東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

More Than Movies: Social Formations ...

Van Esler, Mike.

FindBook

Google Book

Amazon

博客來

More Than Movies: Social Formations in Informal Networks of Media Sharing.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	More Than Movies: Social Formations in Informal Networks of Media Sharing./
作者:	Van Esler, Mike.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:	302 p.
附註:	Source: Dissertation Abstracts International, Volume: 79-02(E), Section: A.
Contained By:	Dissertation Abstracts International79-02A(E).
標題:	Film studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10289417
ISBN:	9780355350753

More Than Movies: Social Formations in Informal Networks of Media Sharing.
Van Esler, Mike.

More Than Movies: Social Formations in Informal Networks of Media Sharing. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 302 p.

Source: Dissertation Abstracts International, Volume: 79-02(E), Section: A.

Thesis (Ph.D.)--University of Kansas, 2017.

This project examines the social structures, formations, and practices of informal networks of media sharing (INMSs) through both historical and sociological lenses. INMSs are comprised of individuals who distribute and circulate media to one another through noncommercial, unauthorized networks. The networks can be centered around texts, such as the early videophile publication The Videophile's Newsletter, or they can be constituted by disparate groups of people who come together as a community using digital platforms like BitTorrent. While nominally concerned with circulating media, INMSs are also sources of social sustenance for their members and are sites of struggle for social and symbolic capital and power. They illuminate the complex ways in which community members utilize media as a starting point to satisfy a variety of needs, including developing bodies of cultural and technical knowledge, thinking through legal and ethical concerns, creating social bonds, and engaging in a variety of pedagogical practices. In short, INMSs are loci of social and cultural meaning-making for their members.

ISBN: 9780355350753Subjects--Topical Terms:

2122736
Film studies.

More Than Movies: Social Formations in Informal Networks of Media Sharing.
LDR:02992nmm a2200325 4500 001 2154630
005 20180419104823.5
008 190424s2017 ||||||||||||||||| ||eng d
020 $a 9780355350753
035 $a (MiAaPQ)AAI10289417
035 $a (MiAaPQ)ku:15410
035 $a AAI10289417
040 $a MiAaPQ $c MiAaPQ
100 1 $a Van Esler, Mike. $3 3342363
245 1 0 $a More Than Movies: Social Formations in Informal Networks of Media Sharing.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2017
300 $a 302 p.
500 $a Source: Dissertation Abstracts International, Volume: 79-02(E), Section: A.
500 $a Adviser: Germaine Halegoua.
502 $a Thesis (Ph.D.)--University of Kansas, 2017.
520 $a This project examines the social structures, formations, and practices of informal networks of media sharing (INMSs) through both historical and sociological lenses. INMSs are comprised of individuals who distribute and circulate media to one another through noncommercial, unauthorized networks. The networks can be centered around texts, such as the early videophile publication The Videophile's Newsletter, or they can be constituted by disparate groups of people who come together as a community using digital platforms like BitTorrent. While nominally concerned with circulating media, INMSs are also sources of social sustenance for their members and are sites of struggle for social and symbolic capital and power. They illuminate the complex ways in which community members utilize media as a starting point to satisfy a variety of needs, including developing bodies of cultural and technical knowledge, thinking through legal and ethical concerns, creating social bonds, and engaging in a variety of pedagogical practices. In short, INMSs are loci of social and cultural meaning-making for their members.
520 $a This dissertation catalogs and analyzes the social practices and formations of three INMSs, the aforementioned Videophile's Newsletter and two private, BitTorrent networks focused on cinema, Great Cinema and FilmDestruction, showing there to be diachronic and transplatform similarities between different networks. Rather than instances of rupture and divergence, this project argues that these networks are best understood through an evolutionary lens. It contends that INMSs and other similar formations should be increasingly studied because of their prevalence throughout the 20th and 21st centuries and their importance to consumers as unauthorized media distribution spaces whereby network members have greater latitude to experiment with media and create unique, diverse social structures and practices that are not contingent upon restrictions imposed by the media and copyright industries.
590 $a School code: 0099.
650 4 $a Film studies. $3 2122736
650 4 $a Sociology. $3 516174
650 4 $a American studies. $3 2122720
690 $a 0900
690 $a 0626
690 $a 0323
710 2 $a University of Kansas. $b Film and Media Studies. $3 3342364
773 0 $t Dissertation Abstracts International $g 79-02A(E).
790 $a 0099
791 $a Ph.D.
792 $a 2017
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10289417