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The Robot as Other: Sartre and Telev...
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Hanson, Karen S.
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The Robot as Other: Sartre and Television Portrayals of Humanoid Robots in "Almost Human" and "Humans".
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Robot as Other: Sartre and Television Portrayals of Humanoid Robots in "Almost Human" and "Humans"./
作者:
Hanson, Karen S.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2016,
面頁冊數:
268 p.
附註:
Source: Dissertation Abstracts International, Volume: 78-09(E), Section: A.
Contained By:
Dissertation Abstracts International78-09A(E).
標題:
Philosophy of science. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10266610
ISBN:
9781369696103
The Robot as Other: Sartre and Television Portrayals of Humanoid Robots in "Almost Human" and "Humans".
Hanson, Karen S.
The Robot as Other: Sartre and Television Portrayals of Humanoid Robots in "Almost Human" and "Humans".
- Ann Arbor : ProQuest Dissertations & Theses, 2016 - 268 p.
Source: Dissertation Abstracts International, Volume: 78-09(E), Section: A.
Thesis (Ph.D.)--Salve Regina University, 2016.
Portrayals of humanoid robots in television series draw heavily from the historical and cultural mythology of robots. This mythology is expressed in two contemporary television series, Almost Human and Humans, in which robots are depicted as closely resembling humans in physical appearance and behavior and as fulfilling social roles usually occupied by humans. The robots are imagined with characteristics associated with human consciousness, such as emotions, individuality, and free will. An analysis of the robots in these series, using Jean-Paul Sartre's theories of consciousness and the Other, demonstrates that when the robots are depicted as conscious, the relationship between a human and robot is portrayed as one of human-to-human (or human-to-Other), not human-to-technology. Sartre's philosophy helps describe the human characters' fascination and fear of the robots as resulting from their perceptions of the Other's shifting status of object and subject and the unpredictability associated with the Other's freedom. Thus, it is not the machine aspects of the robot that are desired and feared, but the humanness within the machine. Viewed in this way, the humanoid robot as depicted these television series represents a continuing effort to define and describe the essence of humanity in a society where the boundaries between machines and humans are becomingly increasingly blurred.
ISBN: 9781369696103Subjects--Topical Terms:
2079849
Philosophy of science.
The Robot as Other: Sartre and Television Portrayals of Humanoid Robots in "Almost Human" and "Humans".
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Portrayals of humanoid robots in television series draw heavily from the historical and cultural mythology of robots. This mythology is expressed in two contemporary television series, Almost Human and Humans, in which robots are depicted as closely resembling humans in physical appearance and behavior and as fulfilling social roles usually occupied by humans. The robots are imagined with characteristics associated with human consciousness, such as emotions, individuality, and free will. An analysis of the robots in these series, using Jean-Paul Sartre's theories of consciousness and the Other, demonstrates that when the robots are depicted as conscious, the relationship between a human and robot is portrayed as one of human-to-human (or human-to-Other), not human-to-technology. Sartre's philosophy helps describe the human characters' fascination and fear of the robots as resulting from their perceptions of the Other's shifting status of object and subject and the unpredictability associated with the Other's freedom. Thus, it is not the machine aspects of the robot that are desired and feared, but the humanness within the machine. Viewed in this way, the humanoid robot as depicted these television series represents a continuing effort to define and describe the essence of humanity in a society where the boundaries between machines and humans are becomingly increasingly blurred.
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