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A Genuine Dilemma: The Piombino Apol...

Garvin, Kaitlyn M.

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A Genuine Dilemma: The Piombino Apollo and Fraud in the First and Second-Century Greco-Roman Art Market.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A Genuine Dilemma: The Piombino Apollo and Fraud in the First and Second-Century Greco-Roman Art Market./
作者:	Garvin, Kaitlyn M.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
面頁冊數:	76 p.
附註:	Source: Masters Abstracts International, Volume: 55-05.
Contained By:	Masters Abstracts International55-05(E).
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10142235
ISBN:	9781339975498

A Genuine Dilemma: The Piombino Apollo and Fraud in the First and Second-Century Greco-Roman Art Market.
Garvin, Kaitlyn M.

A Genuine Dilemma: The Piombino Apollo and Fraud in the First and Second-Century Greco-Roman Art Market. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 76 p.

Source: Masters Abstracts International, Volume: 55-05.

Thesis (M.A.)--University of Oregon, 2016.

In 1832, fishermen pulled a full-body bronze sculpture of a youth, now called the Piombino Apollo, from the sea near ancient Populonia. Under life-size, the piece resembles an Archaic kouros, though it has some notable unusual features including an inscription dedicating the supposed image of Apollo to Athena and the signatures of two artists found on a lead tablet hidden within the hollow bronze. These unusual features led scholars to eventually reclassify the piece from an Archaic work of the fifth century to an Archaistic forgery of the second or first century.

ISBN: 9781339975498Subjects--Topical Terms:

2122701
Art history.

A Genuine Dilemma: The Piombino Apollo and Fraud in the First and Second-Century Greco-Roman Art Market.
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502 $a Thesis (M.A.)--University of Oregon, 2016.
520 $a In 1832, fishermen pulled a full-body bronze sculpture of a youth, now called the Piombino Apollo, from the sea near ancient Populonia. Under life-size, the piece resembles an Archaic kouros, though it has some notable unusual features including an inscription dedicating the supposed image of Apollo to Athena and the signatures of two artists found on a lead tablet hidden within the hollow bronze. These unusual features led scholars to eventually reclassify the piece from an Archaic work of the fifth century to an Archaistic forgery of the second or first century.
520 $a Few have challenged this reclassification, but this thesis attempts to complicate the application of the word forgery to the Piombino Apollo. Further, it examines whether a contemporary buyer would have been fooled by the sculpture's "deceptive" traits and offers alternative possibilities to account for the artists' choices of style, pose, and inscriptions.
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