東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Boring Sensations: Deleuze on Meat a...

Macagba, Jonathan.

FindBook

Google Book

Amazon

博客來

Boring Sensations: Deleuze on Meat and Vegetables.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Boring Sensations: Deleuze on Meat and Vegetables./
作者:	Macagba, Jonathan.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:	27 p.
附註:	Source: Masters Abstracts International, Volume: 56-06.
Contained By:	Masters Abstracts International56-06(E).
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10277335
ISBN:	9780355203271

Boring Sensations: Deleuze on Meat and Vegetables.
Macagba, Jonathan.

Boring Sensations: Deleuze on Meat and Vegetables. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 27 p.

Source: Masters Abstracts International, Volume: 56-06.

Thesis (M.A.)--State University of New York at Stony Brook, 2017.

In his book, Francis Bacon: The Logic of Sensation, Gilles Deleuze betrays a preference for largely dramatic and "sensational" (even if not "sensationalistic") artworks that privilege the "scream" over the yawn, and ignores the type of understated works that Jacques Ranciere would characterize as "pensive" images, or even the intentionally "boring" works of postmodern art. This paper critically examines Deleuzian concepts on the reception of art---i.e. sensation, affection, and affect---and explores their applicability to subtle and seemingly neutral/boring/deadpan works. Philosophers including Barthes and Ranciere addressed the challenge of engaging with images in postmodernity by asking what happens when we encounter a yawn rather than a scream, or, in the case of Barthes, what happens when a scream makes us yawn? With the existence of already shocking photographs in mass culture, and with the end of the "shock of the new," Barthes sought aesthetic redemption in the punctum rather than the studium. Heidegger, in The Fundamental Concepts of Metaphysics, looks at boredom itself as a "fundamental attunement" that needed to be absorbed and engaged with directly, rather than escaped from. Using Deleuze's example of "Pierre and Paul" in his lectures on Spinoza's concept of "affectio" (affection) and "affectus" (affect), this paper seeks to draw out some of the conceptual limitations in Deleuzian notions of sensation, affection, and affect in dealing with understated or purposely boring works, and proposes an understanding of these concepts in a less fixed and instantiated manner, and more as slower unravellings that grow, fade, or linger.

ISBN: 9780355203271Subjects--Topical Terms:

2122701
Art history.

Boring Sensations: Deleuze on Meat and Vegetables.
LDR:02601nmm a2200313 4500 001 2158143
005 20180608130835.5
008 190424s2017 ||||||||||||||||| ||eng d
020 $a 9780355203271
035 $a (MiAaPQ)AAI10277335
035 $a (MiAaPQ)grad.sunysb:13234
035 $a AAI10277335
040 $a MiAaPQ $c MiAaPQ
100 1 $a Macagba, Jonathan. $3 3345967
245 1 0 $a Boring Sensations: Deleuze on Meat and Vegetables.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2017
300 $a 27 p.
500 $a Source: Masters Abstracts International, Volume: 56-06.
500 $a Adviser: Edward S. Casey.
502 $a Thesis (M.A.)--State University of New York at Stony Brook, 2017.
520 $a In his book, Francis Bacon: The Logic of Sensation, Gilles Deleuze betrays a preference for largely dramatic and "sensational" (even if not "sensationalistic") artworks that privilege the "scream" over the yawn, and ignores the type of understated works that Jacques Ranciere would characterize as "pensive" images, or even the intentionally "boring" works of postmodern art. This paper critically examines Deleuzian concepts on the reception of art---i.e. sensation, affection, and affect---and explores their applicability to subtle and seemingly neutral/boring/deadpan works. Philosophers including Barthes and Ranciere addressed the challenge of engaging with images in postmodernity by asking what happens when we encounter a yawn rather than a scream, or, in the case of Barthes, what happens when a scream makes us yawn? With the existence of already shocking photographs in mass culture, and with the end of the "shock of the new," Barthes sought aesthetic redemption in the punctum rather than the studium. Heidegger, in The Fundamental Concepts of Metaphysics, looks at boredom itself as a "fundamental attunement" that needed to be absorbed and engaged with directly, rather than escaped from. Using Deleuze's example of "Pierre and Paul" in his lectures on Spinoza's concept of "affectio" (affection) and "affectus" (affect), this paper seeks to draw out some of the conceptual limitations in Deleuzian notions of sensation, affection, and affect in dealing with understated or purposely boring works, and proposes an understanding of these concepts in a less fixed and instantiated manner, and more as slower unravellings that grow, fade, or linger.
590 $a School code: 0771.
650 4 $a Art history. $3 2122701
650 4 $a Art criticism. $3 526357
650 4 $a Aesthetics. $3 523036
690 $a 0377
690 $a 0365
690 $a 0650
710 2 $a State University of New York at Stony Brook. $b Art History and Criticism. $3 1678614
773 0 $t Masters Abstracts International $g 56-06(E).
790 $a 0771
791 $a M.A.
792 $a 2017
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10277335