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Decolonizing street art: Dine artist...

Richter, Bethany Joy.

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Decolonizing street art: Dine artists and intellectual sovereignty, alterities and the politics of the aesthetic.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Decolonizing street art: Dine artists and intellectual sovereignty, alterities and the politics of the aesthetic./
Author:	Richter, Bethany Joy.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2015,
Description:	163 p.
Notes:	Source: Masters Abstracts International, Volume: 55-02.
Contained By:	Masters Abstracts International55-02(E).
Subject:	Sustainability. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1604814
ISBN:	9781339289205

Decolonizing street art: Dine artists and intellectual sovereignty, alterities and the politics of the aesthetic.
Richter, Bethany Joy.

Decolonizing street art: Dine artists and intellectual sovereignty, alterities and the politics of the aesthetic. - Ann Arbor : ProQuest Dissertations & Theses, 2015 - 163 p.

Source: Masters Abstracts International, Volume: 55-02.

Thesis (M.A.)--Northern Arizona University, 2015.

In this paper, I argue that Dine street art demonstrates the intersection of theory, activism, and art as it employs intellectual sovereignty, spiritual alterities, and the politics of the aesthetic. Utilizing Robert Warrior and Andrea Smith, this thesis engages with a critical discussion of intellectual sovereignty as a process of critical discourse in which Indigenous Studies speaks to and unsettles other disciplines and topics. This paper also takes up the subject of spiritual alterities through the work of Perez and engages with the alter-space opened up by street art and it's relationship to sovereignty. Finally, engaging with the politics of the aesthetic, this paper will look at the political nature of street art and how sovereignty is enacted in communal and creative spaces.

ISBN: 9781339289205Subjects--Topical Terms:

1029978
Sustainability.

Decolonizing street art: Dine artists and intellectual sovereignty, alterities and the politics of the aesthetic.
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