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The Challenge of Anonymous and Ephem...
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West, Sara.
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The Challenge of Anonymous and Ephemeral Social Media: Reflective Research Methodologies & Student-User Composing Practices.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Challenge of Anonymous and Ephemeral Social Media: Reflective Research Methodologies & Student-User Composing Practices./
作者:
West, Sara.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:
169 p.
附註:
Source: Dissertation Abstracts International, Volume: 79-09(E), Section: A.
Contained By:
Dissertation Abstracts International79-09A(E).
標題:
Technical communication. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10792723
ISBN:
9780355859782
The Challenge of Anonymous and Ephemeral Social Media: Reflective Research Methodologies & Student-User Composing Practices.
West, Sara.
The Challenge of Anonymous and Ephemeral Social Media: Reflective Research Methodologies & Student-User Composing Practices.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 169 p.
Source: Dissertation Abstracts International, Volume: 79-09(E), Section: A.
Thesis (Ph.D.)--University of Arkansas, 2018.
This project seeks to provide a framework for navigating anonymous and ephemeral research spaces to theorize student-user composing practices on these social media platforms. This project reflects on and builds from the difficulties that arose during a previous project for which I collected data from a space that was both ephemeral and anonymous. That experience led me to the questions of use and research methods that I consider in this project, wherein I rely on critical reflective research practices to provide an effective methodology for examining the type of data in question. In this work, I consider how past and current conversations in composition studies, technical and professional communication, and popular media have shaped perceptions of anonymous and ephemeral spaces. Then, using the specific examples of Snapchat, Yik Yak, and Whisper, I discuss an IRB-approved, mixed methods study designed for this project. Through a large-scale survey and a small batch of qualitative interviews, I examine the ways that students are using these applications and the extent to which the characteristics of anonymity and ephemerality influence how they navigate these spaces. Finally, I offer implications of this project for instructions of composition and technical and professional communication, content creators and communication designers, and online researchers.
ISBN: 9780355859782Subjects--Topical Terms:
3172863
Technical communication.
The Challenge of Anonymous and Ephemeral Social Media: Reflective Research Methodologies & Student-User Composing Practices.
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This project seeks to provide a framework for navigating anonymous and ephemeral research spaces to theorize student-user composing practices on these social media platforms. This project reflects on and builds from the difficulties that arose during a previous project for which I collected data from a space that was both ephemeral and anonymous. That experience led me to the questions of use and research methods that I consider in this project, wherein I rely on critical reflective research practices to provide an effective methodology for examining the type of data in question. In this work, I consider how past and current conversations in composition studies, technical and professional communication, and popular media have shaped perceptions of anonymous and ephemeral spaces. Then, using the specific examples of Snapchat, Yik Yak, and Whisper, I discuss an IRB-approved, mixed methods study designed for this project. Through a large-scale survey and a small batch of qualitative interviews, I examine the ways that students are using these applications and the extent to which the characteristics of anonymity and ephemerality influence how they navigate these spaces. Finally, I offer implications of this project for instructions of composition and technical and professional communication, content creators and communication designers, and online researchers.
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