東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Inner Lives: The Moral Cinema of Bre...

Vonderheide, Leah.

FindBook

Google Book

Amazon

博客來

Inner Lives: The Moral Cinema of Bresson, Rohmer, and the Dardennes.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Inner Lives: The Moral Cinema of Bresson, Rohmer, and the Dardennes./
作者:	Vonderheide, Leah.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:	346 p.
附註:	Source: Dissertation Abstracts International, Volume: 78-12(E), Section: A.
Contained By:	Dissertation Abstracts International78-12A(E).
標題:	Film studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10262007
ISBN:	9780355107371

Inner Lives: The Moral Cinema of Bresson, Rohmer, and the Dardennes.
Vonderheide, Leah.

Inner Lives: The Moral Cinema of Bresson, Rohmer, and the Dardennes. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 346 p.

Source: Dissertation Abstracts International, Volume: 78-12(E), Section: A.

Thesis (Ph.D.)--The University of Iowa, 2017.

This dissertation engages French-language films in the 'moraliste' tradition. The French word 'moraliste' has no exact English equivalent. It does not evoke the didactic sense of "moralist;" rather a 'moraliste' is someone who explores the inner workings of the mind, rather than the outer actions of a character. Beginning with the publication of Montaigne's Essays in 1580, 'moralistes' including Descartes, La Rochefoucauld, Pascal, and La Bruyere created moral literature -- literature concerned with personal reflections and the feelings of an individual over the dogma of good society. The emergence of film in the late nineteenth century provided a new medium for raising questions in the 'moraliste' tradition. Eric Rohmer, for example, described his Six Moral Tales as "films in which a particular feeling is analyzed and where even the characters themselves analyze their feelings and are very introspective. That's what 'conte moral' (moral tale) means."

ISBN: 9780355107371Subjects--Topical Terms:

2122736
Film studies.

Inner Lives: The Moral Cinema of Bresson, Rohmer, and the Dardennes.
LDR:02602nmm a2200301 4500 001 2154572
005 20180419104822.5
008 190424s2017 ||||||||||||||||| ||eng d
020 $a 9780355107371
035 $a (MiAaPQ)AAI10262007
035 $a (MiAaPQ)uiowa:14946
035 $a AAI10262007
040 $a MiAaPQ $c MiAaPQ
100 1 $a Vonderheide, Leah. $3 3342303
245 1 0 $a Inner Lives: The Moral Cinema of Bresson, Rohmer, and the Dardennes.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2017
300 $a 346 p.
500 $a Source: Dissertation Abstracts International, Volume: 78-12(E), Section: A.
500 $a Adviser: Steven Ungar.
502 $a Thesis (Ph.D.)--The University of Iowa, 2017.
520 $a This dissertation engages French-language films in the 'moraliste' tradition. The French word 'moraliste' has no exact English equivalent. It does not evoke the didactic sense of "moralist;" rather a 'moraliste' is someone who explores the inner workings of the mind, rather than the outer actions of a character. Beginning with the publication of Montaigne's Essays in 1580, 'moralistes' including Descartes, La Rochefoucauld, Pascal, and La Bruyere created moral literature -- literature concerned with personal reflections and the feelings of an individual over the dogma of good society. The emergence of film in the late nineteenth century provided a new medium for raising questions in the 'moraliste' tradition. Eric Rohmer, for example, described his Six Moral Tales as "films in which a particular feeling is analyzed and where even the characters themselves analyze their feelings and are very introspective. That's what 'conte moral' (moral tale) means."
520 $a I argue that the films of Bresson, Rohmer, and the Dardennes are narratively, thematically, and stylistically interrelated in their connection to the specifically French 'moraliste' tradition. I contend that these films surfaced in post-World War II France -- growing out of the deep ambiguities that existed in French society in the aftermath of occupation and liberation -- and continue to appear in the increasingly transnational landscape of contemporary European cinema. This new approach to film history offers a counterweight to the narrative of French New Wave cinema, which privileges the work of more explicitly political and experimental filmmakers such as Francois Truffaut and Jean-Luc Godard.
590 $a School code: 0096.
650 4 $a Film studies. $3 2122736
690 $a 0900
710 2 $a The University of Iowa. $b Film Studies. $3 2122834
773 0 $t Dissertation Abstracts International $g 78-12A(E).
790 $a 0096
791 $a Ph.D.
792 $a 2017
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10262007