek sense of the term. Modernists explored these internal territories, examined the philosophical, religious, and socio-political spheres through perspectives of altered consciousness, and creatively assimilated the content of these insights into communicable frames of reference.

ISBN: 9780438781979Subjects--Topical Terms:

537498
Literature.

Altered States of Consciousness in High Modernism.
LDR:03531nmm a2200313 4500 001 2201402
005 20190429062349.5
008 201008s2019 ||||||||||||||||| ||eng d
020 $a 9780438781979
035 $a (MiAaPQ)AAI13425735
035 $a (MiAaPQ)wisc:15963
035 $a AAI13425735
040 $a MiAaPQ $c MiAaPQ
100 1 $a Hawley, Lauren. $3 3428122
245 1 0 $a Altered States of Consciousness in High Modernism.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 256 p.
500 $a Source: Dissertation Abstracts International, Volume: 80-05(E), Section: A.
500 $a Advisers: Cyrena N. Pondrom; Richard Begam.
502 $a Thesis (Ph.D.)--The University of Wisconsin - Madison, 2019.
520 $a This study examines the phenomenon of altered consciousness as it was understood by modernist intellectuals and poets as a source of epistemological rupture that could catalyze innovations in theory and art. These innovations arose through creative responses to revelations of the unknown that the altered state can instigate. Such innovations in thought are exemplified by Charles Baudelaire, William James, Sigmund Freud, Bertolt Brecht, and Walter Benjamin (Chapter 1), and innovations in art are performed in the long poems of William Carlos Williams, Mina Loy, and T.S. Eliot (Chapters 2-4). These figures show that exceptional mental states, religious experiences, intoxication, mystical visions, love, epiphanies, and other such extraordinary experiences interrupt a 'base-line' condition of 'ordinary' consciousness by subverting the Freudian ego's automatic censorship of destabilizing content. With the ego's controls subverted, the subject may grow conscious of James' "regions" of exceptional experiences whose causes and significance were unfamiliar to modern rational secular discourses, and which were experienced as aesthetic, in the Greek sense of the term. Modernists explored these internal territories, examined the philosophical, religious, and socio-political spheres through perspectives of altered consciousness, and creatively assimilated the content of these insights into communicable frames of reference.
520 $a Three markedly different poems that perform the attainment and assimilation of insights instigated by altered states of consciousness include Williams' Kora in Hell: Improvisations (1923), Loy's "Songs to Joannes" (1917) and Eliot's Four Quartets (1943). Williams' ecstatic improvisations bypass the conventions of self-censorship and propriety to reveal an otherwise imperceptible Dionysian frenzy and libidinal energy pulsating through the unremarkable veneer of Paterson, New Jersey---and indeed, through the poet himself. Mina Loy's speaker reclaims stereotypes of feminine passivity and vacuity by recognizing herself, through the power of dissociation, as subject to an erotic force that neither Victorian manners nor emerging discussions of feminine political equality could contain. Eliot in Four Quartets treats glimpses of timelessness as gateways to visions of ascent and descent. By recalling the perennial appearance of such visions in diverse world literatures and religions, Eliot reincorporates the fragmented modern subject into a collective spiritual multitude that transcends historical and cultural boundaries.
590 $a School code: 0262.
650 4 $a Literature. $3 537498
650 4 $a Modern literature. $3 2122750
690 $a 0401
690 $a 0298
710 2 $a The University of Wisconsin - Madison. $b English. $3 2049862
773 0 $t Dissertation Abstracts International $g 80-05A(E).
790 $a 0262
791 $a Ph.D.
792 $a 2019
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13425735