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Projecting Social Concerns: Russian ...

Wilmes, Justin.

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Projecting Social Concerns: Russian Auteur Cinema in the Putin Era.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Projecting Social Concerns: Russian Auteur Cinema in the Putin Era./
作者:	Wilmes, Justin.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2015,
面頁冊數:	237 p.
附註:	Source: Dissertation Abstracts International, Volume: 77-03(E), Section: A.
Contained By:	Dissertation Abstracts International77-03A(E).
標題:	Film studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3729471
ISBN:	9781339153261

Projecting Social Concerns: Russian Auteur Cinema in the Putin Era.
Wilmes, Justin.

Projecting Social Concerns: Russian Auteur Cinema in the Putin Era. - Ann Arbor : ProQuest Dissertations & Theses, 2015 - 237 p.

Source: Dissertation Abstracts International, Volume: 77-03(E), Section: A.

Thesis (Ph.D.)--The Ohio State University, 2015.

In recent years the Putin administration has increasingly consolidated its control over media and suppressed political opposition and dissenting views. Since 2012, ideological controls are ever expanding their reach also in the realm of cinema, circumscribing the social content of films and reflecting a marked shift toward authoritarianism during Putin's third term as President. On the other hand, high art has often had a paradoxical role in Russia, taking on a larger significance and even becoming increasingly outspoken as authoritarian controls stifle freedom of expression. In the tsarist and Soviet periods, Russia's great writers were the moral compasses for society; they frequently collided with government censors and their works were sites of conflict for difficult social issues. In the digital age, this torch has largely been taken up by Russian auteur cinema, which has become one of the only remaining sites of civic discourse on sensitive social and political issues.

ISBN: 9781339153261Subjects--Topical Terms:

2122736
Film studies.

Projecting Social Concerns: Russian Auteur Cinema in the Putin Era.
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500 $a Source: Dissertation Abstracts International, Volume: 77-03(E), Section: A.
500 $a Adviser: Yana Hashamova.
502 $a Thesis (Ph.D.)--The Ohio State University, 2015.
520 $a In recent years the Putin administration has increasingly consolidated its control over media and suppressed political opposition and dissenting views. Since 2012, ideological controls are ever expanding their reach also in the realm of cinema, circumscribing the social content of films and reflecting a marked shift toward authoritarianism during Putin's third term as President. On the other hand, high art has often had a paradoxical role in Russia, taking on a larger significance and even becoming increasingly outspoken as authoritarian controls stifle freedom of expression. In the tsarist and Soviet periods, Russia's great writers were the moral compasses for society; they frequently collided with government censors and their works were sites of conflict for difficult social issues. In the digital age, this torch has largely been taken up by Russian auteur cinema, which has become one of the only remaining sites of civic discourse on sensitive social and political issues.
520 $a These cinematic discourses are circumscribed by government censorship and funding, and an interesting "cat and mouse" game is taking place. New forms of Aesopian language have appeared in the Putin era. The postmillennial generation of auteur directors has been labeled, for example, the "New Quiets" (Novye tikhie) for their films in the early 2000s, which addressed social issues only obliquely through metaphor and allegory. However, several of these directors have taken a "political turn" since 2013, making films that more explicitly address political corruption and authoritarian practices.
520 $a Through analysis of both aesthetics and content, this dissertation examines the postmillennial generation of auteur filmmakers to better understand the social concerns that preoccupy them, their aesthetic strategies, and what resonance this vanguard of social and political critique has in society. Unlike the majority of studies that focus on a particular aspect of post-Soviet cinema, the present analysis will examine a wider range of social topics---national identity, xenophobia, postcoloniality, political discourse---attempting to illuminate connections among them.
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