語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Neoliberal Transformations of "White...
~
Masko, Jeffrey A.
FindBook
Google Book
Amazon
博客來
Neoliberal Transformations of "White Masculinity" in Cinematic Media - 1970-2015.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Neoliberal Transformations of "White Masculinity" in Cinematic Media - 1970-2015./
作者:
Masko, Jeffrey A.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:
342 p.
附註:
Source: Dissertation Abstracts International, Volume: 78-11(E), Section: A.
Contained By:
Dissertation Abstracts International78-11A(E).
標題:
Film studies. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10629090
ISBN:
9781369991932
Neoliberal Transformations of "White Masculinity" in Cinematic Media - 1970-2015.
Masko, Jeffrey A.
Neoliberal Transformations of "White Masculinity" in Cinematic Media - 1970-2015.
- Ann Arbor : ProQuest Dissertations & Theses, 2017 - 342 p.
Source: Dissertation Abstracts International, Volume: 78-11(E), Section: A.
Thesis (Ph.D.)--The Pennsylvania State University, 2017.
This dissertation looks at three U.S. film cycles from the last 40 years -- the Cowboy Trucker in the 1970s, the Brom-com from 1990s-2010, and Alaska-based reality television shows from the late 2000s and into the present cable reality television era -- to connect them to neoliberal transformations of the workplace. Examining how whiteness and masculinity have been represented historically and currently as responses to reproducing class processes and positions allows us to trace the functions of non-class processes and positions on class representations in cinematic media. By using a dual formal-social analysis, I link the filmic elements of specifically chosen cinematic media to the social context in which they are used to illustrate the overdetermined nature of the social forces and the cinematic media of each period. Representations of whiteness and masculinity are used to "stand in" for class positions when necessary to reinforce the capitalist project by sublimating class recognition. By eliding class processes, this substitution divides and fractures the working force. Thus hegemony of multiple iterations of masculinities and whiteness function to delimit dialogue about class for one based on political subjectivities. By highlighting class processes and positions as an entry point, I hope to restore some balance between class analysis and theories of political identity and to highlight the necessarily mutually constitutive relationship between gender, race, and class.
ISBN: 9781369991932Subjects--Topical Terms:
2122736
Film studies.
Neoliberal Transformations of "White Masculinity" in Cinematic Media - 1970-2015.
LDR
:02454nmm a2200301 4500
001
2157892
005
20180608141653.5
008
190424s2017 ||||||||||||||||| ||eng d
020
$a
9781369991932
035
$a
(MiAaPQ)AAI10629090
035
$a
AAI10629090
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Masko, Jeffrey A.
$3
3345708
245
1 0
$a
Neoliberal Transformations of "White Masculinity" in Cinematic Media - 1970-2015.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2017
300
$a
342 p.
500
$a
Source: Dissertation Abstracts International, Volume: 78-11(E), Section: A.
500
$a
Adviser: Michelle Rodino-Colocino.
502
$a
Thesis (Ph.D.)--The Pennsylvania State University, 2017.
520
$a
This dissertation looks at three U.S. film cycles from the last 40 years -- the Cowboy Trucker in the 1970s, the Brom-com from 1990s-2010, and Alaska-based reality television shows from the late 2000s and into the present cable reality television era -- to connect them to neoliberal transformations of the workplace. Examining how whiteness and masculinity have been represented historically and currently as responses to reproducing class processes and positions allows us to trace the functions of non-class processes and positions on class representations in cinematic media. By using a dual formal-social analysis, I link the filmic elements of specifically chosen cinematic media to the social context in which they are used to illustrate the overdetermined nature of the social forces and the cinematic media of each period. Representations of whiteness and masculinity are used to "stand in" for class positions when necessary to reinforce the capitalist project by sublimating class recognition. By eliding class processes, this substitution divides and fractures the working force. Thus hegemony of multiple iterations of masculinities and whiteness function to delimit dialogue about class for one based on political subjectivities. By highlighting class processes and positions as an entry point, I hope to restore some balance between class analysis and theories of political identity and to highlight the necessarily mutually constitutive relationship between gender, race, and class.
590
$a
School code: 0176.
650
4
$a
Film studies.
$3
2122736
650
4
$a
Mass communication.
$3
2144804
650
4
$a
Gender studies.
$3
2122708
690
$a
0900
690
$a
0708
690
$a
0733
710
2
$a
The Pennsylvania State University.
$b
Communications.
$3
3342416
773
0
$t
Dissertation Abstracts International
$g
78-11A(E).
790
$a
0176
791
$a
Ph.D.
792
$a
2017
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10629090
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9357439
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入