東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Lauretta Vinciarelli in Context: Tra...

Siefert, Rebecca.

Linked to FindBook

Google Book

Amazon

博客來

Lauretta Vinciarelli in Context: Transatlantic Dialogues in Architecture, Art, Pedagogy, and Theory, 1968-2007.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Lauretta Vinciarelli in Context: Transatlantic Dialogues in Architecture, Art, Pedagogy, and Theory, 1968-2007./
Author:	Siefert, Rebecca.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:	305 p.
Notes:	Source: Dissertation Abstracts International, Volume: 79-08(E), Section: A.
Contained By:	Dissertation Abstracts International79-08A(E).
Subject:	Architecture. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10752163
ISBN:	9780355846386

Lauretta Vinciarelli in Context: Transatlantic Dialogues in Architecture, Art, Pedagogy, and Theory, 1968-2007.
Siefert, Rebecca.

Lauretta Vinciarelli in Context: Transatlantic Dialogues in Architecture, Art, Pedagogy, and Theory, 1968-2007. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 305 p.

Source: Dissertation Abstracts International, Volume: 79-08(E), Section: A.

Thesis (Ph.D.)--City University of New York, 2018.

This dissertation centers on the interdisciplinary work of Italian-born artist, architect, teacher, and theorist Lauretta Vinciarelli (1943-2011), a key yet relatively unknown figure who occupies a historic place in the 1970s revival of architectural drawings, Columbia University's housing studio, Peter Eisenman's influential Institute of Architecture and Urban Studies (IAUS) in New York, and architectonic trends in contemporary painting. She was the first woman to have drawings acquired by the Department of Architecture and Design at the Museum of Modern Art (MoMA, in 1974), she was among the first women to teach architecture studio courses at Columbia University (hired in 1978), and she was the first and only woman granted a solo exhibition at the IAUS (in 1978). She also collaborated on architectural projects with Minimalist artist Donald Judd from the late 1970s to the late 1980s, and had a significant influence on his furniture design and printmaking as well. I consider the totality of Vinciarelli's architectural and artistic output, asserting her impact on each discipline and situating her work in relation to postwar Italian Marxism and feminism.

ISBN: 9780355846386Subjects--Topical Terms:

523581
Architecture.

Lauretta Vinciarelli in Context: Transatlantic Dialogues in Architecture, Art, Pedagogy, and Theory, 1968-2007.
LDR:03010nmm a2200325 4500 001 2159993
005 20180712070706.5
008 190424s2018 ||||||||||||||||| ||eng d
020 $a 9780355846386
035 $a (MiAaPQ)AAI10752163
035 $a (MiAaPQ)minarees:14976
035 $a AAI10752163
040 $a MiAaPQ $c MiAaPQ
100 1 $a Siefert, Rebecca. $3 3347896
245 1 0 $a Lauretta Vinciarelli in Context: Transatlantic Dialogues in Architecture, Art, Pedagogy, and Theory, 1968-2007.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 305 p.
500 $a Source: Dissertation Abstracts International, Volume: 79-08(E), Section: A.
500 $a Adviser: Mona Hadler.
502 $a Thesis (Ph.D.)--City University of New York, 2018.
520 $a This dissertation centers on the interdisciplinary work of Italian-born artist, architect, teacher, and theorist Lauretta Vinciarelli (1943-2011), a key yet relatively unknown figure who occupies a historic place in the 1970s revival of architectural drawings, Columbia University's housing studio, Peter Eisenman's influential Institute of Architecture and Urban Studies (IAUS) in New York, and architectonic trends in contemporary painting. She was the first woman to have drawings acquired by the Department of Architecture and Design at the Museum of Modern Art (MoMA, in 1974), she was among the first women to teach architecture studio courses at Columbia University (hired in 1978), and she was the first and only woman granted a solo exhibition at the IAUS (in 1978). She also collaborated on architectural projects with Minimalist artist Donald Judd from the late 1970s to the late 1980s, and had a significant influence on his furniture design and printmaking as well. I consider the totality of Vinciarelli's architectural and artistic output, asserting her impact on each discipline and situating her work in relation to postwar Italian Marxism and feminism.
520 $a By arguing for her impact within these various contexts -- the 1970s architectural drawings revival, theory and pedagogy in the 1970s and 1980s, her collaborations with Judd, and art world trends around the new millennium -- I aim to problematize the historiography of each topic. In the process, I present a reevaluation of the Italian influence and the role of women at the IAUS and in Columbia's housing studio, of Minimalism's relationship to architecture, design, and collaboration, and of the metamorphosis of architectural drawings as an art form with socio-political implications. Vinciarelli's work illuminates a plethora of issues that are central today, from the ideological and social dimensions of architecture to transatlantic connections, feminism and artistic collaboration, and pedagogy and practice.
590 $a School code: 0046.
650 4 $a Architecture. $3 523581
650 4 $a Art history. $3 2122701
650 4 $a Women's studies. $3 526816
690 $a 0729
690 $a 0377
690 $a 0453
710 2 $a City University of New York. $b Art History. $3 1032236
773 0 $t Dissertation Abstracts International $g 79-08A(E).
790 $a 0046
791 $a Ph.D.
792 $a 2018
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10752163