東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

THE WU LIANG CI AND EASTERN HAN OFFE...

WU, HUNG.

FindBook

Google Book

Amazon

博客來

THE WU LIANG CI AND EASTERN HAN OFFERING SHRINES (CHINA, ONTOLOGY).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	THE WU LIANG CI AND EASTERN HAN OFFERING SHRINES (CHINA, ONTOLOGY)./
作者:	WU, HUNG.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 1987,
面頁冊數:	964 p.
附註:	Source: Dissertation Abstracts International, Volume: 48-02, Section: A, page: 4250.
Contained By:	Dissertation Abstracts International48-02A.
標題:	Archaeology. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8711544

THE WU LIANG CI AND EASTERN HAN OFFERING SHRINES (CHINA, ONTOLOGY).
WU, HUNG.

THE WU LIANG CI AND EASTERN HAN OFFERING SHRINES (CHINA, ONTOLOGY). - Ann Arbor : ProQuest Dissertations & Theses, 1987 - 964 p.

Source: Dissertation Abstracts International, Volume: 48-02, Section: A, page: 4250.

Thesis (Ph.D.)--Harvard University, 1987.

The offering shrine was a major form of monumental structures during the Eastern Han (25-220 A.D.), and bas-reliefs carved on these buildings demonstrate the excellence of Han pictorial art. My dissertation has attempted to undertake four major tasks which are crucial for the further progress of scholarship. These are (1) to examine and synthesize primary data, (2) to place Eastern Han shrines in their historical and ceremonial context and their carvings in the evolution of early Chinese pictorial art, (3) to analyze the underlying structure of carvings on individual shrines, and (4) to study the historiography of Han art history.Subjects--Topical Terms:

558412
Archaeology.

THE WU LIANG CI AND EASTERN HAN OFFERING SHRINES (CHINA, ONTOLOGY).
LDR:03004nmm a2200277 4500 001 2153780
005 20180322121326.5
008 190424s1987 ||||||||||||||||| ||eng d
035 $a (MiAaPQ)AAI8711544
035 $a AAI8711544
040 $a MiAaPQ $c MiAaPQ
100 1 $a WU, HUNG. $3 3341516
245 1 4 $a THE WU LIANG CI AND EASTERN HAN OFFERING SHRINES (CHINA, ONTOLOGY).
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 1987
300 $a 964 p.
500 $a Source: Dissertation Abstracts International, Volume: 48-02, Section: A, page: 4250.
502 $a Thesis (Ph.D.)--Harvard University, 1987.
520 $a The offering shrine was a major form of monumental structures during the Eastern Han (25-220 A.D.), and bas-reliefs carved on these buildings demonstrate the excellence of Han pictorial art. My dissertation has attempted to undertake four major tasks which are crucial for the further progress of scholarship. These are (1) to examine and synthesize primary data, (2) to place Eastern Han shrines in their historical and ceremonial context and their carvings in the evolution of early Chinese pictorial art, (3) to analyze the underlying structure of carvings on individual shrines, and (4) to study the historiography of Han art history.
520 $a Established in 151 A.D., the Wu Liang Ci is considered the most important Eastern Han shrine. It provides the richest evidence for studying Han iconography and its carvings are regarded as works of art embodying the most advanced degree of artistic excellence. My analysis of the Wu Liang Ci carvings reaches a conclusion concerning its pictorial style, symbolic structure, authorship, multiple function, and political and ideological implications. After identifying each motif, I was able to find the internal logic in the overall arrangement of the carvings. The ceiling carvings are all representations of the signs of Heaven's will. Engravings on the two gables are centered on two rulers of immortal lands, who are also symbols of the Yin-Yang opposition. The forty-four scenes on the three walls constitute a coherent representation of the history of mankind in Han thinking, starting from two creation gods and ending with the self-portrait of Wu Liang, the Confucian scholar who designed the carvings on his own memorial shrine. What these carvings represent, therefore, is the Universe, with its physical, ontological, historical, ritual, political and ethic dimensions, as conceptualized during the Han. In the epilogue, I proposed that the Wu Liang Ci carvings indicate an "archaic revival" in pictorial style during the Eastern Han. The strong ideological imagery of the Wu Liang Ci suggests that this archaism was a reaction against the more representational style which had developed during the Western Han.
590 $a School code: 0084.
650 4 $a Archaeology. $3 558412
650 4 $a Religious history. $3 2122824
690 $a 0324
690 $a 0320
710 2 $a Harvard University. $3 528741
773 0 $t Dissertation Abstracts International $g 48-02A.
790 $a 0084
791 $a Ph.D.
792 $a 1987
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8711544