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Borges, Buddhism and world literatur...
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Jullien, Dominique.
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Borges, Buddhism and world literature = a morphology of renunciation tales /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Borges, Buddhism and world literature/ by Dominique Jullien.
其他題名:
a morphology of renunciation tales /
作者:
Jullien, Dominique.
出版者:
Cham :Springer International Publishing : : 2019.,
面頁冊數:
xxv, 126 p. :ill., digital ;24 cm.
內容註:
1. Introduction: Leaving the Palace -- 2. A Borgesian Morphology: Renunciation, Morphology and World Literature -- 3. A Lesson for the King: Renunciation and Politics -- 4. From Ascetic to Poet: Poetic Renunciation -- 5. Modernity's Enigmatic Parables of Renunciation -- 6. Conclusion: Renunciation Stories and Wandering Kings.
Contained By:
Springer eBooks
標題:
Comparative literature. -
電子資源:
https://doi.org/10.1007/978-3-030-04717-7
ISBN:
9783030047177
Borges, Buddhism and world literature = a morphology of renunciation tales /
Jullien, Dominique.
Borges, Buddhism and world literature
a morphology of renunciation tales /[electronic resource] :by Dominique Jullien. - Cham :Springer International Publishing :2019. - xxv, 126 p. :ill., digital ;24 cm. - Literatures of the Americas. - Literatures of the Americas..
1. Introduction: Leaving the Palace -- 2. A Borgesian Morphology: Renunciation, Morphology and World Literature -- 3. A Lesson for the King: Renunciation and Politics -- 4. From Ascetic to Poet: Poetic Renunciation -- 5. Modernity's Enigmatic Parables of Renunciation -- 6. Conclusion: Renunciation Stories and Wandering Kings.
This book follows the renunciation story in Borges and beyond, arguing for its centrality as a Borgesian compositional trope and as a Borgesian prism for reading a global constellation of texts. The renunciation story at the heart of Buddhism, that of a king who leaves his palace to become an ascetic, fascinated Borges because of its cross-cultural adaptability and metamorphic nature, and because it resonated so powerfully across philosophy, politics and aesthetics. From the story and its many variants, Borges's essays formulated a 'morphological' conception of literature (borrowing the idea from Goethe), whereby a potentially infinite number of stories were generated by transformation of a finite number of 'archetypes'. The king-and-ascetic encounter also tells a powerful political story, setting up a confrontation between power and authority; Borges's own political predicament is explored against the rich background of truth-telling renouncers. In its poetic variant, the renunciation archetype morphs into stories about art and artists, with renunciation a key requirement of the creative process: the discussion weaves in and out of Borges to highlight modern writers' debt to asceticism. Ultimately, the enigmatic appeal of the renunciation story aligns it with the open-endedness of modern parables.
ISBN: 9783030047177
Standard No.: 10.1007/978-3-030-04717-7doiSubjects--Topical Terms:
570001
Comparative literature.
LC Class. No.: PN56.I42 / J855 2019
Dewey Class. No.: 809.93353
Borges, Buddhism and world literature = a morphology of renunciation tales /
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1. Introduction: Leaving the Palace -- 2. A Borgesian Morphology: Renunciation, Morphology and World Literature -- 3. A Lesson for the King: Renunciation and Politics -- 4. From Ascetic to Poet: Poetic Renunciation -- 5. Modernity's Enigmatic Parables of Renunciation -- 6. Conclusion: Renunciation Stories and Wandering Kings.
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This book follows the renunciation story in Borges and beyond, arguing for its centrality as a Borgesian compositional trope and as a Borgesian prism for reading a global constellation of texts. The renunciation story at the heart of Buddhism, that of a king who leaves his palace to become an ascetic, fascinated Borges because of its cross-cultural adaptability and metamorphic nature, and because it resonated so powerfully across philosophy, politics and aesthetics. From the story and its many variants, Borges's essays formulated a 'morphological' conception of literature (borrowing the idea from Goethe), whereby a potentially infinite number of stories were generated by transformation of a finite number of 'archetypes'. The king-and-ascetic encounter also tells a powerful political story, setting up a confrontation between power and authority; Borges's own political predicament is explored against the rich background of truth-telling renouncers. In its poetic variant, the renunciation archetype morphs into stories about art and artists, with renunciation a key requirement of the creative process: the discussion weaves in and out of Borges to highlight modern writers' debt to asceticism. Ultimately, the enigmatic appeal of the renunciation story aligns it with the open-endedness of modern parables.
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