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Hemingway, trauma and masculinity = ...
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Brown, Stephen Gilbert.
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Hemingway, trauma and masculinity = in the garden of the uncanny /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Hemingway, trauma and masculinity/ by Stephen Gilbert Brown.
其他題名:
in the garden of the uncanny /
作者:
Brown, Stephen Gilbert.
出版者:
Cham :Springer International Publishing : : 2019.,
面頁冊數:
x, 306 p. :ill., digital ;24 cm.
內容註:
Chapter 1: Introduction: Entering the Garden: The Genealogy of a Reading -- Chapter 2: Eden and its Discontents -- Chapter 3: The Mother of Invention: The Birth of the Twin -- Chapter 4: Sisters of the Forest -- Chapter 5: The Forest of Four Wounds: Hemingway and the Sawyer's Daughter -- Chapter 6: As One Animal of the Forest: "The Last Good Country" of Sibling Eros -- Chapter 7: The Father of the Forest: Identity Formation and Hemingway's Naturalist Calling -- Chapter 8: An Uncanny Genealogy: Agassiz, Roosevelt, and Pound -- Chapter 9: A Father's Fall from Grace -- Chapter 10: The Rise of the Old Brute -- Chapter 11: Tabula Fabulas: Re-Reading Hemingway's First Narratives.
Contained By:
Springer eBooks
標題:
Masculinity in literature. -
電子資源:
https://doi.org/10.1007/978-3-030-19230-3
ISBN:
9783030192303
Hemingway, trauma and masculinity = in the garden of the uncanny /
Brown, Stephen Gilbert.
Hemingway, trauma and masculinity
in the garden of the uncanny /[electronic resource] :by Stephen Gilbert Brown. - Cham :Springer International Publishing :2019. - x, 306 p. :ill., digital ;24 cm. - American literature readings in the 21st century. - American literature readings in the 21st century..
Chapter 1: Introduction: Entering the Garden: The Genealogy of a Reading -- Chapter 2: Eden and its Discontents -- Chapter 3: The Mother of Invention: The Birth of the Twin -- Chapter 4: Sisters of the Forest -- Chapter 5: The Forest of Four Wounds: Hemingway and the Sawyer's Daughter -- Chapter 6: As One Animal of the Forest: "The Last Good Country" of Sibling Eros -- Chapter 7: The Father of the Forest: Identity Formation and Hemingway's Naturalist Calling -- Chapter 8: An Uncanny Genealogy: Agassiz, Roosevelt, and Pound -- Chapter 9: A Father's Fall from Grace -- Chapter 10: The Rise of the Old Brute -- Chapter 11: Tabula Fabulas: Re-Reading Hemingway's First Narratives.
Hemingway, Trauma and Masculinity: In the Garden of the Uncanny is at once a model of literary interpretation and a psycho-critical reading of Hemingway's life and art. This book is a provocative and theoretically sophisticated inquiry into the traumatic origins of the creative impulse and the dynamics of identity formation in Hemingway. Building on a body of wound-theory scholarship, the book seeks to reconcile the tensions between opposing Hemingway camps, while moving beyond these rivalries into a broader analysis of the relationship between trauma, identity formation and art in Hemingway.
ISBN: 9783030192303
Standard No.: 10.1007/978-3-030-19230-3doiSubjects--Personal Names:
571697
Hemingway, Ernest,
1899-1961--Criticism and interpretation.Subjects--Topical Terms:
580406
Masculinity in literature.
LC Class. No.: PS3515.E37 / B76 2019
Dewey Class. No.: 813.5209
Hemingway, trauma and masculinity = in the garden of the uncanny /
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Chapter 1: Introduction: Entering the Garden: The Genealogy of a Reading -- Chapter 2: Eden and its Discontents -- Chapter 3: The Mother of Invention: The Birth of the Twin -- Chapter 4: Sisters of the Forest -- Chapter 5: The Forest of Four Wounds: Hemingway and the Sawyer's Daughter -- Chapter 6: As One Animal of the Forest: "The Last Good Country" of Sibling Eros -- Chapter 7: The Father of the Forest: Identity Formation and Hemingway's Naturalist Calling -- Chapter 8: An Uncanny Genealogy: Agassiz, Roosevelt, and Pound -- Chapter 9: A Father's Fall from Grace -- Chapter 10: The Rise of the Old Brute -- Chapter 11: Tabula Fabulas: Re-Reading Hemingway's First Narratives.
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Hemingway, Trauma and Masculinity: In the Garden of the Uncanny is at once a model of literary interpretation and a psycho-critical reading of Hemingway's life and art. This book is a provocative and theoretically sophisticated inquiry into the traumatic origins of the creative impulse and the dynamics of identity formation in Hemingway. Building on a body of wound-theory scholarship, the book seeks to reconcile the tensions between opposing Hemingway camps, while moving beyond these rivalries into a broader analysis of the relationship between trauma, identity formation and art in Hemingway.
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