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HUBRIS AND HAMARTIA IN GREEK AND AME...

WALDRON, MAUREEN RYAN.

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HUBRIS AND HAMARTIA IN GREEK AND AMERICAN TRAGEDY.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	HUBRIS AND HAMARTIA IN GREEK AND AMERICAN TRAGEDY./
作者:	WALDRON, MAUREEN RYAN.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 1987,
面頁冊數:	50 p.
附註:	Source: Masters Abstracts International, Volume: 26-01, page: 3300.
Contained By:	Masters Abstracts International26-01.
標題:	Comparative literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1331519

HUBRIS AND HAMARTIA IN GREEK AND AMERICAN TRAGEDY.
WALDRON, MAUREEN RYAN.

HUBRIS AND HAMARTIA IN GREEK AND AMERICAN TRAGEDY. - Ann Arbor : ProQuest Dissertations & Theses, 1987 - 50 p.

Source: Masters Abstracts International, Volume: 26-01, page: 3300.

Thesis (M.S.)--Southern Connecticut State University, 1987.

The Greek concepts of hubris and hamartia are developed not only in classical Greek tragedy but also in modern American tragedy. Hubris is wanton aggression or insolence through which an excessively proud person becomes entangled in an act of violence. Hamartia is a character defect. Separate from an isolated error and distinct from depravity, hamartia causes a person's own misfortunes. Both concepts involve actions initiated by the protagonists that culminate in disaster for them. Xerxes in Aeschylus' The Persians and Heracles in Sophocles' The Trachiniae are guilty of hubris as are Royal Earle Thompson in Katherine Anne Porter's Noon Wine and Jay Gatsby in F. Scott Fitzgerald's The Great Gatsby. Oedipus in Sophocles' Oedipus Rex, Ethan Frome in Edith Wharton's Ethan Frome, Creon in Sophocles' Antigone, and Willy Loman in Arthur Miller's Death of a Salesman all manifest a hamartia of tragic consequences.Subjects--Topical Terms:

570001
Comparative literature.

HUBRIS AND HAMARTIA IN GREEK AND AMERICAN TRAGEDY.
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