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The Chinese cinema in the 1980s: Tow...

Liu, Lihsing.

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The Chinese cinema in the 1980s: Toward a systematic study of its socialist realism.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Chinese cinema in the 1980s: Toward a systematic study of its socialist realism./
作者:	Liu, Lihsing.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 1992,
面頁冊數:	129 p.
附註:	Source: Dissertation Abstracts International, Volume: 52-11, Section: A, page: 3754.
Contained By:	Dissertation Abstracts International52-11A.
標題:	Film studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9210203

The Chinese cinema in the 1980s: Toward a systematic study of its socialist realism.
Liu, Lihsing.

The Chinese cinema in the 1980s: Toward a systematic study of its socialist realism. - Ann Arbor : ProQuest Dissertations & Theses, 1992 - 129 p.

Source: Dissertation Abstracts International, Volume: 52-11, Section: A, page: 3754.

Thesis (Ph.D.)--Brigham Young University, 1992.

This study rests on the assertion that there is a canonization and then significant shift in the content and form of significant (prize-winning and esthetic) Chinese films (PRC) of the 1980s. The nature of this content and form and its change are described in terms of a general system or canon of Chinese films. Content analysis of eight significant films is used to demonstrate this finding.Subjects--Topical Terms:

2122736
Film studies.

The Chinese cinema in the 1980s: Toward a systematic study of its socialist realism.
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245 1 4 $a The Chinese cinema in the 1980s: Toward a systematic study of its socialist realism.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 1992
300 $a 129 p.
500 $a Source: Dissertation Abstracts International, Volume: 52-11, Section: A, page: 3754.
500 $a Chairman: Sharon Swenson.
502 $a Thesis (Ph.D.)--Brigham Young University, 1992.
520 $a This study rests on the assertion that there is a canonization and then significant shift in the content and form of significant (prize-winning and esthetic) Chinese films (PRC) of the 1980s. The nature of this content and form and its change are described in terms of a general system or canon of Chinese films. Content analysis of eight significant films is used to demonstrate this finding.
520 $a The reading of these eight Chinese film texts in this work shows the presence of five central elements which constitute the Chinese cinematic apparatus in the 1980s. In addition, this examination observes (1) the existence of a systematic canon of cinematic socialist realism in the early eighties; (2) a significant shift in the elements which compose the canon, which reveals political openness but does not completely destroy the canon or system.
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