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Pixar and the aesthetic imagination ...

Herhuth, Eric.

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Pixar and the aesthetic imagination = animation, storytelling, and digital culture /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Pixar and the aesthetic imagination/ Eric Herhuth.
Reminder of title:	animation, storytelling, and digital culture /
Author:	Herhuth, Eric.
Published:	Oakland, California :University of California Press, : 2017.,
Description:	1 online resource (254 p.)
[NT 15003449]:	Pixar and the aesthetic imagination: animation, storytelling, and digital culture -- Contents -- Illustrations -- Acknowledgments -- Introduction -- Chapter One: Aesthetic Storytelling: A Tradition and Theory of Animated Film -- Chapter Two: The Uncanny Integrity of Digital Commodities (Toy Story) -- Chapter Three: From the Technological to the Postmodern Sublime (Monsters, Inc.) -- Chapter Four: The Exceptional Dialectic of the Fantastic and the Mundane (The Incredibles) -- Chapter Five: Disruptive Sensation and the Politics of the New (Ratatouille) -- Conclusion -- Notes -- Bibliography -- Index.
Subject:	Pixar (Firm) -
Online resource:	http://portal.igpublish.com/iglibrary/search/UCPB0001600.htmlclick for full text
ISBN:	0520966058

Pixar and the aesthetic imagination = animation, storytelling, and digital culture /
Herhuth, Eric.

Pixar and the aesthetic imaginationanimation, storytelling, and digital culture /[electronic resource] :Eric Herhuth. - Oakland, California :University of California Press,2017. - 1 online resource (254 p.)

Includes bibliographical references and index.

Pixar and the aesthetic imagination: animation, storytelling, and digital culture -- Contents -- Illustrations -- Acknowledgments -- Introduction -- Chapter One: Aesthetic Storytelling: A Tradition and Theory of Animated Film -- Chapter Two: The Uncanny Integrity of Digital Commodities (Toy Story) -- Chapter Three: From the Technological to the Postmodern Sublime (Monsters, Inc.) -- Chapter Four: The Exceptional Dialectic of the Fantastic and the Mundane (The Incredibles) -- Chapter Five: Disruptive Sensation and the Politics of the New (Ratatouille) -- Conclusion -- Notes -- Bibliography -- Index.

"In Pixar and the Aesthetic Imagination, Eric Herhuth draws upon film theory, animation theory, and philosophy to examine modes of animation storytelling that address aesthetic experience within contexts of technological, environmental, and socio-cultural change. Since producing the first fully computer-animated feature film, Pixar Animation Studios has been a creative force in digital culture and popular entertainment. But more specifically, its depictions of uncanny toys, technologically sublime worlds, fantastic characters, and sensorial intensities explore aesthetic experience and its relation to developments in global media, creative capitalism, and consumer culture. This investigation considers Pixar's artificial worlds and transformational stories as opportunities for thinking through aesthetics as a contested domain committed to newness and innovation, as well as criticism and pluralistic thought"--Provided by publisher.

ISBN: 0520966058Subjects--Topical Terms:

3399909
Pixar (Firm)

LC Class. No.: NC1766.U52

Dewey Class. No.: 791.4334

Pixar and the aesthetic imagination = animation, storytelling, and digital culture /
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520 3 $a "In Pixar and the Aesthetic Imagination, Eric Herhuth draws upon film theory, animation theory, and philosophy to examine modes of animation storytelling that address aesthetic experience within contexts of technological, environmental, and socio-cultural change. Since producing the first fully computer-animated feature film, Pixar Animation Studios has been a creative force in digital culture and popular entertainment. But more specifically, its depictions of uncanny toys, technologically sublime worlds, fantastic characters, and sensorial intensities explore aesthetic experience and its relation to developments in global media, creative capitalism, and consumer culture. This investigation considers Pixar's artificial worlds and transformational stories as opportunities for thinking through aesthetics as a contested domain committed to newness and innovation, as well as criticism and pluralistic thought"--Provided by publisher.
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