東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The Incalculable Truth of Art: Think...

Embry, Karen Michelle.

FindBook

Google Book

Amazon

博客來

The Incalculable Truth of Art: Thinking Through the Artwork in the Twentieth Century.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Incalculable Truth of Art: Thinking Through the Artwork in the Twentieth Century./
作者:	Embry, Karen Michelle.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2013,
面頁冊數:	437 p.
附註:	Source: Dissertation Abstracts International, Volume: 75-02(E), Section: A.
Contained By:	Dissertation Abstracts International75-02A(E).
標題:	Aesthetics. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3602054
ISBN:	9781303538339

The Incalculable Truth of Art: Thinking Through the Artwork in the Twentieth Century.
Embry, Karen Michelle.

The Incalculable Truth of Art: Thinking Through the Artwork in the Twentieth Century. - Ann Arbor : ProQuest Dissertations & Theses, 2013 - 437 p.

Source: Dissertation Abstracts International, Volume: 75-02(E), Section: A.

Thesis (Ph.D.)--University of California, Davis, 2013.

This project considers the relationship between truth and art by turning to the work of twentieth-century European thinkers, who---in the midst of an ever-increasing technological society and culture, and the rising dominance of quantifiable data as the basis for answering society's most pressing crises---repeatedly turned to literature and art in their search for truth. Starting with an analysis of three specific works, Martin Heidegger's Holderlin's Hymn "The Ister" [Holderlins Hymne "Der Ister"], Jacques Derrida's The Truth in Painting [La verite en peinture ], and Theodor W. Adorno's Alban Berg: Master of the Smallest Transition [Berg: der Meister des kleinsten Ubergangs ], the study explores the nature of truth claims based on these philosophical engagements with poetry, painting, and music, tracing the warning that emerges in these texts, and throughout the work of these three thinkers, concerning the danger of valuing calculable scientific truth over the truth revealed through the interpretation of art. The study analyzes the ways in which the work of these three thinkers speaks to the legacy of incalculability that runs throughout the history of aesthetic theory, and how their contributions attempt to rescue the epistemological force of art by responding to what they consider to be one of our most urgent political and philosophical crises: the danger of equating fact with truth in an over-calculating modernity.

ISBN: 9781303538339Subjects--Topical Terms:

523036
Aesthetics.

The Incalculable Truth of Art: Thinking Through the Artwork in the Twentieth Century.
LDR:02390nmm a2200301 4500 001 2127300
005 20171205123904.5
008 180830s2013 ||||||||||||||||| ||eng d
020 $a 9781303538339
035 $a (MiAaPQ)AAI3602054
035 $a AAI3602054
040 $a MiAaPQ $c MiAaPQ
100 1 $a Embry, Karen Michelle. $3 3289426
245 1 4 $a The Incalculable Truth of Art: Thinking Through the Artwork in the Twentieth Century.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2013
300 $a 437 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-02(E), Section: A.
500 $a Adviser: Gerhard Richter.
502 $a Thesis (Ph.D.)--University of California, Davis, 2013.
520 $a This project considers the relationship between truth and art by turning to the work of twentieth-century European thinkers, who---in the midst of an ever-increasing technological society and culture, and the rising dominance of quantifiable data as the basis for answering society's most pressing crises---repeatedly turned to literature and art in their search for truth. Starting with an analysis of three specific works, Martin Heidegger's Holderlin's Hymn "The Ister" [Holderlins Hymne "Der Ister"], Jacques Derrida's The Truth in Painting [La verite en peinture ], and Theodor W. Adorno's Alban Berg: Master of the Smallest Transition [Berg: der Meister des kleinsten Ubergangs ], the study explores the nature of truth claims based on these philosophical engagements with poetry, painting, and music, tracing the warning that emerges in these texts, and throughout the work of these three thinkers, concerning the danger of valuing calculable scientific truth over the truth revealed through the interpretation of art. The study analyzes the ways in which the work of these three thinkers speaks to the legacy of incalculability that runs throughout the history of aesthetic theory, and how their contributions attempt to rescue the epistemological force of art by responding to what they consider to be one of our most urgent political and philosophical crises: the danger of equating fact with truth in an over-calculating modernity.
590 $a School code: 0029.
650 4 $a Aesthetics. $3 523036
650 4 $a Modern literature. $3 2122750
650 4 $a Philosophy. $3 516511
690 $a 0650
690 $a 0298
690 $a 0422
710 2 $a University of California, Davis. $b English. $3 1681470
773 0 $t Dissertation Abstracts International $g 75-02A(E).
790 $a 0029
791 $a Ph.D.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3602054