東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Screwston, TX: The impact of space, ...

Wilkins, Langston Collin.

FindBook

Google Book

Amazon

博客來

Screwston, TX: The impact of space, place, and cultural identity on music making in Houston's hip hop scene.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Screwston, TX: The impact of space, place, and cultural identity on music making in Houston's hip hop scene./
作者:	Wilkins, Langston Collin.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
面頁冊數:	221 p.
附註:	Source: Dissertation Abstracts International, Volume: 78-02(E), Section: A.
Contained By:	Dissertation Abstracts International78-02A(E).
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10144208
ISBN:	9781339993706

Screwston, TX: The impact of space, place, and cultural identity on music making in Houston's hip hop scene.
Wilkins, Langston Collin.

Screwston, TX: The impact of space, place, and cultural identity on music making in Houston's hip hop scene. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 221 p.

Source: Dissertation Abstracts International, Volume: 78-02(E), Section: A.

Thesis (Ph.D.)--Indiana University, 2016.

This dissertation explores the roles of space, place, and cultural identity in the musicmaking practices of hip hop artists in Houston, Texas. Since the early 1990s, hip hop artists in Houston have cultivated a unique and indigenous hip hop tradition identified by three folk artifacts and one core practice: a slow and psychedelic hip hop production style and deejay technique called screw music; an automotive modification culture known as slab; a prescription strength cough syrupbased illicit drug concoction named syrup by locals; and the fervent sociolinguistic celebration of streets, neighborhoods, and the city of Houston referred to as "reppin' your hood." This tradition has continued to persist across multiple generations and has become part of the cultural identity of hip hop artists and fans within the city. The cultivation of this cultural identity is fueled by an ardent territoriality among the workingclass, African American men whom comprise the majority of practitioners within the scene. Taking this into consideration, local hip hop artists must embrace local identity in order to achieve critical and commercial success.

ISBN: 9781339993706Subjects--Topical Terms:

516178
Music.

Screwston, TX: The impact of space, place, and cultural identity on music making in Houston's hip hop scene.
LDR:02968nmm a2200325 4500 001 2126089
005 20171115071441.5
008 180830s2016 ||||||||||||||||| ||eng d
020 $a 9781339993706
035 $a (MiAaPQ)AAI10144208
035 $a AAI10144208
040 $a MiAaPQ $c MiAaPQ
100 1 $a Wilkins, Langston Collin. $3 3288163
245 1 0 $a Screwston, TX: The impact of space, place, and cultural identity on music making in Houston's hip hop scene.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2016
300 $a 221 p.
500 $a Source: Dissertation Abstracts International, Volume: 78-02(E), Section: A.
500 $a Advisers: Portia K. Maultsby; Fernando Orejuela.
502 $a Thesis (Ph.D.)--Indiana University, 2016.
520 $a This dissertation explores the roles of space, place, and cultural identity in the musicmaking practices of hip hop artists in Houston, Texas. Since the early 1990s, hip hop artists in Houston have cultivated a unique and indigenous hip hop tradition identified by three folk artifacts and one core practice: a slow and psychedelic hip hop production style and deejay technique called screw music; an automotive modification culture known as slab; a prescription strength cough syrupbased illicit drug concoction named syrup by locals; and the fervent sociolinguistic celebration of streets, neighborhoods, and the city of Houston referred to as "reppin' your hood." This tradition has continued to persist across multiple generations and has become part of the cultural identity of hip hop artists and fans within the city. The cultivation of this cultural identity is fueled by an ardent territoriality among the workingclass, African American men whom comprise the majority of practitioners within the scene. Taking this into consideration, local hip hop artists must embrace local identity in order to achieve critical and commercial success.
520 $a In this ethnographic study, I discuss how local artists negotiate individual agency and cultural expectations in their musicmaking practices. I explore this negotiation through case studies of three distinct artistic segments of the Houston hip hop scene: street, underground, and Christian. Members of each scene have particular artistic and philosophical motivations that impact the extent to which they embrace local hip hop identity. Through this study, I seek to illuminate the cultural dynamics of local hip hop scenes within the context of an increasing globalization of the musical genre. In addition, I use hip hop music in Houston to examine larger themes of territoriality, socialization, and identity among the postCivil Rights, African American working class.
590 $a School code: 0093.
650 4 $a Music. $3 516178
650 4 $a Folklore. $3 528224
650 4 $a African American studies. $3 2122686
650 4 $a Black studies. $3 2122689
690 $a 0413
690 $a 0358
690 $a 0296
690 $a 0325
710 2 $a Indiana University. $b Folklore and Ethnomusicology. $3 1028123
773 0 $t Dissertation Abstracts International $g 78-02A(E).
790 $a 0093
791 $a Ph.D.
792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10144208