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Embracing In-Betweenness: New Stage ...

Rogers, Lydia.

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Embracing In-Betweenness: New Stage in Contemporary Chicana Art.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Embracing In-Betweenness: New Stage in Contemporary Chicana Art./
作者:	Rogers, Lydia.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	48 p.
附註:	Source: Masters Abstracts International, Volume: 58-01.
Contained By:	Masters Abstracts International58-01(E).
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10826271
ISBN:	9780438291249

Embracing In-Betweenness: New Stage in Contemporary Chicana Art.
Rogers, Lydia.

Embracing In-Betweenness: New Stage in Contemporary Chicana Art. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 48 p.

Source: Masters Abstracts International, Volume: 58-01.

Thesis (M.A.)--University of California, Davis, 2018.

Scholarship of Chicana/o art has primarily focused on what is defined by Shifra Goldman and Tomas Ybarra-Frausto as the three stages of Chicana/o art. Scholarship pertaining to these stages covers Chicana/o art created between the 1960s and 1990s, but rarely considers artwork of the twenty-first century. When artwork of the twenty-first-century is discussed it is most often in relation to works of the 1960s and 1970s or to ideas of anti-identity. However, there is a set of Chicana/o artists who in the twenty-first-century have begun to turn towards a new aesthetic, incorporating both Western styles and Chicana/o influences, ideas, and politics. Through an analysis of the abstract and pop art works of Linda Arreola and Linda Vallejo, this paper explores ideas of identity, hybridity, and in-betweenness in relation to the contemporary Chicana/o artist.

ISBN: 9780438291249Subjects--Topical Terms:

2122701
Art history.

Embracing In-Betweenness: New Stage in Contemporary Chicana Art.
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