東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Anachronism effects: Ventriloquism a...

Kessler, Sarah Rebecca.

FindBook

Google Book

Amazon

博客來

Anachronism effects: Ventriloquism and popular media.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Anachronism effects: Ventriloquism and popular media./
作者:	Kessler, Sarah Rebecca.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
面頁冊數:	208 p.
附註:	Source: Dissertation Abstracts International, Volume: 78-08(E), Section: A.
Contained By:	Dissertation Abstracts International78-08A(E).
標題:	Film studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10245590
ISBN:	9781369670141

Anachronism effects: Ventriloquism and popular media.
Kessler, Sarah Rebecca.

Anachronism effects: Ventriloquism and popular media. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 208 p.

Source: Dissertation Abstracts International, Volume: 78-08(E), Section: A.

Thesis (Ph.D.)--University of California, Irvine, 2016.

Anachronism Effects: Ventriloquism and Popular Media, argues that the seemingly outmoded cultural phenomenon of ventriloquism is a key site for understanding Western anxieties about media and mediation at the turn of the twenty-first century. Ventriloquism achieved mainstream popularity in the Vaudevillian era through its comedic dramatizations of the foibles of everyday communication. Subsequently translated into the audiovisual contexts of phonography, film, and television, the art boasts a growing plethora of media afterlives, while also serving as political shorthand for the mechanical reproduction of another's speech. Anachronism Effects insists that ventriloquism's circulation as a popular metaphor, and continued prevalence as a form of contemporary entertainment, offers a unique template for tracing the transmissions of power and knowledge through diverse media platforms, as well as through racialized, gendered, and queer bodies, in the information age---even as the practice continues to evoke the cultural detritus of a prior historical moment. Anachronism Effects thus attends to the myriad ways in which ventriloquism has evolved as a distinct cultural object, as the art of "saying what people want to say but can't say" by displacing this unspeakable or unsavory speech onto a dummy. From the radically race-critical 1970s vinyl record albums of the African-American ventriloquist duo Richard and Willie; to the late 1980s-early 1990s lip-synch scandal wrought by the "ventriloquism" of the Afro-German pop group Milli Vanilli; to the contemporary televisual, cinematic, and multimedia performances of the self-deprecating British ventriloquist Nina Conti and her jingoistic American counterparts Terry Fator and Jeff Dunham, the project's case studies illuminate what it means to "vent" in both senses of the term, particularly in the context of the perceived dynamics of silencing or "correctness" that often accompanies contemporary political discourse. The dissertation's initial case studies notably coalesce around highly politicized celebrations of national history (the mid-1970s U.S. Bicentennial, the early 1990s "reunification" of Germany), while its later chapters take up post-9/11 U.S. fantasies of a return to a folkloric national past. In each instance, ventriloquism's play with the alignments and disconnections between body and voice enacts a material working-through of the temporal contradictions elided by national historical discourses.

ISBN: 9781369670141Subjects--Topical Terms:

2122736
Film studies.

Anachronism effects: Ventriloquism and popular media.
LDR:03407nmm a2200301 4500 001 2126123
005 20171115071442.5
008 180830s2016 ||||||||||||||||| ||eng d
020 $a 9781369670141
035 $a (MiAaPQ)AAI10245590
035 $a AAI10245590
040 $a MiAaPQ $c MiAaPQ
100 1 $a Kessler, Sarah Rebecca. $3 3288203
245 1 0 $a Anachronism effects: Ventriloquism and popular media.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2016
300 $a 208 p.
500 $a Source: Dissertation Abstracts International, Volume: 78-08(E), Section: A.
500 $a Adviser: Annette Schlichter.
502 $a Thesis (Ph.D.)--University of California, Irvine, 2016.
520 $a Anachronism Effects: Ventriloquism and Popular Media, argues that the seemingly outmoded cultural phenomenon of ventriloquism is a key site for understanding Western anxieties about media and mediation at the turn of the twenty-first century. Ventriloquism achieved mainstream popularity in the Vaudevillian era through its comedic dramatizations of the foibles of everyday communication. Subsequently translated into the audiovisual contexts of phonography, film, and television, the art boasts a growing plethora of media afterlives, while also serving as political shorthand for the mechanical reproduction of another's speech. Anachronism Effects insists that ventriloquism's circulation as a popular metaphor, and continued prevalence as a form of contemporary entertainment, offers a unique template for tracing the transmissions of power and knowledge through diverse media platforms, as well as through racialized, gendered, and queer bodies, in the information age---even as the practice continues to evoke the cultural detritus of a prior historical moment. Anachronism Effects thus attends to the myriad ways in which ventriloquism has evolved as a distinct cultural object, as the art of "saying what people want to say but can't say" by displacing this unspeakable or unsavory speech onto a dummy. From the radically race-critical 1970s vinyl record albums of the African-American ventriloquist duo Richard and Willie; to the late 1980s-early 1990s lip-synch scandal wrought by the "ventriloquism" of the Afro-German pop group Milli Vanilli; to the contemporary televisual, cinematic, and multimedia performances of the self-deprecating British ventriloquist Nina Conti and her jingoistic American counterparts Terry Fator and Jeff Dunham, the project's case studies illuminate what it means to "vent" in both senses of the term, particularly in the context of the perceived dynamics of silencing or "correctness" that often accompanies contemporary political discourse. The dissertation's initial case studies notably coalesce around highly politicized celebrations of national history (the mid-1970s U.S. Bicentennial, the early 1990s "reunification" of Germany), while its later chapters take up post-9/11 U.S. fantasies of a return to a folkloric national past. In each instance, ventriloquism's play with the alignments and disconnections between body and voice enacts a material working-through of the temporal contradictions elided by national historical discourses.
590 $a School code: 0030.
650 4 $a Film studies. $3 2122736
650 4 $a Comparative literature. $3 570001
650 4 $a Multimedia communications. $3 590562
690 $a 0900
690 $a 0295
690 $a 0558
710 2 $a University of California, Irvine. $b Comparative Literature - Ph.D.. $3 2097042
773 0 $t Dissertation Abstracts International $g 78-08A(E).
790 $a 0030
791 $a Ph.D.
792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10245590