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Tone in Acatlan Mixtec Nouns = = El ...

Mendez-Hord, Esteban I.

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Tone in Acatlan Mixtec Nouns = = El tono de los sustantivos del mixteco de Acatlan.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Tone in Acatlan Mixtec Nouns =/
其他題名:	El tono de los sustantivos del mixteco de Acatlan.
作者:	Mendez-Hord, Esteban I.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:	121 p.
附註:	Source: Masters Abstracts International, Volume: 57-02.
Contained By:	Masters Abstracts International57-02(E).
標題:	Linguistics. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10685066
ISBN:	9780355554694

Tone in Acatlan Mixtec Nouns = = El tono de los sustantivos del mixteco de Acatlan.
Mendez-Hord, Esteban I.

Tone in Acatlan Mixtec Nouns =El tono de los sustantivos del mixteco de Acatlan. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 121 p.

Source: Masters Abstracts International, Volume: 57-02.

Thesis (M.A.)--The University of North Dakota, 2017.

Varieties of Mixtec (an Oto-Manguean language group spoken in southern Mexico) have often been analyzed as having a three-way tonal distinction: Low, Mid and High. I present evidence from original research on simple, alienable nouns, that only two lexical tones, /H/ (corresponding to the traditional Mid tone) and /L/, where some H tones are floating, are needed to describe noun roots in Acatlan Mixtec. In essence, the extra-H tone (corresponding to the traditional Hi tone) only occurs in derived environments, which involve the interaction of tones from two or more morphemes. The bulk of the analysis uses H and L to represent the two tones, but in the final section I will present evidence that low tones are underlyingly unspecified.

ISBN: 9780355554694Subjects--Topical Terms:

524476
Linguistics.

Tone in Acatlan Mixtec Nouns = = El tono de los sustantivos del mixteco de Acatlan.
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500 $a Source: Masters Abstracts International, Volume: 57-02.
500 $a Adviser: Keith L. Snider.
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520 $a Varieties of Mixtec (an Oto-Manguean language group spoken in southern Mexico) have often been analyzed as having a three-way tonal distinction: Low, Mid and High. I present evidence from original research on simple, alienable nouns, that only two lexical tones, /H/ (corresponding to the traditional Mid tone) and /L/, where some H tones are floating, are needed to describe noun roots in Acatlan Mixtec. In essence, the extra-H tone (corresponding to the traditional Hi tone) only occurs in derived environments, which involve the interaction of tones from two or more morphemes. The bulk of the analysis uses H and L to represent the two tones, but in the final section I will present evidence that low tones are underlyingly unspecified.
520 $a Acatlan Mixtec (spoken chiefly in the state of Puebla, Mexico) has attracted some attention due to the claim made in E. Pike and Wistrand (1974) that the typologically uncommon tonal process known as "iterative upstep" exists in this variety of Mixtec, and its theoretical implications potentially dispute the universal nature of the Obligatory Contour Principle (Snider 1988, Snider 1999 and Aronovich 1994). Although upstep is beyond the scope of this thesis, this study lays the groundwork for exploring upstep in Acatlan Mixtec in the future, especially the description of the raising effects of floating H tones.
520 $a I propose that only six underlying tone patterns account for all noun roots (/H/, /L/, /LH/, /HL/, /HLH/ and /LH/). I also propose that three tone processes (Hi-tone spreading, Hi-tone raising, Hi-tone lowering) and an OCP condition (the two-slot condition, which is an instantiation of the Obligatory Contour Principle described in this study) account for the surface realizations of these nouns.
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