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Producing British television drama =...

McElroy, Ruth.

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Producing British television drama = local production in a global era /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Producing British television drama/ by Ruth McElroy, Caitriona Noonan.
其他題名:	local production in a global era /
作者:	McElroy, Ruth.
其他作者:	Noonan, Caitriona.
出版者:	London :Palgrave Macmillan UK : : 2019.,
面頁冊數:	ix, 172 p. :ill., digital ;24 cm.
內容註:	1. Introduction -- 2. What Makes TV Drama Special? -- 3. The Ecology of TV Drama Production -- 4. Locating Regional Production -- 5. Building a Sustainable Labour Force -- 6. Cultural Intermediaries and the Value of Game of Thrones -- 7. Power and sustainability in TV Drama Production.
Contained By:	Springer eBooks
標題:	Television series - Great Britain. -
電子資源:	https://doi.org/10.1057/978-1-137-57875-4
ISBN:	9781137578754

Producing British television drama = local production in a global era /
McElroy, Ruth.

Producing British television dramalocal production in a global era /[electronic resource] :by Ruth McElroy, Caitriona Noonan. - London :Palgrave Macmillan UK :2019. - ix, 172 p. :ill., digital ;24 cm.

1. Introduction -- 2. What Makes TV Drama Special? -- 3. The Ecology of TV Drama Production -- 4. Locating Regional Production -- 5. Building a Sustainable Labour Force -- 6. Cultural Intermediaries and the Value of Game of Thrones -- 7. Power and sustainability in TV Drama Production.

This book presents a compelling case for a paradigmatic shift in the analysis of television drama production that recentres questions of power, control and sustainability. Television drama production has become an increasingly lucrative global export business as drama as a form enjoys increased prestige. However, this book argues that the growing emphasis on international markets and global players such as Netflix and Amazon Prime neglects the realities of commissioning and making television drama in specific national and regional contexts. Drawing on extensive empirical research, Producing British Television Drama demonstrates the centrality of public service broadcasters in serving audiences and sustaining the commercial independent sector in a digital age. It attends closely to three elements--the role of place in the production of content; the experiences of those working in the sector; and the interventions from cultural intermediaries in articulating and ascribing value to television drama. With chapters examining the evolution of British TV drama, as well as what might be in store in its future, this book offers invaluable insights into the UK as a major supplier of and market for television drama.

ISBN: 9781137578754

Standard No.: 10.1057/978-1-137-57875-4doiSubjects--Topical Terms:

1404404
Television series
--Great Britain.

LC Class. No.: PN1992.3.G7 / M34 2019

Dewey Class. No.: 791.450941

Producing British television drama = local production in a global era /
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505 0 $a 1. Introduction -- 2. What Makes TV Drama Special? -- 3. The Ecology of TV Drama Production -- 4. Locating Regional Production -- 5. Building a Sustainable Labour Force -- 6. Cultural Intermediaries and the Value of Game of Thrones -- 7. Power and sustainability in TV Drama Production.
520 $a This book presents a compelling case for a paradigmatic shift in the analysis of television drama production that recentres questions of power, control and sustainability. Television drama production has become an increasingly lucrative global export business as drama as a form enjoys increased prestige. However, this book argues that the growing emphasis on international markets and global players such as Netflix and Amazon Prime neglects the realities of commissioning and making television drama in specific national and regional contexts. Drawing on extensive empirical research, Producing British Television Drama demonstrates the centrality of public service broadcasters in serving audiences and sustaining the commercial independent sector in a digital age. It attends closely to three elements--the role of place in the production of content; the experiences of those working in the sector; and the interventions from cultural intermediaries in articulating and ascribing value to television drama. With chapters examining the evolution of British TV drama, as well as what might be in store in its future, this book offers invaluable insights into the UK as a major supplier of and market for television drama.
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