東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Woven Paintings, Woven Writing: Inte...

Tunstall, Alexandra.

FindBook

Google Book

Amazon

博客來

Woven Paintings, Woven Writing: Intermediality in Kesi Silk Tapestries in the Ming (1368-1644) and Qing (1644-1912) Dynasties.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Woven Paintings, Woven Writing: Intermediality in Kesi Silk Tapestries in the Ming (1368-1644) and Qing (1644-1912) Dynasties./
作者:	Tunstall, Alexandra.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2015,
面頁冊數:	292 p.
附註:	Source: Dissertation Abstracts International, Volume: 77-03(E), Section: A.
Contained By:	Dissertation Abstracts International77-03A(E).
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3730289
ISBN:	9781339165004

Woven Paintings, Woven Writing: Intermediality in Kesi Silk Tapestries in the Ming (1368-1644) and Qing (1644-1912) Dynasties.
Tunstall, Alexandra.

Woven Paintings, Woven Writing: Intermediality in Kesi Silk Tapestries in the Ming (1368-1644) and Qing (1644-1912) Dynasties. - Ann Arbor : ProQuest Dissertations & Theses, 2015 - 292 p.

Source: Dissertation Abstracts International, Volume: 77-03(E), Section: A.

Thesis (Ph.D.)--Columbia University, 2015.

This item is not available from ProQuest Dissertations & Theses.

This dissertation explores pictorial kesi, silk-woven tapestry, from its origins in China through the Qing dynasty, focusing on objects and sources from the Ming and Qing periods. While pictorial kesi imitated the visual appearance of paintings and calligraphy, no in-depth study of the three media in relation to each other has been undertaken. By approaching kesi through the techniques of the weaver and the materiality of the finished product, this dissertation explores an important pictorial art form on its own terms.

ISBN: 9781339165004Subjects--Topical Terms:

2122701
Art history.

Woven Paintings, Woven Writing: Intermediality in Kesi Silk Tapestries in the Ming (1368-1644) and Qing (1644-1912) Dynasties.
LDR:03528nmm a2200361 4500 001 2162083
005 20181002081330.5
008 190424s2015 ||||||||||||||||| ||eng d
020 $a 9781339165004
035 $a (MiAaPQ)AAI3730289
035 $a (MiAaPQ)columbia:12977
035 $a AAI3730289
040 $a MiAaPQ $c MiAaPQ
100 1 $a Tunstall, Alexandra. $3 3350060
245 1 0 $a Woven Paintings, Woven Writing: Intermediality in Kesi Silk Tapestries in the Ming (1368-1644) and Qing (1644-1912) Dynasties.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2015
300 $a 292 p.
500 $a Source: Dissertation Abstracts International, Volume: 77-03(E), Section: A.
500 $a Adviser: Robert E. Harrist, Jr.
502 $a Thesis (Ph.D.)--Columbia University, 2015.
506 $a This item is not available from ProQuest Dissertations & Theses.
520 $a This dissertation explores pictorial kesi, silk-woven tapestry, from its origins in China through the Qing dynasty, focusing on objects and sources from the Ming and Qing periods. While pictorial kesi imitated the visual appearance of paintings and calligraphy, no in-depth study of the three media in relation to each other has been undertaken. By approaching kesi through the techniques of the weaver and the materiality of the finished product, this dissertation explores an important pictorial art form on its own terms.
520 $a This dissertation is divided into two parts, the first focusing on the origins, technology and techniques of weaving kesi in China. While tapestry weave was imported from Central Asia in the seventh century, Chinese craftsmen embraced the technology of creating colorful clear designs in silk and used it to imitate court paintings of the Song dynasty in the twelfth century. The author will study the intricate techniques of color blending and color joining that were developed by Chinese weavers to create complicated, beautiful images inspired by paintings. Looking at a kesi reproduction of a calligraphy scroll by Dong Qichang (1555-1636), I will analyze kesi calligraphy through the process of its making and the meaning in its materiality, as well as the political implications of this work.
520 $a The second part will study kesi in relationship to the visual arts, focusing on painting. Examining a kesi attributed to the woman weaver Zhu Kerou (active twelfth century) will shed light not only on the practice of weaving painting-like images but also on the elaborate system of male connoisseurship in the Ming and Qing dynasties that judged and categorized it. Lastly, focusing on a composition attached to the name of a famous Ming painter, Shen Zhou (1427-1509), this dissertation will study the issue of authorship in kesi and the practice of adding famous names to woven compositions.
520 $a Through studying the issues of intermediality, reproduction, connoisseurship, and materiality, the author will shed a new light on kesi, believed for so long to be decorative copies of paintings. These works incorporate complex techniques developed to solve aesthetic problems and have a unique visual language of their own. Through this study, the objects, so carefully and painstakingly created by craftsmen and weavers, will begin to speak for themselves.
590 $a School code: 0054.
650 4 $a Art history. $3 2122701
650 4 $a Textile research. $3 2153103
650 4 $a Asian history. $2 bicssc $3 1099323
690 $a 0377
690 $a 0332
690 $a 0994
710 2 $a Columbia University. $b Art History and Archaeology. $3 2105312
773 0 $t Dissertation Abstracts International $g 77-03A(E).
790 $a 0054
791 $a Ph.D.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3730289