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The conceptual structure of emotiona...
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King, Brian.
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The conceptual structure of emotional experience in Chinese.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The conceptual structure of emotional experience in Chinese./
作者:
King, Brian.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 1989,
面頁冊數:
238 p.
附註:
Source: Dissertation Abstracts International, Volume: 51-01, Section: A, page: 1550.
Contained By:
Dissertation Abstracts International51-01A.
標題:
Modern language. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9011203
The conceptual structure of emotional experience in Chinese.
King, Brian.
The conceptual structure of emotional experience in Chinese.
- Ann Arbor : ProQuest Dissertations & Theses, 1989 - 238 p.
Source: Dissertation Abstracts International, Volume: 51-01, Section: A, page: 1550.
Thesis (Ph.D.)--The Ohio State University, 1989.
This study explores the 'folk models', or knowledge structures which account for everyday phenomena and perceptions of reality, of several common emotion concepts in Chinese based on conventionalized sayings (chengyu sk30), used to talk about them. Five emotion concepts ('worry' sk15; 'grief' sk15; 'fear' sk15; 'joy' sk15; 'anger' sk15) from the traditional classification known as the 'Seven Emotions' (sk25) are selected for analysis.Subjects--Topical Terms:
3174390
Modern language.
The conceptual structure of emotional experience in Chinese.
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238 p.
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Source: Dissertation Abstracts International, Volume: 51-01, Section: A, page: 1550.
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Thesis (Ph.D.)--The Ohio State University, 1989.
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This study explores the 'folk models', or knowledge structures which account for everyday phenomena and perceptions of reality, of several common emotion concepts in Chinese based on conventionalized sayings (chengyu sk30), used to talk about them. Five emotion concepts ('worry' sk15; 'grief' sk15; 'fear' sk15; 'joy' sk15; 'anger' sk15) from the traditional classification known as the 'Seven Emotions' (sk25) are selected for analysis.
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The following problems are addressed: (i) Is there a link between the beliefs about emotions contained in the folk models and socially sanctioned behavior? (ii) Does the linguistic evidence show any correspondence between physiology and type of emotion? (iii) Are there differences between Chinese and English in terms of the prototypical models used to understand emotions? (iv) To what extent do Chinese categories correspond to universals? (v) What are the implications for understanding the organization of the conceptual system of Chinese?
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The conclusions are as follows, based on an analysis of 222 chengyu and a number of colloquial expressions elicited from native speakers: (i) There is evidence to suggest that the folk models are psychologically valid, i.e. 'somatization', or the use of physical complaints as a way of expressing personal and interpersonal distress, is reflected in the linguistic expressions that describe emotional experience in Chinese culture; (ii) The hypothesis that emotion concepts have conceptual structure that is based on a cultural theory of the physiological changes which accompany the emotions is supported; (iii) The ideal model for anger in Chinese shows similarities to the model for English in terms of the metaphorical elaboration of HEAT, PRESSURE and AGITATION. The typical model is based on the somatic characteristics of the emotion; (iv) It is difficult to decide if the Chinese categories correspond to universals due to the conceptual problem inherent in the notion of 'universal'; (v) Chinese operates with a whole-part ontological metaphor and prefers metonymy over metaphor in the elaboration of the domains of experience used to conceptualize emotions.
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