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Adopted Personalities: Exploring Fre...
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Garcia, Analisa.
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Adopted Personalities: Exploring Freedom, Creativity and Feminism through the Art of Annette Messager.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Adopted Personalities: Exploring Freedom, Creativity and Feminism through the Art of Annette Messager./
Author:
Garcia, Analisa.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2017,
Description:
81 p.
Notes:
Source: Masters Abstracts International, Volume: 57-01.
Contained By:
Masters Abstracts International57-01(E).
Subject:
Art history. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10636704
ISBN:
9780355540413
Adopted Personalities: Exploring Freedom, Creativity and Feminism through the Art of Annette Messager.
Garcia, Analisa.
Adopted Personalities: Exploring Freedom, Creativity and Feminism through the Art of Annette Messager.
- Ann Arbor : ProQuest Dissertations & Theses, 2017 - 81 p.
Source: Masters Abstracts International, Volume: 57-01.
Thesis (M.A.)--Azusa Pacific University, 2017.
This study focuses on the Feminist artist Annette Messager (b. 1943--present) and her artwork---specifically Penetration (1993--1994, fig. 1), Voluntary Tortures (1972, fig. 2), and Children with Their Eyes Scratched Out Album no. 3 (1971--1972, fig. 3)---to explore the ways in which the artist rebelled against the stereotyping of women into traditional roles as objects of desire, housewives, and mothers. She made a mockery of these systemically sexist norms by choosing particular media commonly associated with female subservience, and she coped with her personal discomfort through the use of exaggerated form and repetitive imagery. This paper also considers the impact of German artist Hans Bellmer (b. 1902--1975) on Messager's creative process and body of work.
ISBN: 9780355540413Subjects--Topical Terms:
2122701
Art history.
Adopted Personalities: Exploring Freedom, Creativity and Feminism through the Art of Annette Messager.
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This study focuses on the Feminist artist Annette Messager (b. 1943--present) and her artwork---specifically Penetration (1993--1994, fig. 1), Voluntary Tortures (1972, fig. 2), and Children with Their Eyes Scratched Out Album no. 3 (1971--1972, fig. 3)---to explore the ways in which the artist rebelled against the stereotyping of women into traditional roles as objects of desire, housewives, and mothers. She made a mockery of these systemically sexist norms by choosing particular media commonly associated with female subservience, and she coped with her personal discomfort through the use of exaggerated form and repetitive imagery. This paper also considers the impact of German artist Hans Bellmer (b. 1902--1975) on Messager's creative process and body of work.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10636704
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