東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Time after Modernism: Postcolonialit...

Powell, Amy L.

FindBook

Google Book

Amazon

博客來

Time after Modernism: Postcoloniality and Relational Time-Based Practices in Contemporary Art.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Time after Modernism: Postcoloniality and Relational Time-Based Practices in Contemporary Art./
作者:	Powell, Amy L.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2012,
面頁冊數:	275 p.
附註:	Source: Dissertation Abstracts International, Volume: 74-05(E), Section: A.
Contained By:	Dissertation Abstracts International74-05A(E).
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3548008
ISBN:	9781267831859

Time after Modernism: Postcoloniality and Relational Time-Based Practices in Contemporary Art.
Powell, Amy L.

Time after Modernism: Postcoloniality and Relational Time-Based Practices in Contemporary Art. - Ann Arbor : ProQuest Dissertations & Theses, 2012 - 275 p.

Source: Dissertation Abstracts International, Volume: 74-05(E), Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 2012.

This dissertation seeks to provide an in-depth account of time in contemporary art. In four thematic chapters, which analyze works by Lorraine O'Grady, Isaac Julien, Eija-Liisa Ahtila, Raoul Peck, Zarina Bhimji, Glenn Ligon, Nari Ward, Candice Breitz, Mark Bradford, Siemon Allen, Matthew Buckingham, Zineb Sedira, and Dave McKenzie, I demonstrate the ways that recent artworks and films experiment with time as a means to create new and often unexpected attachments. Time becomes an expansive dimension and medium through which artists and filmmakers propose relational networks based not on fixed identities, nor grounded in specific locations. Instead, I seek to uncover the ways artists affect our perceptions of time in order to interrogate the chronologies that govern how we live, to revisit archives, historical narratives and inherited genealogies, and to propose pathways to possible futures and worlds that are yet to exist. Such ambitious aims are supported by key strands of critical theory from which this dissertation draws, including Gilles Deleuze's writing on the cinema; specifically, what his concept of the "time-image" offers for thinking about time, artistic form, and subjectivity; postcolonial theories of the subject; the role of time in modernism's expanded field; the relationship of time to artistic medium; ongoing investments in methods of historical narration, such as Walter Benjamin's historical materialism; and queer theorizations of time. By providing a more thorough account of time in the study and exhibition of contemporary art, this dissertation opens up for reexamination and contestation the temporal meanings and possibilities of the field's most central concepts, including the category of "the contemporary" and postcoloniality as the condition of living in the wake of colonialism.

ISBN: 9781267831859Subjects--Topical Terms:

2122701
Art history.

Time after Modernism: Postcoloniality and Relational Time-Based Practices in Contemporary Art.
LDR:02767nmm a2200289 4500 001 2126043
005 20171113105124.5
008 180830s2012 ||||||||||||||||| ||eng d
020 $a 9781267831859
035 $a (MiAaPQ)AAI3548008
035 $a AAI3548008
040 $a MiAaPQ $c MiAaPQ
100 1 $a Powell, Amy L. $3 3288121
245 1 0 $a Time after Modernism: Postcoloniality and Relational Time-Based Practices in Contemporary Art.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2012
300 $a 275 p.
500 $a Source: Dissertation Abstracts International, Volume: 74-05(E), Section: A.
500 $a Adviser: Jill H. Casid.
502 $a Thesis (Ph.D.)--The University of Wisconsin - Madison, 2012.
520 $a This dissertation seeks to provide an in-depth account of time in contemporary art. In four thematic chapters, which analyze works by Lorraine O'Grady, Isaac Julien, Eija-Liisa Ahtila, Raoul Peck, Zarina Bhimji, Glenn Ligon, Nari Ward, Candice Breitz, Mark Bradford, Siemon Allen, Matthew Buckingham, Zineb Sedira, and Dave McKenzie, I demonstrate the ways that recent artworks and films experiment with time as a means to create new and often unexpected attachments. Time becomes an expansive dimension and medium through which artists and filmmakers propose relational networks based not on fixed identities, nor grounded in specific locations. Instead, I seek to uncover the ways artists affect our perceptions of time in order to interrogate the chronologies that govern how we live, to revisit archives, historical narratives and inherited genealogies, and to propose pathways to possible futures and worlds that are yet to exist. Such ambitious aims are supported by key strands of critical theory from which this dissertation draws, including Gilles Deleuze's writing on the cinema; specifically, what his concept of the "time-image" offers for thinking about time, artistic form, and subjectivity; postcolonial theories of the subject; the role of time in modernism's expanded field; the relationship of time to artistic medium; ongoing investments in methods of historical narration, such as Walter Benjamin's historical materialism; and queer theorizations of time. By providing a more thorough account of time in the study and exhibition of contemporary art, this dissertation opens up for reexamination and contestation the temporal meanings and possibilities of the field's most central concepts, including the category of "the contemporary" and postcoloniality as the condition of living in the wake of colonialism.
590 $a School code: 0262.
650 4 $a Art history. $3 2122701
650 4 $a Film studies. $3 2122736
690 $a 0377
690 $a 0900
710 2 $a The University of Wisconsin - Madison. $b Art History. $3 3186367
773 0 $t Dissertation Abstracts International $g 74-05A(E).
790 $a 0262
791 $a Ph.D.
792 $a 2012
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3548008