東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Marcel Duchamp, Gertrude Stein, and ...

Khokhlov, Semyon.

FindBook

Google Book

Amazon

博客來

Marcel Duchamp, Gertrude Stein, and the modernist loss of autonomy.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Marcel Duchamp, Gertrude Stein, and the modernist loss of autonomy./
作者:	Khokhlov, Semyon.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
面頁冊數:	190 p.
附註:	Source: Dissertation Abstracts International, Volume: 78-07(E), Section: A.
Contained By:	Dissertation Abstracts International78-07A(E).
標題:	American literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10308149
ISBN:	9781369541342

Marcel Duchamp, Gertrude Stein, and the modernist loss of autonomy.
Khokhlov, Semyon.

Marcel Duchamp, Gertrude Stein, and the modernist loss of autonomy. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 190 p.

Source: Dissertation Abstracts International, Volume: 78-07(E), Section: A.

Thesis (Ph.D.)--University of Notre Dame, 2016.

Marcel Duchamp, Gertrude Stein, and the Modernist Loss of Autonomy proposes a new understanding of modernist autonomy and the ways in which it conditioned the features of modernist texts and works of art. Rather than positing it as a strictly textual phenomenon, a hallmark of both canonical and revisionary modernist criticism, I locate modernist autonomy within the biographical experience of Duchamp and Stein as they navigated the modernist cultural field. With Duchamp, I examine the way he competed with other artists for cultural capital and his embattled relation to exhibiting his work; with Stein, I look at her tense engagement with the act of lecturing and the consequences of her attempt to win general acclaim through an accessible work of autobiography. In all of these experiences, Duchamp and Stein forfeited or were stripped of a particular form of autonomy---what I am calling impersonal autonomy---that was central not only to their biographical experience but also to their works. They sought to remain unidentifiable, to avoid the publicization of their biographical selves, an aim that conflicted with their commitment to forging successful modernist careers. The loss of autonomy that emerged, again and again, out of this contradictory position resulted in works of art and literature in which the qualities commonly associated with the aesthetics of modernist autonomy are embattled and transformed. These works are marked by the following four features: the reassertion of autonomy; the presence of the authorial/artistic self; the manifestation of an array of "ugly feelings"; and a hostile relation to the reader/viewer. In exploring these features, I show the way that modernist autonomy---when considered at the level of biographical affective experience---becomes a generative force in the wake of its loss.

ISBN: 9781369541342Subjects--Topical Terms:

523234
American literature.

Marcel Duchamp, Gertrude Stein, and the modernist loss of autonomy.
LDR:02784nmm a2200313 4500 001 2126163
005 20171115071443.5
008 180830s2016 ||||||||||||||||| ||eng d
020 $a 9781369541342
035 $a (MiAaPQ)AAI10308149
035 $a AAI10308149
040 $a MiAaPQ $c MiAaPQ
100 1 $a Khokhlov, Semyon. $3 3288249
245 1 0 $a Marcel Duchamp, Gertrude Stein, and the modernist loss of autonomy.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2016
300 $a 190 p.
500 $a Source: Dissertation Abstracts International, Volume: 78-07(E), Section: A.
500 $a Adviser: Stephen Fredman.
502 $a Thesis (Ph.D.)--University of Notre Dame, 2016.
520 $a Marcel Duchamp, Gertrude Stein, and the Modernist Loss of Autonomy proposes a new understanding of modernist autonomy and the ways in which it conditioned the features of modernist texts and works of art. Rather than positing it as a strictly textual phenomenon, a hallmark of both canonical and revisionary modernist criticism, I locate modernist autonomy within the biographical experience of Duchamp and Stein as they navigated the modernist cultural field. With Duchamp, I examine the way he competed with other artists for cultural capital and his embattled relation to exhibiting his work; with Stein, I look at her tense engagement with the act of lecturing and the consequences of her attempt to win general acclaim through an accessible work of autobiography. In all of these experiences, Duchamp and Stein forfeited or were stripped of a particular form of autonomy---what I am calling impersonal autonomy---that was central not only to their biographical experience but also to their works. They sought to remain unidentifiable, to avoid the publicization of their biographical selves, an aim that conflicted with their commitment to forging successful modernist careers. The loss of autonomy that emerged, again and again, out of this contradictory position resulted in works of art and literature in which the qualities commonly associated with the aesthetics of modernist autonomy are embattled and transformed. These works are marked by the following four features: the reassertion of autonomy; the presence of the authorial/artistic self; the manifestation of an array of "ugly feelings"; and a hostile relation to the reader/viewer. In exploring these features, I show the way that modernist autonomy---when considered at the level of biographical affective experience---becomes a generative force in the wake of its loss.
590 $a School code: 0165.
650 4 $a American literature. $3 523234
650 4 $a Art criticism. $3 526357
650 4 $a Biographies. $3 795061
650 4 $a Art history. $3 2122701
690 $a 0591
690 $a 0365
690 $a 0304
690 $a 0377
710 2 $a University of Notre Dame. $b English. $3 3288250
773 0 $t Dissertation Abstracts International $g 78-07A(E).
790 $a 0165
791 $a Ph.D.
792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10308149